Mojo's Scores

  • Music
For 9,657 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
9657 music reviews
    • 90 Metascore
    • 80 Critic Score
    Gazelle Twin masterfully keeps us in suspense, incorporating strongly evocative sonic components. Around track eight the tension subsides, yet this doesn't affect the overall consistency. [Feb 2024, p.86]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Zietsch's music upholds the sparse, haunted tone set by Lana Del Ray, the minimalism so acute that each chord change often lasts for just one stroke of the strings or ivories. [Jan 2024, p.88]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Where the stage show had the intimacy of Young's between-song chats, the intimacy here comes from the sensation that you're listening in on his thoughts as one song drifts, like memories do, from one tome to another. [Jan 2024, p.90]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    From top to bottom, what a joy it is. [Jan 2024, p.88]
    • Mojo
    • 87 Metascore
    • 80 Critic Score
    i/o
    What did we get for our 20-year wait? Something substantive, something deeply considered. [Jan 2024, p.87]
    • 83 Metascore
    • 80 Critic Score
    Progressive conceptual art, underpinned with profound personal resonances. [Jan 2024, p.87[
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    A brave, stand-alone release that lays her talent bare, it's a beautiful unreal entrancement you'll find hard to stop listening to again and again. [Dec 2023, p.91]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    Into his eighth decade of unblinkered creativity, Hayward continues to thrill. [Dec 2023, p.93]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The necessary and sustaining art-yin to their live knees-ups’ yang, with Theatre Of The Absurd… Madness have made an album that is among their absolute best. [Jan 2024, p.90]
    • 75 Metascore
    • 80 Critic Score
    The heavy-breathing White Rabbit and Scarper comes with a prickle of John Carpenter Menance, while Last Transmission or Imminent are hyper-vigilant Tangerine Dream. There are times when a less obviously doctored emotion bleeds through, though. [Jan 2024, p.94]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    This edition adds a 1999 concert. .... It's R.E.M. at their sweetest. [Jan 2023, p.99]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The Complete Budokan 1978 is a richer picture of this restless nerve at work. [Jan 2024, p.101]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Grace For Saints And Ramblers, from 2013's Ghost On host, is delivered with nonchalant Lou Reed rhythm; 2017's About A Bruise displays a freewheeling agility, while The Trapeze Swingers plus right into Beam's storytelling mode. [Jan 2024, p.91]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    When his sturdy tunes do hit the jackpot, one wonders why Kirsty MacColl's hit with A New England is such a rare cover. .... Like all political songsmiths, Bragg seeks to transcend the didactic and stir the blood, and largely succeeds. [Dec 2023, p.101]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Unlikely to soundtrack your next dinner party, but it's hard not to marvel at Matmos's cut-and-paste mastery. [Jan 2023, p.93]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Ultimately, Innerstanding finds Harrison marking out his own territory, sustaining a brooding musical atmosphere and filling it with sterling melodies. [Jan 2024, p.88]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Pro-synth voluntaries like Znaniya (Falkor) can jar, but the highlights foreground Atwood-Ferguson as a widescreen visionary in the David Axelrod and Charles Stepney tradition, with a Rolodex of jazz hitters to call on. [Dec 2023, p.89]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    While the collection's title acknowledges the scary presence of three Misfits songs. As for "Mistakes", however, there really are none. [Dec 2023, p.105]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    Hatfield eschews radical reinventions, but her peeling away of the more finessed layers surrounding Lynne's indestructible melodies/chord sequences works a treat on Can't Get It out Of My head, Strange Magic and Telephone Line. [Nov 2023, p.92]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    Even if there are moments when Rockstar seems under-amped, you have to admire her chutzpah. [Jan 2024, p.89]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    "It's not too late to find where you are," he sings on The Tern; Hadsel seems to tremble on the brink of that revelation. [Dec 2023, p.88]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    If the crackle of original Dylan electrifies Marshall's voice, she finds her own phrasing, both robust and reverent, as she ringmasters Ballad Of A Thin Man's mystic forces, or brings a limpid empathy to Like A Rolling Stone. [Dec 2023, p.92]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Reminiscent of early Nathaniel Rateliff and John Moreland, and prime John Prine, there's no reason here to doubt Martin might one day eclipse them all. [Dec 2023, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    If life's what you make it, here Anderson makes it sound very beautiful indeed. [Dec 2023, p.92]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    The quieter moments work best, like the moody, organ-led reworking of Shakin' All Over, which lesser bands have thrashed into the ground over the years but really shines here. [Dec 2023, p.86]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Though Anderson buries his voice and words in the maelstrom, his declared (if not immediately) apparent) theme of a constantly thwarted search for "true love" seems right at home in shoegazing's characteristic marriage of bliss and anxiety. [Dec 2023, p.93]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Los Angeles already feels like a destination record, Lee, Tolhurst and Budgie putting their decades of world-building expertise to excellent use. If the world they have built is on the brink of collapse, it only adds to the thrill. [Dec 2023, p.85]
    • 75 Metascore
    • 60 Critic Score
    A queasy heat seeps into the Sonic Youth hiss and clang of My Little Tony, Jelsy's Bad Seeds metallic thrum and Shoo's slow, high plains drift. [Dec 2023, p.94]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    They are spare but complete, as rich as old letters or photographs. [Dec 2023, p.86]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    This new box set offers a ton of unreleased tracks (47 in total). Ranging from the ropey – Schoolyard sees him at the age of 32 singing about losing his virginity at 16 to, erk, a 14-year-old girl; Horny Pony features a toe-curling rap – to the bafflingly binned, they nonetheless provide real insight into Prince’s creative mind. Highlights include ghetto chronicle The Voice, jazz instrumental tribute Letter 4 Miles (recorded two days after his friend Davis’s death) and, best of all, the gently trippy Alice Through The Looking Glass. [Dec 2023, p.105]