No Ripcord's Scores

  • Music
For 2,725 reviews, this publication has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.8 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 Island
Lowest review score: 0 Scream
Score distribution:
2725 music reviews
    • 75 Metascore
    • 80 Critic Score
    Unusually for an EP, each track warrants its place on the record and the title track never overshadows anything. It’s well worth listening to, especially if like me you tend to get gushy at the mere thought of probably this country’s greatest living musician.
    • 81 Metascore
    • 80 Critic Score
    They may have been marking time slightly of late, but let your fears they'd never rise again be dispersed; this is the best Fall album of the century bar none.
    • 67 Metascore
    • 60 Critic Score
    From The Valley To The Stars is simply a collection of mostly good and occasionally great songs that just doesn’t quite work as a whole.
    • 69 Metascore
    • 70 Critic Score
    Pyramids leaves its mark as an extremely remarkable and impressive début, and once heard, is unlikely to be forgotten.
    • 70 Metascore
    • 80 Critic Score
    Nonetheless, Saturdays = Youth finds itself in the higher echelons of '08 so far for radically different reasons, and, unpredictedly, it wouldn't be too surprising if M83's decision to avoid making a by-the-numbers album saw those overdue dividends finally reaching them.
    • 51 Metascore
    • 40 Critic Score
    For most of My Bloody Underground, Newcombe vocalizes like a decaffeinated Kevin Shields, barely audible under the weight of reverb that blankets just about every track.
    • 87 Metascore
    • 90 Critic Score
    It’s a vital record, one that’s Nick Cave through and through, and whether he’s exploring his garage roots or his spooky, narrative tendencies it’s at all points a triumph.
    • 75 Metascore
    • 80 Critic Score
    This is Kim Deal’s version of scuffed-up shoegazer rock, albeit with a shit-eating grin shining off the moonlight.
    • 61 Metascore
    • 50 Critic Score
    Unfortunately, they didn’t miss by biting off more than they could chew; it’s more a sense of complacency you get form listening to Walk It Off.
    • 69 Metascore
    • 60 Critic Score
    Yet, while it's unlikely that the previously familiar will be suddenly converted by these endeavours, it wouldn't be strictly fair to say that there's not the occasional hint of a broadened palette on display here.
    • 79 Metascore
    • 70 Critic Score
    this is a rock album, R.E.M are back being literate and smart, Stipe is barking out lyrics like it’s 1987… in fact, beef up some songs off "Document" and you could mix the two albums up.
    • 80 Metascore
    • 70 Critic Score
    Much of April is quite lovely. Sure, it sounds like one long song to me, but it’s a nice song, with subtle variations.
    • 76 Metascore
    • 80 Critic Score
    Warm and elegant, careful but not calculated, Ward's production stands perfectly alongside his solo releases in terms of sound, style and impact.
    • 83 Metascore
    • 80 Critic Score
    This is one of the few releases of 2008 that shook me out of my complacency and forced me to accept it on its own terms.
    • 76 Metascore
    • 60 Critic Score
    Real Emotional Trash feels like a compromise, for Malkmus and for us.
    • 80 Metascore
    • 90 Critic Score
    Saturnalia revels in sin while occasionally contemplating salvation. Mesmerizing comes to mind.
    • 71 Metascore
    • 60 Critic Score
    Quaristice can occasionally be on the sloggish side. However, there's a lot to admire in such a brazen display of accomplishment, and, while it may not be looking to court the most gushing of affection, this will undoubtedly prove to be one of '08's most singular releases.
    • 67 Metascore
    • 80 Critic Score
    So while Jagjaguwar may well release a below par record in 2008, Shots is not that record.
    • 78 Metascore
    • 70 Critic Score
    Ultimately, Allison is a pleasure to listen to even in the space where she floats right through your head.
    • 88 Metascore
    • 90 Critic Score
    Although For Emma, Forever Ago works best as a concise listen, as each song segues naturally into the next, tracks like 'Blindsided' and 'For Emma' quickly rise as shining standouts.
    • 81 Metascore
    • 80 Critic Score
    Bradford Cox has created a work that musically and lyrically will attach itself to your consciousness, reflecting exterior experience and encouraging inner association with the former.
    • 65 Metascore
    • 70 Critic Score
    The only problem (and I don't even know if its a problem) is that every track registers as an epic of some sort, so much so that the album itself registers as a pleasurable, cathartic blur rather than a cohesive statement itself.
    • 82 Metascore
    • 90 Critic Score
    This is another huge step forward for a band not afraid to take them.
    • 70 Metascore
    • 80 Critic Score
    Falling... is a remarkable leap forward; as Lightspeed Champion, Hynes is, at last, a serious contender.
    • 82 Metascore
    • 70 Critic Score
    Vampire Weekend is indie rock with its edges sanded off, polished to a clean, sparkling sheen.
    • 83 Metascore
    • 80 Critic Score
    Even if this type of thing isn’t your bag, it’s really pretty irresistible and is worth a shot.
    • 79 Metascore
    • 80 Critic Score
    The fact is there are just too many smart, well-written songs on this album to get hung up on the messy sound.
    • 87 Metascore
    • 90 Critic Score
    This collection is simply a joy to listen to, with great singers lovingly rendering great songs with a talented producer at the helm.
    • 70 Metascore
    • 80 Critic Score
    A work of remarkable beauty, Elegies To Lessons Learned contains far more reasons to be cheerful than it reasonably should, and if you’re looking for post-rock done properly then iLiKETRAiNS are more than on the right lines.
    • 88 Metascore
    • 90 Critic Score
    It’s as brazen, bold and brilliant as anything it’s done thus far. It is, as Thom Yorke claimed, very minimal. Yet, the album never sounds half-finished, but instead focused and refined. It’s as vital as anything the band has done.