For 2,093 reviews, this publication has graded:
-
66% higher than the average critic
-
3% same as the average critic
-
31% lower than the average critic
On average, this publication grades 0.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | City of Refuge | |
---|---|---|
Lowest review score: | Lulu |
Score distribution:
-
Positive: 1,670 out of 2093
-
Mixed: 412 out of 2093
-
Negative: 11 out of 2093
2093
music
reviews
-
- Boston Globe
- Posted May 20, 2014
- Read full review
-
- Boston Globe
- Posted Mar 24, 2016
- Read full review
-
- Critic Score
Profane, lecherous, loaded with head-trip tape loops and guitars that sound like power tools melting in the sun, this is late-night, howl-at-the-moon-outside-the-punk-club stuff.- Boston Globe
- Read full review
-
- Critic Score
From the wild, ominous hard-bop of 'The Cell' to space-age chaos of 'Twinkle' to shimmying, shimmering 'Me,' there's never a dull moment--but more than a few bewildering ones.- Boston Globe
- Read full review
-
- Critic Score
The sonically arresting album, which couches Li's girl-group aspirations in a sheen of industrial grime, creates tension when the lyrics call for it.- Boston Globe
- Posted Mar 14, 2011
- Read full review
-
- Critic Score
Tillman had released solo records before joining Fleet Foxes in 2008, but none of them was as vivid as his latest.- Boston Globe
- Posted May 9, 2012
- Read full review
-
- Critic Score
The volleying guitars of "My Gap Feels Weird" and friendly ferocity of "Rope Light" signal a group with the same playful spirit that made its best work roar (see: 1994's "Foolish"), but with refreshed energy from a nine-year nap.- Boston Globe
- Read full review
-
- Critic Score
It is vintage Truckers for the stories it tells: portrayals, in the first person or the third, of lives far too achingly real and imprinted by such forces as crystal meth, the manufacturing recession, and the Iraq war to warrant the distancing moniker Gothic.- Boston Globe
- Read full review
-
- Critic Score
This confident new album is among his finest works, a terrific showcase for his finely honed, deeply humane songcraft.- Boston Globe
- Posted Mar 17, 2016
- Read full review
-
- Critic Score
Unlike his spotty debut, this is a seamless, brilliantly produced affair featuring his unmatched contemporary pop technique and songwriting craftsmanship.- Boston Globe
- Read full review
-
- Critic Score
Unlike the haunting ambiguities that comprised the Johnsons oeuvre, Anohni doesn’t traffic in subtlety here; boldface subversiveness makes Hopelessness lethal.- Boston Globe
- Posted May 5, 2016
- Read full review
-
- Critic Score
Williams adapted the song from a poem by her father, Miller Williams, and it gives Down Where the Spirit Meets the Bone its emotional compass if not its melodic direction. The rest of this double album, Williams’s first, settles into a deep groove that suggests the singer-songwriter was fired up and couldn’t--and shouldn’t--whittle her latest to a standard 10 songs.- Boston Globe
- Posted Sep 29, 2014
- Read full review
-
- Critic Score
The group’s sound has progressed to include ethereal synths, suited to the spiritual subject matter. Deheza’s soothing, breathy voice sits atop this sound as if she’s trying to comfort Curtis about their relationship in songs like “Open Your Eyes” and “On My Heart,” and about his cancer diagnosis in “Confusion.” This album highlights a connection between the two that goes beyond death.- Boston Globe
- Posted Feb 25, 2016
- Read full review
-
- Critic Score
Nikki Nack is ear candy, crammed with shards of looped instruments poking their heads above ground like skittish gophers and odd, counterintuitive vocal rhythms.... Unfortunately, too many songs have so much sugar-rush action, like the judder and clack of “Find a New Way,” that they fly apart.- Boston Globe
- Posted May 6, 2014
- Read full review
-
- Critic Score
Haunting, jarring, and oddly beautiful, Soused defies the idea of “easy listening,” but its singular vision and harnessing of the avant-garde makes it one of the year’s most compelling artistic statements.- Boston Globe
- Posted Oct 20, 2014
- Read full review
-
- Critic Score
On a rock solid and expansive set of songs, Lambert mixes backbeats, production styles, fuzzed-out vocals, slinky slide guitars, and other offbeat elements into a cohesive whole.- Boston Globe
- Posted Nov 2, 2011
- Read full review
-
- Critic Score
The 1975’s frequently dazzling exploration of life in the iOS era, frontman Matty Healy turns the mic over to--who else?--Siri. Narrating a strangely touching fable about a man in love with the Internet, the bot contributes one of a great many moments on the album.- Boston Globe
- Posted Nov 28, 2018
- Read full review
-
- Critic Score
Another great Superchunk record. What a Time to Be Alive bristles with anxious energy; even by Superchunk’s over-caffeinated standards, it keeps an unrelenting pace.- Boston Globe
- Posted Feb 14, 2018
- Read full review
-
- Critic Score
After his 2005 debut, DeVaughn ups the ante with a sprawling effort that works as a showcase for his lush vocals.- Boston Globe
- Read full review
-
- Critic Score
This collection of 10 instrumentals, recorded live with no overdubs along with a trusted crew of accompanists, captures the late Rose’s limber, relaxed guitar style, and the charm of his low-key songs.- Boston Globe
- Read full review
-
- Boston Globe
- Posted Dec 10, 2014
- Read full review
-
- Critic Score
In keeping with the New England Conservatory alums’ track record, its peaks are so high and so satisfying (and come frequently enough) that the band isn’t sunk by the competent if uninspired jazzy lounge-funk that it falls back on when it runs out of ideas for its songs for grown-ups raised on thinking-person’s pop music from the ’70s, ’80s and beyond.- Boston Globe
- Posted Mar 12, 2021
- Read full review
-
- Critic Score
"23" furthers the group's recent fascination with a sleeker presentation that favors sheen over squall.- Boston Globe
- Read full review
-
- Critic Score
For every track that fails to coalesce, Andorra rolls out two more that hum with a peculiar sort of heart.- Boston Globe
- Read full review
-
- Critic Score
The quintet adds Gary Versace on piano, and he blends in seamlessly, sometimes as ensemble player with a perfect grasp of Hollenbeck's jolty, elastic sensibility, and elsewhere with a cool pianism that brings the sound back to more familiar jazz terrain.- Boston Globe
- Read full review
-
- Boston Globe
- Posted Sep 28, 2015
- Read full review
-
- Critic Score
One thing we do know after listening to Leucocyte--the Esbjorn Svensson Trio's grandest achievement--is that its leader had much more to say, much more to explore.- Boston Globe
- Read full review
-
- Critic Score
This is industrial-strength Beach House with its hallmarks intact, just bigger and better. With co-producer Chris Coady, Legrand and Scally lift some of the haze that has often enveloped their music...now the band has given us this year’s first classic album.- Boston Globe
- Read full review
-
- Critic Score
Levon Helm's "Midnight Rambles" in Woodstock, N.Y., have become nearly as legendary as Helm. Occasionally, he takes the party to larger venues, as evidenced by this fabulous live CD.- Boston Globe
- Posted May 17, 2011
- Read full review
-
- Critic Score
Could be that the breathlessly lauded TV on the Radio is operating on some encrypted frequency that's beyond mortal ears, but the Brooklyn, N.Y., head-trippers mostly sound asleep at the switch on their fifth album.- Boston Globe
- Posted Apr 11, 2011
- Read full review