E! Online's Scores

  • Music
For 787 reviews, this publication has graded:
  • 72% higher than the average critic
  • 4% same as the average critic
  • 24% lower than the average critic
On average, this publication grades 1.9 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Okonokos [Live]
Lowest review score: 0 I Get Wet
Score distribution:
  1. Negative: 11 out of 787
787 music reviews
    • 72 Metascore
    • 67 Critic Score
    Neither as experimental as Yankee Hotel Foxtrot nor as accessible as McCaughey's various forays, nothing on the album really makes an impression other than a couple of throwaway lyrics and the abrupt shift between McCaughey's pinched vocal styling and Wilco singer Jeff Tweedy's coarse whisper.
    • 69 Metascore
    • 67 Critic Score
    Once again, it's a batch of arena-ready, metal-friendly, upbeat punk rock that often sounds like Sum 41 doing its best Bay City Rollers impression.
    • 79 Metascore
    • 83 Critic Score
    A darkly shimmering, intensely brooding and exquisitely melancholy trip.
    • 86 Metascore
    • 75 Critic Score
    Conjures up an exotic, enchanting world populated with slide guitars, maracas, accordions, brass bands and late-night country crooning.
    • 67 Metascore
    • 91 Critic Score
    Retro rawk doesn't come much ballsier than this--or get much better.
    • 82 Metascore
    • 100 Critic Score
    Melodically exquisite, this is a triumph of minimalism.
    • 73 Metascore
    • 83 Critic Score
    Often funeral-march slow, but there are also flashes of passionate energy.
    • 73 Metascore
    • 67 Critic Score
    Unless you are the president of the NRA or addicted to Cops-type tales, 50 Cent's debut is strictly small change.
    • 53 Metascore
    • 75 Critic Score
    The lyrics aren't "How Soon Is Now?"-type genius, but they go down easily enough.
    • 79 Metascore
    • 100 Critic Score
    Even the geeky ballads will put a smile on your face and a Bic lighter in your hand.
    • 68 Metascore
    • 67 Critic Score
    All droning guitars, snail-paced rhythms and bombastic arrangements, songs like "Schedule for Using Pillows & Beanbags" and "Your Lights Are (Out or) Burning Badly" will either raise the hairs on the back of your neck or put you to straight to sleep.
    • 85 Metascore
    • 83 Critic Score
    A lesson in subtlety, 10 songs of abstract musical impressions that foil today's connect-the-dots pop.
    • 80 Metascore
    • 100 Critic Score
    A soaring, orchestral pop masterpiece.
    • 79 Metascore
    • 67 Critic Score
    Singer Sam Prekop sounds as delightfully laid-back as ever and John McEntire's production remains inventive, however, the combined effect is more limp than limber.
    • 69 Metascore
    • 75 Critic Score
    Lovebox brings together [their] disparate elements in a convenient package, highlighting the knob-twiddlers' many talents.
    • 79 Metascore
    • 83 Critic Score
    Interesting variations on classic pop music, delivered with fire and wisdom.
    • 53 Metascore
    • 67 Critic Score
    She doesn't quite act her age on teen beat-driven single "Whatchulookinat," but she makes up for it with a series of R&B standards and diva-worthy ballads that hit most of the right notes.
    • 76 Metascore
    • 83 Critic Score
    Snoop sounds as cool as ever with his velvety voice and nodding head keeping the laid-back party going.
    • 87 Metascore
    • 91 Critic Score
    With Phrenology, the cool Philly troupe remain head and shoulders above the rest by sticking to their well-defined course of smoky live beats, serious lyrics, stunning guests... and not one ounce of production from the Neptunes.
    • 75 Metascore
    • 83 Critic Score
    This disc has a clutch of songs that mix chord-y abandon with raging rock riffs--and a heck of a lot of good times.
    • 77 Metascore
    • 83 Critic Score
    As leftovers go, this Album is refreshingly tasty.
    • 77 Metascore
    • 91 Critic Score
    The songs don't exactly have the stripped-down demo feel Harrison intended--but mercifully aren't as over-glossed as those on his last solo album, 1987's Cloud Nine.
    • 70 Metascore
    • 91 Critic Score
    With dashes of Nick Cave darkness, surf-guitar twang, ugly '60s pop and Velvet Underground-y noise, the Raveonettes offer more variations on the dense tuned-down sound that's overtaking America.
    • 57 Metascore
    • 75 Critic Score
    The tough stuff works. But Temptation is really tempting when Rule drops all pretense of authenticity and lets the good vibes flow on the bouncy "Mesmerize," silky sex-jam "Murder Me" and the horn-infused title track.
    • 62 Metascore
    • 75 Critic Score
    While a bit of this debut sounds like Cornell doing his best over Rage-ified staccato riffs, these guys are at the top of their game when they reverse the formula and make way for Cornell's masterful wail and poetic imagery.
    • 73 Metascore
    • 75 Critic Score
    The frequently acoustic guitars and the frontman's mumbled ramblings on death, politics and love make this a fairly quiet, and deep, Riot.
    • 81 Metascore
    • 100 Critic Score
    Even with all the drama, Construction is Elliott's sturdiest creation yet.
    • 71 Metascore
    • 83 Critic Score
    3D
    features several career-defining turns by superstar producers such as the Neptunes ("In My Arms Tonight"), Babyface ("Hands Up"), Missy Elliott and Timbaland ("Dirty"), with all the group's playfulness and silky-smooth funk intact.
    • 70 Metascore
    • 83 Critic Score
    Often thrilling, sometimes just interesting.
    • 68 Metascore
    • 83 Critic Score
    Michael Jackson's probably thinking, "Man, this is the album I should've made last year!"