Absolute Punk (Staff reviews)'s Scores

  • Music
For 811 reviews, this publication has graded:
  • 86% higher than the average critic
  • 1% same as the average critic
  • 13% lower than the average critic
On average, this publication grades 8.5 points higher than other critics. (0-100 point scale)
Average Music review score: 81
Highest review score: 100 Harmlessness
Lowest review score: 5 Fashionably Late
Score distribution:
  1. Negative: 6 out of 811
811 music reviews
    • 67 Metascore
    • 70 Critic Score
    Sophomore albums always find bands trying too hard, struggling to live up to their magnum opus and Mind Over Matter has all the hallmarks of exactly that.
    • 82 Metascore
    • 90 Critic Score
    Transgender Dysphoria Blues has an universal appeal that will resonate with anyone.
    • 71 Metascore
    • 75 Critic Score
    If the whole record were as explosive as these final two songs, it might have been Switchfoot’s best. As is, Fading West feels like a somewhat minor release from a band that has never lacked for dependability.
    • 71 Metascore
    • 85 Critic Score
    These guys have created a pop-punk album that isn't timeless, but that's not the point. Wishful Thinking, by design, tells the story of a point in time, one that only has meaning because it won't last.
    • 67 Metascore
    • 80 Critic Score
    For a stopgap release that no one expected, assembled from outtakes, B-sides, and covers that all but the most ardent Bruce followers would call inessential, High Hopes is still a remarkably cohesive and consistent record, and serves as a wonderful way to kick off 2014.
    • 83 Metascore
    • 95 Critic Score
    The title track kicks things off with a familiar formula, with ghostly vocal samples and static noise building into a beat that kicks off, and from there things start to feel a little less familiar than they have in the past.
    • 86 Metascore
    • 95 Critic Score
    Place A Wilhelm Scream into whatever brand of punk genre there is, it doesn't matter. It is unquestionably the best album released this year in whatever genre you choose
    • 85 Metascore
    • 88 Critic Score
    This is plainly Beyoncé’s most personal album yet, one forged in the fires of public miscarriages, a wrenching journey that does as much to combat this years Yeezus-led political misogyny as it complements with its own version of black empowerment and self-love, one that is staunchly, inclusively, womanist.
    • 88 Metascore
    • 85 Critic Score
    Memorial is arguably Russian Circles' best work to date. It's certainly debatable, but this is undeniably an staggeringly strong output for a band on their fifth release.
    • 78 Metascore
    • 85 Critic Score
    With her second proper full-length, Dessa has been cemented as one of the most important voices in not only hip-hop but all music today.
    • 64 Metascore
    • 80 Critic Score
    A Christmas Album captures the essence of any early Bright Eyes album whilst putting a new twist on festive favourites.
    • 80 Metascore
    • 70 Critic Score
    With Common Courtesy...love it or hate it as you will...A Day To Remember is getting started all over again. And the album ensures that this band hasn't yet seen the peak of its popularity.
    • 77 Metascore
    • 80 Critic Score
    While his best songs may yet be scattered about the internet or buried in his friends DJ sets, Guilt Trips works better as a cohesive whole than anything which has come before, yet leaves you clamoring for more.
    • 87 Metascore
    • 90 Critic Score
    There’s a real dynamic arc here, not just for the album as a whole, but also within each and every individual song, and whether or not you’ve gravitated toward county music in the past, that unrivaled depth of passion makes this record an absolute essential.
    • 71 Metascore
    • 80 Critic Score
    Direct Hits is a solid, predictable, and wholly enjoyable look back at the Killers’ tumultuous first 10 years.
    • 75 Metascore
    • 80 Critic Score
    Often misty eyed and always misty, the sophomore album from Blood Orange makes a compelling argument that a stroll on the beach can be as affecting alone as it is alongside a partner.
    • 78 Metascore
    • 85 Critic Score
    Matangi can be looked at as a return to form, but it's more fitting to think of it as a "getting back on track" kind of record.
    • 74 Metascore
    • 85 Critic Score
    Burials is an album you’ll want to replay, especially as the days get darker and the weather gets colder.
    • 90 Metascore
    • 80 Critic Score
    True to its name, this record is one of the finest debut pop-punk records of the last five years and easily among the top tier for the genre this year.
    • 75 Metascore
    • 83 Critic Score
    Save Your Breath have released one of the best albums in the genre this year and one of the only ones I think can truly be called a throwback to its golden age.
    • 79 Metascore
    • 88 Critic Score
    It's a very satisfying record, and it's the type of album where every song will probably be your favorite at some point, and you'll almost certainly have each of them stuck in your head at some point in the next week.
    • 79 Metascore
    • 90 Critic Score
    When it's all said and done, I have a feeling Jaar's solo career won't be the only thing he's known for, as Psychic has put Darkside up there with some of the best groups making music today.
    • 80 Metascore
    • 95 Critic Score
    They’ve re-affirmed their place as one of the best bands in the world and have created an album that is insightful, emotional, fun and just damn amazing.
    • 75 Metascore
    • 85 Critic Score
    Into It. Over It. have become a group that show us that the innermost workings of one mind can represent so many. All different. All the same.
    • 73 Metascore
    • 75 Critic Score
    For a group of guys who are now 22 years on from their debut album and 15 years past their prime as one of the biggest and most important groups in rock ‘n’ roll, Lightning Bolt is a strikingly stellar set of songs that belies the band’s democratic nature.
    • 79 Metascore
    • 85 Critic Score
    It sprawls and can feel tenuous, even precipitously close to collapse under its own weight, but the moment of calamity never arrives. It stands instead as a monument not to the person who has erected it, but to the multitudinous influences that brought it into being.
    • 87 Metascore
    • 95 Critic Score
    Its a testament to the fact that Tim Hecker is one of the best artists making music today, constantly pushing his sound to new heights while keep his signature style at the core of it all.
    • 81 Metascore
    • 83 Critic Score
    My Name Is My Name is one of the best debut albums of the year, but since Pusha T is far from a new artist, he's got a leg-up on many of the newcomers to the genre.
    • 82 Metascore
    • 90 Critic Score
    It’s easily his most exhilarating and challenging record to date, keeping you on your toes throughout by juxtaposing subdued verses with huge, soaring choruses.
    • 77 Metascore
    • 73 Critic Score
    It is a testament to Devine’s self-awareness of his ability as a songwriter that Bulldozer is not bloated to compensate for its lighter fare, and he sticks the landing with aplomb.