User Score
Generally favorable reviews- based on 26 Ratings
User score distribution:
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Positive: 22 out of 26
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Mixed: 0 out of 26
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Negative: 4 out of 26
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Mar 12, 2020The idea of combining two different sounds is intriguing, but it just doesn't work here. The UK production seems a little cookie-cutter dime-a-dozen. Her singing is good, but the production is pretty bland.
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May 18, 2018Just a beautiful album full of new sounds and emotions poured into it. She brought my soulful house music to R&B back.
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Dec 28, 2014I apologise for those that like this album but it's just churned out trash. It's insta-pop like this that the record labels will keep heaping upon the masses who will only too eagerly buy them because they are considered "cool". Avoid!
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Dec 3, 2014Tell me one reason not to love this album; among all these pop stupid records, there is still a star who can produce music of quality.
This is her best since Breakthrough, congratulations to her.
Really beautigul. -
Dec 2, 2014This is a great album! Mary J. Blige did a great job with major producers and producers who are up in the UK. Really surprised me and got me hooked. Simply captivating and beautiful.
Favorites tracks: "Not Loving You", "Whole Damn Year" & "Nothing But You".
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MojoDec 17, 2014While The London Sessions takes her in fresh new directions, Blige's own identity remains the dominant flavour. [Jan 2015, p.98]
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Dec 15, 2014Blige’s enthusiasm is most powerful on Follow.
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Dec 9, 2014It’s a seamless and occasionally thrilling listen that establishes a fact many could have predicted: Blige’s throaty vocals, as passionate and emotional as ever, are an ideal fit for house music. Nonetheless the album doesn’t exactly play out how you might expect.