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For 474 reviews, this publication has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Twin Cinema
Lowest review score: 20 Liz Phair
Score distribution:
  1. Positive: 362 out of 474
  2. Mixed: 100 out of 474
  3. Negative: 12 out of 474
474 music reviews
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    • 69 Metascore
    • 40 Critic Score
    On A Wire
    Their new pop direction finds them drifting about, directionless as opposed to eclectic.
    • 70 Metascore
    • 40 Critic Score
    Go Plastic
    The glassy-eyed micro-manic bass-'n'-breaks belligerence on show-offy tracks on this Squarepusher longplayer is either tellingly tired or terrifically tiring, with Jenx's wicked licks of brown-note boogie either spuriously slow in the foot or a swift kick to the collective ass of a collectively ass-kissing musical community.
    • 75 Metascore
    • 40 Critic Score
    The Invisible Man
    While the sound is often thick -- layers of dewy guitars, keyboards, old organs, bass, drums/beats -- it's always concerned with the "space" of the piece, such thickness often casting insular environments in which Eitzel's voice can wander lonely.
    • 73 Metascore
    • 40 Critic Score
    All For You
    All for You is, for the most part, signature Janet.
    • 82 Metascore
    • 40 Critic Score
    De-Loused In The Comatorium
    Boy, is it a sprawling mess.
    • 54 Metascore
    • 40 Critic Score
    I Guess Sometimes I Need to Be Reminded Of How Much You Love Me
    Their debut album flits between uneasy ambient pieces, pop songs buried in layers and loops, and crunchy takes on the IDM sound.
    • 72 Metascore
    • 40 Critic Score
    Anxiety Always
    They're trapped by this, their one-trick shtick; it the same old song, played again, Sam, for all those girls in white belts who won't stop 'til they get enough.
    • 80 Metascore
    • 40 Critic Score
    Pig Lib
    Just like every other record Malkmus has been involved with, it doesn't feel like an album, doesn't feel like one whole work, doesn't feel focused, or of some specific intent. Pig Lib sounds rambling and goofy and slump-shouldered and half-assed and happened-upon and lazily comfortable with every step that it takes.
    • 59 Metascore
    • 40 Critic Score
    Storytelling OST
    [A] tired, uninspired collection of music and songs.
    • 61 Metascore
    • 40 Critic Score
    From Here On In
    In the future the restless, insecure South-men may perhaps harness their broad tastes into a more cogent sound, but From Here On In finds them a well-produced but overly expansive mess.
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