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For 787 reviews, this publication has graded:
  • 72% higher than the average critic
  • 4% same as the average critic
  • 24% lower than the average critic
On average, this publication grades 1.9 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Okonokos [Live]
Lowest review score: 0 I Get Wet
Score distribution:
  1. Positive: 643 out of 787
  2. Mixed: 133 out of 787
  3. Negative: 11 out of 787
787 music reviews
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    • 67 Metascore
    • 67 Critic Score
    Out Of Exile
    The foursome has still not found a common sound to call its own.
    • 43 Metascore
    • 67 Critic Score
    I Am Me
    The pop hooks are there, but we can't shake the feeling that the sentiments come off as phony.
    • 59 Metascore
    • 67 Critic Score
    Shaman
    But even as Santana's magic fingers sometimes struggle for a common thread here, they still do plenty of good work.
    • 50 Metascore
    • 67 Critic Score
    Winning Days
    This album tends to lean more toward the psychedelic ballads, which slows down the action a little too much.
    • 55 Metascore
    • 67 Critic Score
    Afterglow
    Her voice is still in fine shape, but tracks like "Fallen" and "Drifting" are so mild-mannered you have to wonder if anyone will even notice she's back.
    • 75 Metascore
    • 67 Critic Score
    Driving Rain
    While [Linda's] death hangs over much of Driving Rain, Macca's knack for taking a sad song and making it better means tracks like "Lonely Road," "It Must Have Been Magic," "Your Way" and "Back in the Sunshine" are redemption songs, not exercises in self-pity.
    • 53 Metascore
    • 67 Critic Score
    Just Whitney
    She doesn't quite act her age on teen beat-driven single "Whatchulookinat," but she makes up for it with a series of R&B standards and diva-worthy ballads that hit most of the right notes.
    • 70 Metascore
    • 67 Critic Score
    The Forgotten Arm
    Unfortunately, this straightforward approach also reveals how straight-up dull Mann's country-tinged songs can be.
    • 64 Metascore
    • 67 Critic Score
    Don't Believe The Truth
    It lacks the raw energy and tunes that made people want to hum uncontrollably in the shower. Worse yet, the brazen confidence the Gallagher brothers displayed during the early years has faded.
    • 65 Metascore
    • 67 Critic Score
    4:21 ... The Day After
    The Day After sounds like something we've heard before.
    • 71 Metascore
    • 67 Critic Score
    Everyone Deserves Music
    When he gets it right, the rich grooves and soulful voices can be sublime, like early '70s Curtis Mayfield or Sly and the Family Stone.
    • 68 Metascore
    • 67 Critic Score
    Subtitulo
    Subtítulo... is not without its charms, but it borders on easy listening at times.
    • 67 Metascore
    • 67 Critic Score
    Continuum
    On "Waiting on the World to Change," Mayer breathily imagines a world where frat boys get off their couches and have people sign petitions. Sigh. A little more of that and less of noodley songs like "Vultures" and "Gravity" would have been a good step toward reminding us who Mayer really is.
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