Paste Magazine's Scores

For 4,085 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Music review score: 76
Score distribution:
4085 music reviews
    • 64 Metascore
    • 60 Critic Score
    The Brooklyn band’s innate charm and accessibility allows forgiveness of its near-abandonment of bass-driven new wave.
    • 70 Metascore
    • 60 Critic Score
    Evokes Juliana Hatfield more than Shania Twain. [Apr/May 2005, p.127]
    • Paste Magazine
    • 65 Metascore
    • 60 Critic Score
    More Pete Seeger than Cat Power, her interpretations sometimes feel too internalized to startle. [May 2007, p.61]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    Unfortunately, What We Saw is heavy on overlong ballads, and when she adds that trademark whimsy to the mix, it's nearly unbearable.
    • 69 Metascore
    • 60 Critic Score
    Gone is the orchestral saturation that sometimes bogged down Crooked Fingers, replaced by gnomic acoustic folk that's stark to the point of nudity. [Oct 2006, p.84]
    • Paste Magazine
    • 66 Metascore
    • 60 Critic Score
    It could have been--and should have been--a much better listen with the talent these three ladies possess. Unfortunately, it never quite jells.
    • 71 Metascore
    • 60 Critic Score
    Invisible melodies--sometimes too invisible--give shape to songs like wind billowing through curtains. [Oct/Nov 2005, p.143]
    • Paste Magazine
    • 66 Metascore
    • 60 Critic Score
    Préliminaires applies an interesting--if not wholly successful--Aznavour twist to Iggy’s latter-day repertoire.
    • 65 Metascore
    • 60 Critic Score
    The well-established indie-pop tricks get results, but are too unerringly calculated to have much distinct personality. Some big, billowy production would have helped.
    • 73 Metascore
    • 60 Critic Score
    DiFranco always throws her heart into her songs, and Knuckledown gives her a chance to reflect on it.
    • 72 Metascore
    • 60 Critic Score
    The record feels akin to 40 minutes of stoned stargazing in a college dorm room. And the kid down the hall has yet to add substance to the conversation.
    • 69 Metascore
    • 60 Critic Score
    The Strokes don't have much of their own to say here. [Dec 2005, p.106]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    Citrus is the crossroads where My Bloody Valentine and Sonic Youth mingle. [Aug 2006, p.88]
    • Paste Magazine
    • 84 Metascore
    • 60 Critic Score
    The urgency and bile are palpable. [Oct 2006, p.84]
    • Paste Magazine
    • 74 Metascore
    • 60 Critic Score
    Learn to Sing Like a Star threads together Hersh's myriad musical guises while striving for some of the immediacy and distinctive yelp of her Throwing Muses heyday. It mostly works. [Mar 2007, p.69]
    • Paste Magazine
    • 63 Metascore
    • 60 Critic Score
    Eloquently combines elements of pop, spaced-out electronic rock and even dirty garage. [Aug/Sep 2005, p.121]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    It's hardly perfect, but it's bolder, more complex, and ultimately a more fulfilling release for this band. [May 2007, p.65]
    • Paste Magazine
    • 70 Metascore
    • 60 Critic Score
    Egon Schiele aficionados and jaded cabaret junkies: this is your music. [Apr/May 2005, p.146]
    • Paste Magazine
    • 75 Metascore
    • 60 Critic Score
    Strangely underwhelming. [Apr/May 2006, p.100]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    Unlike previous MagCo. releases, it finally feels like the band has achieved a unifying cohesiveness. [Nov 2006, p.79]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    Most of Songs balances caustic lyrics with beautiful power-pop interludes. [Jun/Jul 2006, p.119]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    English Little League, like most of Pollard’s crop from the past decade, holds a few really great tracks, but is mostly missable.
    • 80 Metascore
    • 60 Critic Score
    Only a tender take on Tom Waits' "(Looking For) The Heart of a Saturday Night" gives Peyroux the glimmer of modernity Perfect World so desperately craves. [Oct 2006, p.80]
    • Paste Magazine
    • 78 Metascore
    • 60 Critic Score
    Infuriatingly inconsistent. [Dec 2006, p.90]
    • Paste Magazine
    • 67 Metascore
    • 60 Critic Score
    Finds them doing pretty much what they've always done (hardly bad news). [#16, p.149]
    • Paste Magazine
    • 68 Metascore
    • 60 Critic Score
    Alongside its distracting flaws, True Sadness contains some truly beautiful music--and a good measure of the joyous energy that The Avett Brothers employ to transcendent effect live--but there’s no guiding principle here, resulting in a dizzy mess of an album that doesn’t live up to the band’s talents.
    • 74 Metascore
    • 60 Critic Score
    On Beal’s first album, he moved between child-like ambience, songs suitable for weird film scores and stomping blues.
    • 64 Metascore
    • 60 Critic Score
    Even if the whole thing isn’t world-upheaving. Those standalone tracks make it worth a whirl.
    • 78 Metascore
    • 60 Critic Score
    At root, the gritty, back-to-the-garage drive of these pop tunes adds a layer of grease that makes them stick. [Apr 2007, p.58]
    • Paste Magazine
    • 67 Metascore
    • 60 Critic Score
    Tough Age’s self-titled debut has its moments, most of them falling in the album’s front third.