Austin Chronicle's Scores
- Movies
- Music
For 1,951 reviews, this publication has graded:
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43% higher than the average critic
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3% same as the average critic
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54% lower than the average critic
On average, this publication grades 3.3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Wincing The Night Away | |
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Lowest review score: | Luminous |
Score distribution:
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Positive: 1,539 out of 1951
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Mixed: 380 out of 1951
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Negative: 32 out of 1951
1951
music
reviews
- By Date
- By Critic Score
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- Critic Score
Four songs clocking in at nine minutes or more, Föllakzoid's III unfolds subtly and gradually to steady, hypnotic rhythms inspired by their Andean forebears.- Austin Chronicle
- Posted May 7, 2015
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- Critic Score
At just 25 minutes, these 10 tracks zip quick, but their aural, emotional weightiness demands compression.- Austin Chronicle
- Posted May 7, 2015
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- Critic Score
They're more punk at 70 than a truckload of Sex Pistols 45s, and still decimate every other band in your record collection.- Austin Chronicle
- Posted Apr 30, 2015
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- Critic Score
The acoustic "Hold No Guns" and yawning dirge "You've Haunted Me All My Life" spin austere--dramatic--but ring flat. Even so, Death Cab for Cutie's breakup ballads remain anthemic and radio-ready.- Austin Chronicle
- Posted Apr 30, 2015
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- Critic Score
Earl Sweatshirt finally reconciles those influences and the voices inside his own head on sophomore effort I Don't Like Shit, I Don't Go Outside.- Austin Chronicle
- Posted Apr 30, 2015
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- Critic Score
You're inclined to not like the too-self-aware man of I Love You, Honeybear, rejecting his moodiness because you can't stand another white man taking himself so fucking seriously. Then again, making fun of him is just falling into his trap.- Austin Chronicle
- Posted Apr 23, 2015
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- Critic Score
Like his piano chops, his lyrics are no-frills expressions, ripe and ready to be groomed into something even bigger.- Austin Chronicle
- Posted Apr 23, 2015
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- Critic Score
It's a well-grooved vision filled with stunning images and sobering emotions.- Austin Chronicle
- Posted Apr 23, 2015
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- Critic Score
Production rings crisp as the title track jolts at the outset with a speakeasy strut that turns to jumping jive on "Wanna Be Your Man," while chugging percussion and horns drive "Underground."- Austin Chronicle
- Posted Apr 20, 2015
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- Critic Score
Sophomore effort Let the Good Times Roll continues similarly [as 2012 debut, Signs & Signifier] without sinking into more of the same.- Austin Chronicle
- Posted Apr 16, 2015
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- Critic Score
The Oregonians' confident comeback is balls-out bold, the threepiece returning with fresh vitality.- Austin Chronicle
- Posted Apr 9, 2015
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- Critic Score
What a Terrible World, What a Beautiful World isn't a concept LP or any kind of statement of higher purpose. Instead, it simply illuminates the Decemberists' inviolate strengths.- Austin Chronicle
- Posted Apr 9, 2015
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- Critic Score
The real treat in hearing Dylan rework tunes like "Autumn Leaves" is a slow-motion, humanistic view of how he finds the song's critical path.- Austin Chronicle
- Posted Apr 9, 2015
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- Critic Score
Stepping upward into the macro, the album's landmark achievement lies in Kendrick Lamar's elevation of hip-hop into subtle invisibility, his blackness not exclusively tied to the rapper image.- Austin Chronicle
- Posted Apr 9, 2015
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- Austin Chronicle
- Posted Apr 8, 2015
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- Critic Score
The results are predictably top-notch.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
Though far from cohesive, the album instead showcases Carlile's range, and suggests she can conquer any direction she chooses, or maybe even all of them.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
Houndmouth pulls it all together into a packed album without faltering.- Austin Chronicle
- Posted Mar 18, 2015
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Sour Soul eschews the Tony Starks comic book concept narrative of the past two efforts in favor of some good old-fashioned coke rap and braggadocio.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
One can easily imagine these instrumentals finding a happy home at the National Air & Space Museum.- Austin Chronicle
- Posted Mar 18, 2015
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- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
The L.A.-based songwriter's fifth LP finds him focused solidly in the present. Fear still mines enough scarred grit to match Bingham's distinctive rasp.- Austin Chronicle
- Posted Mar 18, 2015
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- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
As always, the contrast between Adam Franklin's smooth pipes and his and Jimmy Hartridge's strident six-strings provides the sonic setting, enabling Swervedriver to put the brawn back in beauty.- Austin Chronicle
- Posted Mar 18, 2015
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- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
It's a challenging album in both substance and aesthetics, layered and looping sounds colliding with themes of black liberation and environmental justice, all unfolding at a hyper-mellow pace.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
Lyrically, the LP lacks the wit of past work like the clever "Supermodel," but stylistically, the Bostonians haven't missed a step.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
There's still enough of the Libertines' Arcadian ideal across tracks like "Summer in the Trenches" and the title track to hold old fans firm, but unlike Dirty Pretty Things, Barat's initial post-Libs' effort, he may have finally given the Albion his personal touch.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
Her proper debut full-length follows suit, but honed with more power.- Austin Chronicle
- Posted Mar 18, 2015
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- Critic Score
A stellar supporting cast matching his vision, Walker produces one of the year's most exciting releases.- Austin Chronicle
- Posted Mar 18, 2015
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