Lost At Sea's Scores

  • Music
For 628 reviews, this publication has graded:
  • 74% higher than the average critic
  • 2% same as the average critic
  • 24% lower than the average critic
On average, this publication grades 4.2 points higher than other critics. (0-100 point scale)
Average Music review score: 77
Highest review score: 100 Treats
Lowest review score: 0 Testify
Score distribution:
  1. Negative: 5 out of 628
628 music reviews
    • 82 Metascore
    • 70 Critic Score
    As much as I enjoy Stage Names, it will never be as highly regarded as the comparitavely masterpiece Black Sheep Boy, as the songs lack the depth and magnitude needed to influence a much more musically inclined indie fan base.
    • 82 Metascore
    • 85 Critic Score
    While Sad Songs was immediately arresting, able to knock the wind clean from those who found it, Alligator conjures the same black magic on a broader scale, readying itself to be known beyond those small circles.
    • 82 Metascore
    • 80 Critic Score
    It sounds a whole lot like you’d expect the new Xiu Xiu album to sound.
    • 82 Metascore
    • 87 Critic Score
    If this is the band's "Parallel Lines," they've brought tunes worth comparing.
    • 82 Metascore
    • 88 Critic Score
    Kieran Hebden's latest and best opus since "Rounds" is dare I also say his danciest.
    • 82 Metascore
    • 80 Critic Score
    Jarvis is a solid, thought-provoking album.
    • 81 Metascore
    • 90 Critic Score
    Operatic in scope, ruthlessly ambitious in its range, The Paper Chase have dropped one the most unique and substantive records of the year.
    • 81 Metascore
    • 80 Critic Score
    Coxon clearly shows a mastery that comes from experience, and when he hits his groove it’s infectious.
    • 81 Metascore
    • 80 Critic Score
    Contra flourishes in its effort to ease up on "A-Punk"'s stiffness as the quartet engages in sonic experimentation of unprecedented playfulness even compared to the debut's.
    • 81 Metascore
    • 70 Critic Score
    Get Behind Me Satan is the first White Stripes album that sputters because it’s the first White Stripes album that tries to sell their image instead of their music.
    • 81 Metascore
    • 90 Critic Score
    Anyone intrigued by Doom should adore this album.
    • 81 Metascore
    • 83 Critic Score
    If you want to get in on the ground floor of something good, then check out Cross and see where Justice leads; with cuts like these, it will certainly not take long until they're all over the place, in commercials, on the radio, and on TV.
    • 81 Metascore
    • 90 Critic Score
    It’s amazing to see how the Decemberists have grown. The songs from their first EP, 5 Songs, seem like a man and an acoustic guitar, where Picaresque feels like a full blown orchestra.
    • 81 Metascore
    • 83 Critic Score
    [Palomo's] instincts fill Psychic Chasms with the kind of intangible pleasures that make for a dynamic, lyrical-sounding record and a wholly enjoyable listen in spite of any cynicism towards the fad it encapsulates.
    • 81 Metascore
    • 95 Critic Score
    One of the best albums of 2006.
    • 81 Metascore
    • 85 Critic Score
    Though the songs eschew familiar structures, their triumphant, readily accessible moments occur with surprising frequency; multiple hooks litter the lengthier compositions, and the shorter pieces usually contain at least two winsome passages.
    • 81 Metascore
    • 68 Critic Score
    The BBC Sessions comes on the heels of "Push Barman to Open Old Wounds," which succeeded simply because it made neat work of the "Lazy Line Painter Jane EP Box," but BBC Sessions seems to somehow simultaneously offer more and less than that compilation.
    • 81 Metascore
    • 84 Critic Score
    Armchair Apocrypha is a wonderful record.
    • 81 Metascore
    • 80 Critic Score
    You In Reverse is equal parts subtlety and over self-indulgence, and its problems lie with the latter. More often than not, the stretched out jams seems to take up space rather than move the songs forward.
    • 81 Metascore
    • 85 Critic Score
    This maturation of lyrical character is the Bonnie "Prince" Billy we would hope for and expect at this juncture in his career. While there may always be a darkness, it's refreshing to bask in his newfound light.
    • 81 Metascore
    • 80 Critic Score
    Set Yourself on Fire is a release of unexpected dimensions.
    • 81 Metascore
    • 95 Critic Score
    The album is a classic from start to finish, and only adds to the already monumentally impressive discography the band has produced in the past decade.
    • 81 Metascore
    • 65 Critic Score
    Like an undergrad philosophy student, Mono would be much more likeable if they didn’t try to sound so deep all the time.
    • 81 Metascore
    • 80 Critic Score
    To put it succinctly, Amy Winehouse has made a really good record.
    • 81 Metascore
    • 70 Critic Score
    Overall, Black Forest (tra la la) is one of those albums which grows in likeability the more you listen to it, as the charming sounds of many subtle instruments appear with more spins.
    • 81 Metascore
    • 88 Critic Score
    While the slower, wandering songs certainly make the composition and mood of the record, it's the more upbeat tracks, never Cox's previous forte, that shine on this disc.
    • 81 Metascore
    • 80 Critic Score
    Whereas the last album came across like the more muddled and aimless moments of Fiery Furnaces or Frog Eyes/Wolf Parade songs (all bluster, arrangement - nothing memorable even if expertly played), this record comes across like the more finely tuned pop songs from any of the aforementioned groups.
    • 81 Metascore
    • 55 Critic Score
    Shut Up’s biggest downfall is it’s speed, or lack thereof. The songs lilt and twirl with Krug’s yelp, xylophones and processed guitars, but rarely does the pace exceed ballad-like levels.
    • 81 Metascore
    • 80 Critic Score
    This is deceptively simple, back-to-basics rock music that no honest American can help but enjoy.
    • 81 Metascore
    • 85 Critic Score
    It’s similar enough to past efforts that one can trace his artistic trajectory with a steady arc, but it’s the point in the arc where the slope takes a radical increase, making the name change seem like an appropriate signifier.