Neumu.net's Scores

  • Music
For 474 reviews, this publication has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Twin Cinema
Lowest review score: 20 Liz Phair
Score distribution:
  1. Negative: 12 out of 474
474 music reviews
    • 79 Metascore
    • 70 Critic Score
    Kozelek has delivered a wondrous collection.
    • 82 Metascore
    • 70 Critic Score
    Throughout, there's little doubting Malkmus's charisma as a performer...
    • 87 Metascore
    • 80 Critic Score
    Things We Lost in the Fire finds Low enamoured with harmonies, drawing from such disparate sources as Swans, the Beatles, Wire, and Simon & Garfunkel.
    • 72 Metascore
    • 70 Critic Score
    They do a good job of mixing humor and fun with their politics...
    • 61 Metascore
    • 60 Critic Score
    Rainer Maria have never been more skillful in their playing or stronger in their singing than on the slickly recorded A Better Version of Me -- which some may see as a problem.
    • 86 Metascore
    • 70 Critic Score
    Little Sparrow proves that 1999's The Grass Is Green was no fleeting burst of inspiration; Parton hasn't been so consistently exciting since the '70s.
    • 71 Metascore
    • 70 Critic Score
    The Bay Area punk-rockers mix early Ramones with '80s metal.
    • 71 Metascore
    • 60 Critic Score
    Spending much of its time suspended in hollowed-out tones smudged only by desolate beats, Aaltopiiri is probably Pan sonic's most intense listening experience.
    • 80 Metascore
    • 60 Critic Score
    The songs on Mama's Gun slip from one to the next effortlessly, coming together as a set of sedate, buttery-smooth grooves.
    • 72 Metascore
    • 70 Critic Score
    Once you fall for "Yellow," the rest of the album will kick in, and fast.
    • 81 Metascore
    • 80 Critic Score
    Singer/writer/producer Jason Lytle has a little bit of Neil Young in his voice and Radiohead in his production style.
    • 54 Metascore
    • 40 Critic Score
    Their debut album flits between uneasy ambient pieces, pop songs buried in layers and loops, and crunchy takes on the IDM sound.
    • 88 Metascore
    • 90 Critic Score
    This is one of the best albums of 2000.
    • 80 Metascore
    • 70 Critic Score
    Mostly downbeat, the album feels, at times, as if it were created beneath a black cloud.
    • 60 Metascore
    • 70 Critic Score
    This is gloriously trashy glam-rock with an updated cybernetic edge.
    • 72 Metascore
    • 60 Critic Score
    Green Day have created a great punk-meets-rock album.
    • 77 Metascore
    • 70 Critic Score
    A slow-burn knockout.
    • 84 Metascore
    • 60 Critic Score
    Unwinds slowly, slipping between ghosted noise-and-field-recording passages and the sustained explosions of big, bombastic caterwaul that have become Godspeed's signature sound.
    • 77 Metascore
    • 80 Critic Score
    The music roars along, occasionally slowing to build tension, then letting loose with a corrosive guitar assault.
    • 80 Metascore
    • 80 Critic Score
    A shimmering set of utterly gorgeous songs.
    • 69 Metascore
    • 50 Critic Score
    Elastica throw out crackling melodies with little regard for the listener.
    • 75 Metascore
    • 80 Critic Score
    The grooves are righteous and the vibe is right.
    • 80 Metascore
    • 60 Critic Score
    One-upping their previous masterwork, 1997's The Dandy Warhols Come Down, Thirteen Tales... will trip you out, especially when listened to on headphones in the post-midnight hours.
    • 77 Metascore
    • 70 Critic Score
    Jurassic 5 deliver on this, their major-label debut.