This is actually the second LP from Richard Warren (aka Echoboy), who picks up frequent comparisons to the similarly eclectic Beta Band and Badly Drawn Boy.

The third release from the trip-hop/indie/rock/electronic/jazz/pop band named after the first dog in outer space.

Although the Birmingham, England band has been recording and performing since 1995, 'The Noise Made By People' marks their official full-length debut (following 1997's singles compilation 'Work And Non-Work'). In the UK, the group is signed to Warp Records (although they don't sound too much like the other bands on Warp's all-electronic roster).

Spell MDFMK backwards and what do you get? Well, KMFDM fans know the answer, and may find the sound of this Sasha K.-led industrial band to be remarkably familiar.

The Amsterdam duo follow their eclectic 1999 debut 'All-In' with the equally eclectic 'Music For Imaginary Films,' which is just that: tracks composed for a variety of movies which don't actually exist.

Beck's "official" follow-up to 'Odelay' is an even more eclectic mix of soul, electro, funk, folk, rock, and hip-hop, including more than one song that sounds an awful lot like Prince.

Producers Prince Paul and Dan "The Automator" Nakamura assembled a varied cast of collaborators, including Miho Hatori (Cibo Matto), Del Tha Funkee Homosapien, DJ Shadow, Sean Lennon, Josh Hayden (Spain), De La Soul, and, of all people, Father Guido Sarducci. The band's name comes from an episode of the Chris Elliott sitcom "Get A Life."

Former London club DJ Richard Fearless (now working with Tim Holmes) returns for a follow-up to 1997's 'Dead Elvis.' Guest vocals are provided by Bobby Gillespie (Primal Scream), Jim Reid (Jesus And Mary Chain), Dot Allison (One Dove) and Iggy Pop.

This long-awaited debut LP from the London, England house production duo of Simon Ratcliffe and Felix Buxton has since been recognized as one of the better dance recordings of all time. It was named by Spin as one of the 90 Best Albums of the 90's.

Although techno artist Moby had been on the scene for almost a decade and had released five albums, his fame had chiefly been limited to his club hit "Go" back in 1991. 'Play' changed all that, however, garnering a sea of critical and popular acclaim for the artist. A mix of styles (including deviations into blues and gospel), 'Play' also has the unique distinction of having all 18 of its tracks licensed for use in film, television and advertising.

The third proper LP from the second incarnation of Underworld features the singles "Push Upstairs" and "Moaner" (the latter of which previously appeared on the "Batman & Robin" soundtrack).