For 4,040 reviews, this publication has graded:
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44% higher than the average critic
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4% same as the average critic
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52% lower than the average critic
On average, this publication grades 4 points lower than other critics.
(0-100 point scale)
Average Music review score: 69
Highest review score: | Channel Orange | |
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Lowest review score: | Revival |
Score distribution:
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Positive: 2,754 out of 4040
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Mixed: 1,215 out of 4040
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Negative: 71 out of 4040
4040
music
reviews
- By Date
- By Critic Score
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- Critic Score
It's ambient electronica that exudes shoegaze impressionism that is also as effective as ever.- Consequence
- Posted Feb 24, 2012
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- Critic Score
Barry Adamson's I Will Set You Free is a mixed bag if there ever was one.- Consequence
- Posted Feb 24, 2012
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- Critic Score
The sense of unbridled joy on Carnivale Electricos is infectious. It defies you not to dance.- Consequence
- Posted Feb 22, 2012
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- Critic Score
It is something of a feat in 2012 to take ingredients from decades ago and serve them up impressively (and non-ironically), but without being in on the joke, the Club gets swallowed up in a wall of pet sounds.- Consequence
- Posted Feb 15, 2012
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- Critic Score
As it stands today, they're just another band doing a very familiar thing--at least they're doing it really well.- Consequence
- Posted Feb 14, 2012
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- Critic Score
The "cute" songs on this album are still the strongest, but the songs that show them stretching their wings are still worthwhile.- Consequence
- Posted Feb 13, 2012
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- Critic Score
Kisses on the Bottom is a respectable collection from a pop mastermind.- Consequence
- Posted Feb 10, 2012
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- Critic Score
Despite more of the foul-mouthed impish fun, Ten$ion doesn't offer much punch or cohesive power.- Consequence
- Posted Feb 8, 2012
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- Critic Score
Some of the finer details might be lost on the live presentation, but it's nothing to cry about when you consider that you're hearing Wire in their natural habitat.- Consequence
- Posted Feb 8, 2012
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- Critic Score
Blondes need to hone themselves-become harder, better, faster, stronger-if they wish to become memorable, to stand out in listeners' minds as something tangible and unique.- Consequence
- Posted Feb 6, 2012
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- Critic Score
Where they strive to pioneer a new sound stemming from everything from 80s hair metal to industrial to funk, they ultimately come off sounding confused and even a touch pretentious.- Consequence
- Posted Feb 2, 2012
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- Critic Score
Their sophomore effort, Out Of Frequency, is an otherworldly fantasy where disco isn't dead, chipmunks evolved from Adele or the Dee-Lites, and an iPod Touch is your gateway drug to euphoria.- Consequence
- Posted Feb 2, 2012
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- Critic Score
Rich Forever doesn't boast any potential mega-hits. But that's actually a good reason to give this a spin; the songs here are strong without shooting for the stars.- Consequence
- Posted Feb 2, 2012
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- Critic Score
The success of the album is ultimately dependent on the listener's familiarity with the original songs.- Consequence
- Posted Feb 1, 2012
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- Consequence
- Posted Jan 31, 2012
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- Critic Score
Her debut is mediocre at best. At worst, it's as uninspired and repetitive as her internet commentators.- Consequence
- Posted Jan 31, 2012
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- Critic Score
The album's understated bleakness could be less uniform and more dynamic, but it's still a pleasant listening experience.- Consequence
- Posted Jan 30, 2012
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- Critic Score
The Phenomenal Handclap Band return with its sophomore release, Form & Control, which feels more centered, yet as retro as ever.- Consequence
- Posted Jan 30, 2012
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- Critic Score
Bandleader Adrian Pillado and the rest of the group work their way through their retro surf-influenced blasts of pop with ease.- Consequence
- Posted Jan 26, 2012
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- Critic Score
Wonderland may have worked better as a series of EPs, but as is the album fails to be more than the sum of its parts, possibly even hindered by poor arrangement of tracks and the odd inclusion of "The Kids Will Have Their Say."- Consequence
- Posted Jan 26, 2012
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- Critic Score
Equal parts good time and fresh, original takes on these classic tracks, the band offers a medley of styles that color these standards in a new light.- Consequence
- Posted Jan 26, 2012
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- Critic Score
It took me more than a few listens to pick up on this subtle understanding of baroque rock.- Consequence
- Posted Jan 26, 2012
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- Critic Score
Take Vodka and Ayahuasca as a testament to these guys' long-acquired mastery of their craft, even as the rhymes are generally less than striking.- Consequence
- Posted Jan 25, 2012
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- Critic Score
Props are in order for Green stepping out of his comfort zone. However, subsequent LPs are going to need to be more refined before they're ready to be deemed truly beautiful.- Consequence
- Posted Jan 24, 2012
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- Critic Score
On Clear Heart Full Eyes, Finn brings the stories (he always brings the stories), but as a whole, the album sounds atypically half-hearted.- Consequence
- Posted Jan 24, 2012
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- Critic Score
Keyboard effects aside, it's the same-old same-old, and whether you love Snow Patrol or hate 'em, Fallen Empires will do little to change your mind.- Consequence
- Posted Jan 17, 2012
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- Critic Score
The Big Pink's insistence on keeping their amplifiers and ambition turned all the way up to 11 for the length of Future This makes for a decidedly dull listen and one that'll leave many fans hoping that the band will scale things back for album number three.- Consequence
- Posted Jan 17, 2012
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- Consequence
- Posted Jan 9, 2012
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- Critic Score
While it's clear that the album is a true labor of love for Kenniff, its 15 tracks are an exercise in patience despite lasting only 33 minutes.- Consequence
- Posted Jan 5, 2012
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- Critic Score
There's some genuine emotional sentiment displayed, but the swagger's too powerful and everything falls prey to blasé boasts.- Consequence
- Posted Jan 3, 2012
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