User Score
Universal acclaim- based on 17 Ratings
User score distribution:
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Positive: 15 out of 17
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Mixed: 1 out of 17
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Negative: 1 out of 17
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GrahamS.Mar 5, 2008A return to form - for a recently reformed and remodeled AMC. High points on this disc, and there are many beautiful moments here-rival their best.
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GrayV.Feb 25, 2008AMC, new lineup and all, have done a great, subtle job arranging Eitzel's newest set of tunes. The lyrics are, as always, cutting, moving, and, yes, funny as hell. A real grower, "The Golden Age" is well worth your time.
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RM.Feb 26, 2008Stronger than I expected. A couple of clunkers but overall I think it's better than San Francisco. More stripped down than Mercury.
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GuyH.Feb 26, 2008
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NuemesNuemesMar 30, 2008
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LasseG.Mar 3, 2008A grower!
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MagesApr 10, 2008I can't stop listening to it.
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DejanSt.Apr 8, 2008Much more than I expected. A return to form. Beautiful.
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TaylorH.Feb 25, 2008This is naive and arrogant music at it's lowest. remember you are dying right this moment, so waste no more of your time reading this bitter attack on a stupid band with a stupid name........cheers, and God Bless You sheltered souls... oh and by the way, you're an idiot, though Jesus still somehow loves you.
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JackC.Apr 17, 2008"The Golden Age" is good solid record worth hearing. There are some strikingly good songs on here, such as "the decibels and little pills," "all my love," "sleeping beauty," and "the stars." All of it is pretty solid really. The only real gripe I have and why I'm only giving it an 8 is just because things start to feel a little monotonous over the course of the 13 tracks.
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Awards & Rankings
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AMC’s second second-life album (recorded with L.A. musicians on bass and drums) is as gorgeous and disorderly as any in its nine-album catalog.
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While the quality and beauty of The Golden Age can stand confidently beside those two classics ["Everclear & "Mercury"], it stands alone as another distinct chapter in the life of this band, precious to those who know them.
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MojoAficionados will welcome a renewed emphasis on Vudi's idiosyncratic string-bending, erecting iridescent frames around Eitzel's through-a-glass-darkly vignettes. [Feb 2008,p.105]