Dusted Magazine's Scores
- Music
For 3,082 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Ys | |
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Lowest review score: | Rain In England |
Score distribution:
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Positive: 2,474 out of 3082
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Mixed: 574 out of 3082
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Negative: 34 out of 3082
3082
music
reviews
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- By Critic Score
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- Critic Score
Roberts sounds alienated, but not arrogant, like some of his labelmates often can. His vocal melodies lack warmth and pain, but I find No Earthly Man's blank stare profoundly appropriate.- Dusted Magazine
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The Fallen Leaf Pages settles comfortably into the band's canon, delivering no surprises, no gimmicks, no gags, no quirks and no affectations.- Dusted Magazine
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Blue Eyed in the Red Room doesn’t fit any hip hop preconceptions. Moving deftly from influenced to influential, Boom Bip defines himself by leaving limitations behind.- Dusted Magazine
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It’s fairly impressive that Stars could make a record that comes this close to replicating its predecessor while still offering discrete pleasures of its own.- Dusted Magazine
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Despite what appears to be a decided attempt to branch out musically, Prekop returns with a slight variation on the same theme that has seemed to follow him around since birth. Luckily, for fans of Prekop's work, progress and self-redefinition has hardly been the point.- Dusted Magazine
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He’s smart enough to be aware of his dorkiness, and by the end of Live From Rome he has almost turned it into an asset.- Dusted Magazine
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A dramatic, often fascinating work, it inspires repeated and careful listening, and stands alongside the best of Bachmann’s work.- Dusted Magazine
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His lo-fi production values, traditional forms, and writerly sense of detail create songs that seem to recall moments from some collective past life, one that’s just barely disappeared from view.- Dusted Magazine
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Fans might enjoy the history lesson, while non-fans are probably better off waiting for the next full-length.- Dusted Magazine
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Back-to-back tracks recorded years apart seem inseparable, and some of the recordings here are the strongest the band – or anyone else – has ever put to tape.- Dusted Magazine
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Here the whole sum is less than its individual parts: individual tracks display real quality, but the album fails to cohere.- Dusted Magazine
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Don’t be put off by the glossy patina; there’s a lot to hear on this record, as repeated listening makes plain.- Dusted Magazine
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You get the impression that the artist is truly a giving soul, even if his gift is in the form of an emotionally wrenching, uncomfortably confessional record.- Dusted Magazine
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“Everybody’s Song” features the melodic discipline, barely contained anguish and cryptic lyrical finger-wagging that marked the last few Posies records. “Just Stand Back” (“I’m gonna turn on you so fast”) is a hateful little bon-bon that could stand tall on a Sugar record. And yet, The Great Destroyer remains too rickety and pristine to be anyone’s baby but Low’s.- Dusted Magazine
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Have you ever fallen asleep during the X-Files’ opening credits, then awoken to a Volkswagen commercial? Have you ever wanted to?- Dusted Magazine
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Wilderness has a few disposable songs: the second half in particular drags on a little bit as different tracks become pretty much indistinguishable. However, the downtime and background amidst moments of appeal channels the spirit of ’70s AM radio pretty accurately.- Dusted Magazine
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It's hard to believe at first listen, but they've got nuance.- Dusted Magazine
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School of the Flower easily ranks as Ben Chasny's best work thus far.- Dusted Magazine
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The fact that the middle of the album is easier to swallow than the beginning is not an indication of any real improvement, but a sign that you become habituated, or at least desensitized, to its utter lack of creativity or soul.- Dusted Magazine
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Like many of their retro-rock peers, however, the band struggles to find a personal identity that transcends imitation and homage; the result is an album that, while excellent at moments, often falls victim to its own stylistic incertitude.- Dusted Magazine
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When MF Doom takes the time to plot and scheme it, no idea is too outlandish, no beat too unorthodox, and much of MMâ?¦Food? is the work of a master chef cooking up some marvelous shit. However, masters get held to a higher standard.- Dusted Magazine
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Oldham's music, while drawing on familiar influences ' Neil Young and the Grateful Dead are immediately apparent ' is diverse enough that it feels far fresher than a by-the-numbers retread.- Dusted Magazine
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The compatibility between the browbeating belligerence of hardcore and the glitzkrieg of techno’s bare repetition is undeniable – and much more enjoyable than it reads on paper.- Dusted Magazine
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Psapp's music is so beautifully complex that upon first listen it might seem a bit haphazard or amateurish -- with all its bells, whistles, whizzes and whirrs -- but after repeated listens, the oddities take on a precise purpose and fit perfectly within the melodic structure.- Dusted Magazine
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