Rolling Stone's Scores

For 5,910 reviews, this publication has graded:
  • 34% higher than the average critic
  • 4% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 Magic
Lowest review score: 0 Know Your Enemy
Score distribution:
5910 music reviews
    • 39 Metascore
    • 40 Critic Score
    As you'll see, every English rock star is required to celebrate this milestone with an overblown album about God, humanity and the cosmos.
    • 38 Metascore
    • 40 Critic Score
    His blend of garish Day-Glo net art and brawling homage to the glory years of DMX and Onyx may be a commercially effective millennial update of Rotten Apple thug rap. But aesthetically, his distinct lack of lyrical talent and annoyingly hyperactive presence often undermines the whole thing.
    • 38 Metascore
    • 40 Critic Score
    Brown brags about his extra-large condoms, and, on "Don't Judge Me," turns a tender love song into a Twitter rant against "haters."
    • 37 Metascore
    • 60 Critic Score
    The results are spunky, if unnecessary: Why bother with Sly and Jeff Beck's remake of "(I Want to Take You) Higher" when you can listen to the torrid original?
    • 37 Metascore
    • 40 Critic Score
    There's still too much of Brian Karscig's ultracampy 'Big Balls'--style vocals, and it sometimes feels like these guys have confused expanding their range with finding new sources to rip off.
    • 37 Metascore
    • 50 Critic Score
    The problem is that Wayne has very questionable taste in rock. He splutters and wails over tracks stuffed with aggro stomp and bland riffage; it sounds like he's been holing up with a bunch of Spymob and Incubus records.
    • 34 Metascore
    • 60 Critic Score
    Testify is full of laid-back, better-than-average adult-contempo fare, and the subtle, atmospheric production sure beats the slickness of his Eighties records.
    • 33 Metascore
    • 60 Critic Score
    With the Bizkit's usual guitar-heavy thrash still in place, songs such as "Creamer (Radio Is Dead)" and "Lonely World" get by on Linkin Park-style electronic textures, stutter-step rhythms and catchy, cathartic choruses.
    • 28 Metascore
    • 40 Critic Score
    Hefty Fine proves only marginally more welcome than a Jerky Boys reunion.
    • tbd Metascore
    • 40 Critic Score
    Ho-hum singer-songwriterly tunes packed with sentimental poetry. [1 May 2003, p.56]
    • Rolling Stone
    • tbd Metascore
    • 60 Critic Score
    This covers compilation reveals them as an honorable South Carolina bar band that has survived its run-in with pop success by keeping its easygoing humor intact.