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Up on the Ridge works best when it fully embraces the bluegrass concept, rather than trying to meld it with other country sensibilities.
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These cuts may not have the snap of classic bluegrass, but they do give Up on the Ridge a sense of country crossover, illustrating that Bentley is shrewd enough to walk the line between commercial and artistic concerns.
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Dierks Bentley epitomizes the New Nashville ideal, but on Up on the Ridge he goes old-school with a set of acoustic bluegrass jams.