Consequence's Scores

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For 4,040 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
  1. Positive: 2,754 out of 4040
  2. Mixed: 1,215 out of 4040
  3. Negative: 71 out of 4040
4040 music reviews
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    • 48 Metascore
    • 50 Critic Score
    Yours Truly
    Sublime With Rome is its own creature, and Yours Truly is a very decent jam album.
    • 65 Metascore
    • 50 Critic Score
    Two-Way Mirror
    Dripping guitars and distortion follow Crystal Antlers' predictable style, but the messy trajectory of Two-Way Mirror requires serious tolerance for walls of noise to endure from start to finish.
    • 59 Metascore
    • 50 Critic Score
    Again and Again
    The 11 tracks on their sophomore record, Again and Again, compromise a brief sugar high clocking in at just under 30 minutes, the totality of the album a fun, slightly too tame summer listen.
    • 77 Metascore
    • 60 Critic Score
    Weekend at Burnie's
    So far, he's kept a high quality to go along with the high volume of his releases, and Weekend at Burnie's is no exception. It won't be his breakout into the mainstream, but if he continues at this rate he'll be there soon enough.
    • 68 Metascore
    • 60 Critic Score
    Wayward Fire
    Mohager takes the propulsive beats of New Order and makes it his own for the modern club set. With a better editor, Mohager's future won't let up any time soon.
    • 70 Metascore
    • 60 Critic Score
    Buffalo
    Not a bad album by any means, Buffalo simply isn't a good album: a couple of decent tracks present themselves but it doesn't feel like a 45-minute investment.
    • 70 Metascore
    • 40 Critic Score
    Within and Without
    Greene's efforts of merging the decidedly low-key sounds of bedroom music and the urban thump of hip-hop represent a good first step in the continued evolution of the genre, but in the end, the resulting efforts feel warped by the confines of Greene's bedroom pop dedication.
    • 63 Metascore
    • 40 Critic Score
    Gardens & Villa
    There are two stellar songs on Gardens & Villa, songs that show a ton of promise, but also make the rest of the uninspired filler on the album pale in comparison.
    • 48 Metascore
    • 60 Critic Score
    If Not Now, When?
    To say this album is a complete miss would be unfair. In reality, it's a great band reaching for a completely different horizon, all with hints of their previous selves.
    • 71 Metascore
    • 50 Critic Score
    Galactic Melt
    While consistently solid, Galactic Melt is ultimately just underwhelming. Instead of any real flaws, the indistinguishable nature of the songs is its true weakness.
    • 66 Metascore
    • 50 Critic Score
    We Love You So Bad
    Kids on a Crime Spree don't bring anything new to the surf rock trend, so they'll likely have to branch out more if they want their music to be remembered.
    • 73 Metascore
    • 60 Critic Score
    The Light of the Sun
    At 14 tracks, The Light of the Sun would have fared better if cut by three or four numbers. But that's why god invented the skip button.
    • 72 Metascore
    • 40 Critic Score
    We Are the Champions
    To play with the big boys, or to call themselves champions, these brothers will need to figure out what they want to talk about. Until then, they have nobody convinced.
    • 70 Metascore
    • 60 Critic Score
    Sondre Lerche
    Lerche's pretty falsetto around an unexpectedly funky beat before blossoming into a harmonious choral chant that evokes the kind of hard-won joy depicted at the end of movies, where people with tear-stained but smiling faces sway back and forth with their arms around each other.
    • 53 Metascore
    • 60 Critic Score
    Gold Cobra
    Gold Cobra props itself up as the best thing we've seen from our most hated band since even 1997, and the two albums following that had enough singles to fill a greatest hits compilation one record ahead of schedule.
    • 69 Metascore
    • 60 Critic Score
    Finally Famous
    With an album that highlights the lowlights and vice-versa of being an MC, Big Sean has crafted an effort that makes room for himself on the rap spectrum.
    • 42 Metascore
    • 50 Critic Score
    Spider-Man: Turn Off the Dark
    Despite the years spent on it, the Original Cast Recording of Spider-man: Turn Off the Dark is a mixed bag. It would seem that Bono and Edge went into this score thinking it would be quick, easy, and painless. The truth is that Broadway musicals are none of those things, and their lack of knowledge washes over these 14 songs.
    • 72 Metascore
    • 60 Critic Score
    Hell: The Sequel EP
    On a major label debut, there is very little room to mess around and get experimental, but that's precisely what he's done. It's not a great effort from either end of the duo, and it frankly leaves one wondering what could have been for such a promising pair.
    • 71 Metascore
    • 40 Critic Score
    Mirror Mirror
    Reminders of the past are pleasant, but at the end of the day, you'll be choosing Power, Corruption & Lies or Songs of Faith and Distortion over Sons & Daughters' Mirror, Mirror.
    • 72 Metascore
    • 60 Critic Score
    Lupercalia
    While he succeeds fairly well at ensuring that Lupercalia spends its every minute displaying his emotions on its sleeve, it's fairly safe to say that this record won't exactly storm the charts.
    • 77 Metascore
    • 40 Critic Score
    Loud Planes Fly Low
    The Rosebuds instead have limited themselves and recorded an album that's generally good while being limited in its emotional scope and thus utterly disappointing in the long run.
    • 58 Metascore
    • 50 Critic Score
    Euphoric Heartbreak
    Album closer "Change", a quiet piano-led piece which experiments with spoken word is a poignant and welcome diversion which, if Glasvegas had looked to explore it more fully, could have furnished a much stronger and more wide-ranging sophomore effort. As it stands, this one slumps. Low.
    • 68 Metascore
    • 50 Critic Score
    Ukulele Songs
    On their own, each of the 16 songs are mildly admirable. Altogether, they're incredibly grating. In fact, if you weren't paying close enough attention, you'd be convinced the same song had been spinning for nearly 35 minutes.
    • 66 Metascore
    • 60 Critic Score
    It's a Corporate World
    A fair amount of the content on the debut can be summarized as dull or even expected. That said, this is a solid pop record, and one that should find an audience, namely the same audience that found the band's biggest influences.
    • 49 Metascore
    • 50 Critic Score
    All Things Bright and Beautiful
    Overall, All Things Bright and Beautiful isn't a bad album; it's just not very interesting.
    • 72 Metascore
    • 60 Critic Score
    Disc-Overy
    The album is a good listen, but it isn't anything the world hasn't heard before.
    • 71 Metascore
    • 60 Critic Score
    Codes and Keys
    That being said, though, while Codes and Keys is a pleasing listen, it ultimately does lack the depth to make it really memorable, and some of the sacrifices made to create its poppy aesthetic are terribly unfortunate.
    • 70 Metascore
    • 60 Critic Score
    Heavy Rocks
    Because Heavy Rocks can't seem to figure out what it wants to be, it falls short of other Boris albums.
    • 62 Metascore
    • 40 Critic Score
    The Head and the Heart
    Even as singers Jon Russell and Josiah Johnson's voices flow together swimmingly over Charity Thielen's violin, the album never truly succeeds at living up to its name.
    • 74 Metascore
    • 60 Critic Score
    Give Till It's Gone
    He might lack a sense of direction personally (at least right now), but it's this lack of clarity that has produced a very focused record.
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