The sixth full-length release for the Arizona-born singer-songwriter was produced by Mark Howard.

The third full-length release for the British indie rock quartet was produced by band member Paul Gregory.

The British rock band releases their fourth album, featuring production by Dan the Automator.

Costello's second album with producer T-Bone Burnett is both reminiscent of his earlier work and experimental in sound, with a foray into finger-picking country and eclectic folk-rock tunes.

The 16th full-length solo release for the singer-songwriter was influenced by his divorce from singer Mandy Moore.

The second full-length release for the Minnesota-based rapper artist was produced by BJ Burton and features contributions from Bionik, Doomtree's Lazerbeak, Alex Nutter, N.A.S.A.'s Sam Spiegel, and Bon Iver's Justin Vernon.

The Scottish alternative band returns after six years for its 10th full-length studio release recorded in France, Scotland and mixed in Germany.

The latest release for the Los Angeles-based composer features a three-part piano-based suite.

The fourth full-length release for the Los Angeles electronic artist was recorded over a period of four years with Cole M.G.N. and features contributions from such artists as Dâm-Funk, Droop-E, and Julia Holter.

The ninth full-length studio release from indie rock quintet The National features guest appearances by Phoebe Bridgers, Sufjan Stevens, and Taylor Swift.

The rock quartet from Alaska, now based in Portland, Oregon, releases its fourth album.

The fifth full-length studio release for the Texas-based singer-songwriter was co-produced with Ted Young.

One of two releases [the other is a live album] in March 2017 for the avant-garde singer, the studio album features jazz and traditional standards.

The second solo release for the indie pop singer, who is one half of The Fiery Furnaces with her brother Matthew, was co-written with songwriter Wesley Stace (a.k.a. John Wesley Harding) and produced by Eric Broucek.

This is the third full-length release for the Australian avant-punk band led by Gareth Liddiard.

Long championed by the White Stripes' Jack White, fellow Detroit singer-songwriter Brendan Benson follows his 2002 disc 'Lapalco' with this set co-produced by Tchad Blake.

The sixth full-length release for the New York-based band led by Kassie Carlson includes influences from 70s krautrock and experimental rock.

The debut full-length release for the dream pop project of Paris-based singer Melody Prochet was produced by Kevin Parker of Tame Impala.

The latest release from the Philadelphia producer/rapper features guest appearances from Andrew Cedermark of Underwater Peoples, Cities Aviv, Heems of Das Racist, Shad, STS, and Styles P.

Carey Mercer recorded his second album under the name Blackout Beach by himself.

The debut album for the band led by Florence Welch was produced by Paul Epworth, James Ford and Steve Mackay.

The latest album for the singer-songwriter was inspired in part by the town of La Grande, Oregon.

The follow-up solo release to ex-Talk Talk bassist Paul Webb's 2002 collaboration with Portishead's Beth Gibbons was home-recorded with Lee Harris on drums.

After his well-received debut album released by Swedish label Gravitation, Kristian Matsson returns with his follow-up on the US-based label Dead Oceans.

The fifth album for the artist who most recently relocated from California back to his home state of Maine.

The fourth full-length release for Atlanta-based post-punk band Algiers features guest appearances from Backxwash, Lee Bains, Big Rube, DeForrest Brown Jr., Mark Cisneros, Zack De La Rocha, Nadah El Shazly, Samuel T. Herring, LaToya Kent, Jae Matthews, Patrick Shiroishi, and billy woods.

The genre-mashing Londoners return with a quick follow-up to last year's debut 'Coming On Strong.'

The fourth full-length solo release for the Texas singer-songwriter was produced by Sam Kassirer.

This is the debut full-length release for the Detroit indie rock quartet of Bobby Colombo, Bill Lennox, Josh Brooks, and Jake Kmiecik.

Glen Hansard and Marketa Irglova release their follow-up to the soundtrack of the Academy Award-winning film "Once."

This is the second full-length release for the experimental pop group led by Nicole Miglis.

Brian O'Shaughnessy produced the atmospheric UK band's second studio album.

The ex-Orange Juice singer survived two strokes in 2005 and returns with his first album of new songs since 2002.

The latest full-length release for British electronic producer Alan Myson as Ital Tek was written after the birth of his child and moving to a more secluded area.

The third full-length studio release for the hip hop/R&B artist features guest appearances from 6LACK, Jhené Aiko, Anderson .Paak, Big Sean, FKA twigs, Future, Gunna, Tish Hyman, Kid Cudi, Kehlani, Lil Durk, Nicki Minaj, Musiq Soulchild, Mustard, Post Malone, Quavo, Roddy Ricch, Skrillex, Thundercat, Kanye West, and Young Thug.

The San Diego indie rock band releases their fourth album.

The third full-length release for the Barcelona-based indie rock quartet was inspired in part by the legal struggles with their former Spanish label to release their second album.

The third album for the soul singer.

This is the second full-length release for the Thee Oh Sees under its shortened name.

The score for the crime drama televsion series released on Canal+, Sky Atlantic and SundanceTV is the first for the British electronic producer.

The eighth full-length release from Canadian singer-songwriter Andy Shauf was mixed by Neal Pogue.

This is the second full-length release for the instrumental soul group last heard backing Charles Bradley's 2011 album, No Time for Dreaming.

The debut full-length studio release for the Irish rapper features guest appearances from Amine, Anna of the North, Jesse Boykins III, Ebenezer, Micah Freeman, Krondon, Cam O'bi, Caroline Smith, James Solomon, and Dana Williams.

The seventh full-length release for the punk band led by Laura Jane Grace is said to be a relationship album.

The third full-length release for the Australian psychedelic rock band features a collaboration with Mild High Club.

The eighth full-length studio release for the Mike Kinsella solo project was produced by S. Carey.

The debut full-length release for the collaboration between R. Stevie Moore and Jason Falkner was recorded in two weeks in Los Angeles.

The fourth full-length release for the Icelandic rock group is the first in English.

The second full-length release for the Jenn Wasner solo project was recorded at her North Carolina studio.

As their name suggests, Fujiya & Miyagi are an English trio who make German electronic rock. (OK, so maybe it doesn't suggest that.) 'Things' compiles some of the Brighton band's previously-released singles.

The Chicago-based emo band returns with their fourth full-length.

The six-track mini-LP for the noirwave pioneering artist features guest appearances by Danny Brown, Rha! Rha!, and Saul Williams.

Damon Albarn's breakup album (he split with his longtime girlfriend, Elastica's Justine Frischmann, prior to recording) was produced by William Orbit and features the singles "Tender" and "Coffee & TV" (although it failed to produce an American hit along the likes of the previous album's "Song 2").

The second release for the British indie pop quartet was produced by David Kosten.

The ninth full-length release for the Brooklyn psychedelic folk group is only its second recorded in a real studio.

Produced by Omar Rodriguez Lopez, the third full-length release for the Mexican garage punk band features guest appearances from Iggy Pop and John Frusciante.

Canadian singer-songwriter (and Broken Social Scene member) Leslie Feist returns with her third album and major label debut. Jamie Lidell guests.

The fifth full-length release for the indie rock duo of Molly Hamilton and Robert Earl Thomas was recorded by by Sam Evian and was mixed by Ali Chant.

Instead of a real follow-up to "The Hour of Bewliderbeast" (look for that later in 2002), Damon Gough returns with the score to the film adaptation of the Nick Hornby novel. The 16 new tracks here are split between short instrumental pieces and full songs.

They might sound Britpop (and at the very least, a bit like The Smiths), but this collective led by Murray Lightburn hails from Montreal, Canada. This is their second album and first U.S. release.

Missy Elliott reunites with producer Timbaland for her fifth album, which features vocal contributions from Nelly, Jay-Z, Mary J. Blige, Fabolous and R. Kelly.

The Montreal, Canada-based quartet (basically, 2003's version of Interpol) follows its acclaimed, 80s-influenced EP "Rememberese" with this debut full-length. "Still In Love Song" is the only song from that EP to reappear here.

The debut full-length release for the Washington, DC post-punk band was produced by Nicolas Vernhes.

Craig Street produced the latest release from the R&B singer featuring songs originally made by The Black Keys, Bob Dylan, Gnarls Barkley, The Pogues, Sly & the Family Stone, Tom Waits, and Neil Young.

This sophomore set finds the Texas five-piece utilizing a 1970's classic rock / soft rock sound.

The latest release from the Ukrainian pianist was inspired by a variety of waterways including The Amazon.

Dr. John revives the Night Tripper persona for his new album Tribal, which features guest spots from Derek Trucks, Donald Harrison, and tunes by Bobby Charles and Allen Toussaint.

The second full-length release for the Southern California indie rock band was produced by Ben Brodin.

The third full-length release for Chrystia Cabral as Spellling was self-produced.

This is the debut full-length release for the London-based duo from Belfast, Matt McBriar and Andy Ferguson.

The third full-length release for Nathaniel Rateliff and his band was produced by Brad Cook and R.M.B.(Rateliff, Patrick Meese, and James Barone).

Losing none of the momentum put in motion by his 2009 effort, Deeper Than Rap, Rick Ross keeps a very good thing going on Teflon Don, arguably his best album to date. You want rap-style luxury? Then Deeper is the better fit, but Teflon plays up the chilled and soulful elements of its predecessor, meaning Ross has graduated to a level where words like “organic” and “poignant” come into play. The former is best represented by “Mayback Music III” and it’s swirling, ‘70s-flavored dreamscape created by the J.U.S.T.I.C.E. League production team. Ross allows guests T.I. and Jadakiss to go first on the cut, then grabs his cigar for an uplifting story of ghetto triumph that goes from pushing to pleasing the folks (“Parents never had a good job/Now it’s black American Express cards"). When it comes to “poignant,” the evidence is dotted throughout the album with the rapper reflecting on where he’s been, and he often questions his own lust for fame. He chants the title to the opening “I’m Not a Star” as if it was a remindful mantra, but it’s his new love of contrasts that’s really interesting, following Kanye’s swaggering on “Live Fast, Die Young” with “Seems to me we gettin’ money for the wrong things/Look around, Maseratis for the whole team/Look at Haiti, children dyin’ round the clock/I’d send a hundred grand but that’s a decent watch”. The familiar party and thugging tunes work too with “B.M.F. (Blowin' Money Fast),” “No. 1,” and the mixtape favorite “MC Hammer” -- now with added Gucci Mane verse -- all coming correct. Add all the Illuminati references in the Jay-Z team-up (“Free Mason”), a decent smoking song (“Super High”), and a track where Cee-Lo’s performance just might make you misty (“Tears of Joy”), and it’s obvious Ross’ albums are no longer just vessels for his singles. ~ David Jeffries

Vanessa Carlton's third album is her first on The Inc. label.

The debut full-length release for the all-female supergroup of African artists that includes Pamela Badjogo, Massan Coulibaly, Mariam Doumbia, Mamani Keita, Angelique Kidjo, Mariam Kone, Rokia Kone, Kandia Kouyaté, Nneka, and Mouneissa Tandina was produced by Liam Farrell.

The latest album from the Nashville-based singer-songwriter was produced with Eric McConnell.

The third full-length release for experimental pop duo of Daniel O’Sullivan and Alexander Tucker

The 12th full-length release for the Maryland rock band was produced by Vance Powell.

This 31-song live set was recorded during a pair of 2005 shows in the band's native Texas.

The 11th full-length studio release for the Minnesota alt-country band was recorded over two weeks.

The first of two planned 2005 releases for the Colombian pop star is this Spanish-language disc, with its English counterpart due in the fall.

This is the tenth full-length release for the California-based techno DJ/producer.

The death of lead singer Ari Picker's mother in 2009 was the catalyst for the second full-length release from the North Carolina chamber folk group.

The sixth full-length studio release from a the New Orleans-based black metal band was produced by Erik Rutan.

The second retro soul release on Daptone Recordings for the gospel/R&B singer was recorded live on eight-track tape.

The sludge metal band from New Orleans releases its first album in six years.