The Wire's Scores
- Music
For 2,628 reviews, this publication has graded:
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51% higher than the average critic
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7% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | SMiLE | |
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Lowest review score: | Amazing Grace |
Score distribution:
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Positive: 2,177 out of 2628
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Mixed: 431 out of 2628
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Negative: 20 out of 2628
2628
music
reviews
- By Date
- By Critic Score
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- Critic Score
A taut, brutal collection which is as strong as anything they've released in their previous incarnations. [June 2003, p.65]- The Wire
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- The Wire
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- Critic Score
A feast of buried treasure, a flickerframe parade which continually offers up magical fragments of sound, revelatory and transitory in equal measure. [#230, p.46]- The Wire
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- Critic Score
Adult. proves that there need be nothing fey or even particularly cheeky about synthesizer music. [#231, p.75]- The Wire
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- Critic Score
While rock fans may be disappointed by Yo La Tengo's fleeting venture into playful jazz, the group continue to produce music that's full of gesture and emotional intensity. [#231, p.73]- The Wire
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- Critic Score
Approaches the psychedelic grandeur of Spiritualized or Mercury Rev at their finest while still offering a wealth of carefully placed sonic detail. [#229, p.71]- The Wire
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- Critic Score
Jurado's spare, edgy songs are miniature masterpieces of mood and character. [#229, p.68]- The Wire
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- The Wire
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- Critic Score
This is a dark night of the soul record, a distant country cousin of Young's Tonight's The Night, but it feels flooded with light and air and space. [#232, p.73]- The Wire
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A fastidiously crafted and appealingly damp hour of digital earthsong. [#229, p.57]- The Wire
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- Critic Score
Callaghan has served up an album that, interestingly for his fractured vocals and streaming lyrics, is unusually coherent. [#230, p.61]- The Wire
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If Lightning Bolt works best live, Wonderful Rainbow loses nothing of the duo's spontaneous wallop. [#230, p.56]- The Wire
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It may lack subtlety but it sounds incredibly vital. [#229, p.68]- The Wire
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An engaging, unpredictable album of Tortoise-like vibraphones, guitars, minimalist repetitions, wry syncopations, occasional duff notes and subtly daubed electronics. [#228, p.69]- The Wire
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- Critic Score
All the sharp, cold ridges of the usual electronic sound palette are sheared off and smoothed down on this beguilingly gentle release. [#228, p.65]- The Wire
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Downhome and earthy, cut through with sensitivity and intelligence. [#229, p.58]- The Wire
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Combining tight dynamics with the blurred intent of an impressionistic backwsh, some tracks rush by like vast landscapes, with individual features suddenly highlighted in freeze-frames. [#228, p.59]- The Wire
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What the album lacks in innovation, it more than makes up for with its sheer edginess. [#228, p.59]- The Wire
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It might sound unbearably contrived, but the combination of crystalline guitar, sly time signatures and Kinsella's stream of consciousness lyrical musings makes for an unexpectedly coherent whole. [#229, p.68]- The Wire
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Brokeback's airier tendencies are always balanced against the hint of depth and punchiness behind the twin basses, and the bittersweet, reflective quality of the melodic lines. [#228, p.57]- The Wire
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The production is so delicate and the arrangements so well crafted that you can't help being utterly seduced by this open-ended, non-narrative yet elegant and accessible pop music. [#227, p.71]- The Wire
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You are reminded that yes, this has all been done before, but Out Hud get by with the wistful innocence of well-intentioned brainiacs. [#225, p.71]- The Wire
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It's on tracks like the ethereal, 15 minute "Oh Shadie" where the group's acid washed sound really takes off. [#232, p.74]- The Wire
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His verbal style is notable because it avoids typical ragga chat or MC freestyling in favour of an almost literary blend of prose and verse. [#219, p.75]- The Wire
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A slippery, shape-shifting quality is one of the great strengths of Amon Tobin's sixth album. Plainly put, Out From Out Where is impossible to pin down. [#226, p.67]- The Wire