Uncut's Scores

  • Music
For 11,089 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11089 music reviews
    • 93 Metascore
    • 60 Critic Score
    This is a fierce live performance by a band who didn’t always manage to hold things together onstage. It catches Nirvana at maximum intensity, aware of, but not disabled by, the contradictions that tormented Cobain and would eventually tear him asunder.
    • 90 Metascore
    • 60 Critic Score
    Untrue is altogether warmer than its predecessor. [Jan 2008, p.87]
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    • 87 Metascore
    • 60 Critic Score
    While there is much here to admire, at its overblown worst Neon Bible is one of those records that takes itself too seriously to be taken seriously. [Apr 2007, p.90]
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    • 87 Metascore
    • 60 Critic Score
    Thankfully, Phrenology is more therapy than quack science. [Feb 2003, p.86]
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    • 86 Metascore
    • 40 Critic Score
    They're diminished by trying to touch too many bases, often lapsing into sub-Oasis stodge. [Oct 2003, p.114]
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    • 86 Metascore
    • 60 Critic Score
    Musically, it's not exactly mould-shattering, a blend of surf and chirpy indie rock. They're at their most effective when they deliberately fray the edges. [May 2019, p.29]
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    • 86 Metascore
    • 60 Critic Score
    CD2 is a quirky new mixtape which proves he's still up to his old tricks. [Dec 2008, p.116]
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    • 86 Metascore
    • 60 Critic Score
    Mick Barr's guitar work is hugely impressive, apparently concerned with documenting an infinite number of riffs, but the length of the compositions--often around 12 minutes--rather test the limits of endurance. [Aug 2011, p.90]
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    • 85 Metascore
    • 60 Critic Score
    While they are at their most comfortable when laying down the ZZ Top meets Black Flag hardcore boogie of 'Skull Socks and Rope Shoes,' it's difficult not to be charmed by their wit, style and salute to Southern rock. [Sep 2008, p.89]
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    • 85 Metascore
    • 50 Critic Score
    Too often the crossover strategy mires these songs in the most banal cliches of dream pop and arena grunge. [Sep 2018, p.29]
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    • 85 Metascore
    • 60 Critic Score
    In short, it needs a rigorous editor. [Feb 2005, p.94]
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    • 85 Metascore
    • 60 Critic Score
    This is a very odd album. [Apr 2003, p.103]
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    • 84 Metascore
    • 60 Critic Score
    If this is indeed, as rumoured, LCD's final bout, it finds them a little heavy and tired, but occasionally deceptively light on their feet. [Jun 2010, p.82]
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    • 84 Metascore
    • 60 Critic Score
    It has its moments. [Nov 2016, p.39]
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    • 84 Metascore
    • 60 Critic Score
    Lost And Safe is a move songwards, and though this promises greater coherence, it's at the expense of some of the group's wayward charm. [May 2005, p.97]
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    • 84 Metascore
    • 60 Critic Score
    A rich saturnine, baroque-pop set full of romantic drama. Strings, piano and keyboard combine with muti-textured guitar in songs that, though engaging, tend toward the florid. [Feb 2024, p.30]
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    • 83 Metascore
    • 60 Critic Score
    Songs, without exception, are well crafted but more often than not collapse into cloying jauntiness. [Dec 2004, p.153]
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    • 83 Metascore
    • 60 Critic Score
    You could call it happy hardcore, even if there's nothing particularly upbeat about its content. [Feb 2012, p.83]
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    • 83 Metascore
    • 60 Critic Score
    Drew's desire to be all things to all 'hoods is the weakness of the soundtrack to his debut movie. [Oct 2012, p.86]
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    • 83 Metascore
    • 40 Critic Score
    There are some pleasantly elaborate, wayward songs here... Forays into funk and Tom Waits' scrapyard are cringe-inducing, though. [Sep 2004, p.110]
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    • 83 Metascore
    • 60 Critic Score
    Listening to the ramalama of "Slow Drip" and "Hot Tubes" you can't help but cheer them on. [Nov 2010, p.102]
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    • 83 Metascore
    • 60 Critic Score
    The Hunter feels purposely immediate. [Nov 2011, p.93]
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    • 83 Metascore
    • 60 Critic Score
    There's an inherent creepiness in his frequently audacious work that makes it hard to connect with on an emotional level. [Jul 2018, p.33]
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    • 83 Metascore
    • 60 Critic Score
    It does feel [like] a somewhat softer collection than its predecessor. [Feb 2012, p.84]
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    • 82 Metascore
    • 60 Critic Score
    Growls and blast-beats come decorated with guitar work that explores scale after scale of diabolical pleasures. [Aug 2008, p.101]
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    • 82 Metascore
    • 60 Critic Score
    Long on rhetoric, short on melodic structure, it's hard going. [Dec 2002, p.150]
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    • 82 Metascore
    • 60 Critic Score
    Too eclectic for his own good, perhaps? [Sep 2005, p.100]
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    • 82 Metascore
    • 60 Critic Score
    Glass Swords places him squarely out there on his own, programming the kind of computer-game fluoro-rave crunk that's easy to admire but hard to love. [Nov 2011, p.97]
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    • 82 Metascore
    • 60 Critic Score
    Throughout, her lyrics betray a convincing world-weariness. [Oct 2017, p.24]
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    • 82 Metascore
    • 60 Critic Score
    This is a more low-key collection. [Feb 2012, p.94]
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