The ninth full-length release for Phil Elverum as Mount Eerie was written soon after the release of 2017's A Crow Looked At Me.

The 10th full-length solo release for the singer-songwriter was produced by Tucker Martin and features contributions from Jim James and Sufjan Stevens.

The sixth full-length studio release for the New York rock band was produced by Danger Mouse.

The eight full-length release for the Oregon metal trio was co-produced with Billy Barnett and written after frontman Mike Scheidt recovered from a near fatal illness caused by the intestinal disease, acute diverticulitis.

The second full-length collaboration between Mark Lanegan and Duke Garwood was recorded in Los Angeles, Pasadena and Joshua Tree.

The soundtrack for Luca Guadagnino's remake of the 1977 film of the same name is the first feature film soundtrack for the Radiohead singer.

The second full-length solo release for the New Zealand singer-songwriter features a guest appearance from Aldous Harding and was produced by Noah Georgeson.

The sixth full-length release for the Philadelphia pop-punk band was produced by Joe Chiccarelli.

The 15th full-length studio release for the pop singer features guest appearances from Blood Orange, Gunna, Slick Rick, and Ty Dolla Sign.

The fourth full-length release from the youngest son of Fela Kuti features a guest appearances from Carlos Santana and was produced by Robert Glasper.

The debut full-length studio release for the British electronic producer features contributions from Sam Beste, Finn Peters and a ten-piece string section arranged by Amy Langley.

The second full-length release for the Virginia singer-songwriter was produced with Mathew E. White.

The latest full-length release for the Ukrainian pianist/composer features contributions from David Allred, Anne Müller, and Hatis Noit.

The sixth full-length release for the British folktronica collective feature the original line-up.

The debut full-length solo release for the Slow Club/The Surfing Magazines member was self-produced.

The third full-length release for the St. Louis indie rock band was produced by Matt Bayles.

The second full-length release for the Virginia-based indie singer-songwriter was produced by Collin Pastore and mixed by John Congleton.

The second full-release for the Los Angeles-based artist was self-produced and mixed.

The singer-songwriter worked with Rhys Edwards on her second full-length release sung entirely in the Cornish-language.

The third full-length release for the Queens-based experimental artist Alexandra Drewchin features guest appearances by Moor Mother and Odwalla1221.

The latest full-length release for Jaime Fennelly's solo project was originally Commissioned by the  Museum of Contemporary Art Chicago and was produced by Tortoise's John McEntire.

The fifth full-length solo studio release for the pop singer-songwriter was produced by Four Tet.

The 14th full-length solo studio release for British singer-songwriter was recorded in just over three weeks and features contributions from Rod Argent, Martin Carthy, Erland Cooper, Connor O’Brien, and Danny Thompson.

The third full-length solo release for the British cellist and producer features guest appearances from Chrysanthemum Bear, Malibu and Kathryn Williams.

The first new release in 15 years for the Ethiopian keyboard and accordion player features contributions from Tony Buck and Mike Majkowski.

The third full-length release for the Canadian singer-songwriter was written in a 19th century church near Lake Erie.

The fifth full-length release for the Oakland, California quartet was produced by the Black Keys' Dan Auerbach.

The third full-length release for the Philadelphia indie rock band led by Frances Quinlan was self-produced and recorded.

The latest full-length solo release for the British singer-songwriter was self-produced.

The fourth full-length release for the Swedish singer-songwriter features a 20th century pipe organ and was produced by Randall Dunn.

The sixth full-length studio release for the singer-songwriter was co-produced by Dave Cobb and Shooter Jennings.

The fifth full-length release for Joan Wasser was produced with Thomas Bartlett and Parker Kindred.

The sixth full-length release for the British alternative rock band features contributions from Liz Corney, Ed Cross, Simon Dennis, Pete Fraser, Sarah Hayes, Ele Leckie, Jo Montgomery, and Chrissie Slater.

The experimental electronic composer collaborated with gagaku ensemble Tokyo Gakuso on his ninth full-length release.

The collaboration between Keiji Haino and Sumac was recorded during improvised sessions.

The third full-length studio release for the Southern California rapper features guest appearances from J. Cole, Future, Jeremih, Kendrick Lamar, and SZA.

The debut full-length release for the collaboration between Laura Marling and Mike Lindsay was recorded in London.

The fourth full-length studio release for the Swedish metal band was produced by Tom Dalgety.

The second full-length release for the British electronic pop trio led by Olly Alexander features contributions from such artist as Greg Kurstin, Steve Mac, Julia Michaels, Justin Tranter, and Two Inch Punch.

The third full-length release for the Canadian post-punk band was produced by Nicolas Vernhes.

The third full-length release for the Massachusetts alt-folk band was co-produced with Dan Cardinal.

The third full-length studio release for the California rapper features guest appearances from E-40, Jay Rock, Kamaiyah, Kehlani, Earl Sweatshirt, Ty Dolla $ign, and Tyga.

The second full-length solo release for the British folk singer-songwriter was produced by Thomas Bartlett.

The first new full-length solo release for the Carter Tutti/Throbbing Gristle artist in 17 years was influenced in part by the death of Throbbing Gristle's Peter Christopherson, British folk music and the BBC Radiophonic Workshop.

The debut full-length release for the British R&B singer-songwriter features contributions from Dizzee Rascal, Amanda Ghost, and Tom Misch.

The first release on the Warp label for the Brooklyn-based composer, producer and multi-instrumentalist features influences from black metal, classical, dream pop, and jazz music.

The third full-length release for the jazz quartet led by the tenor saxophonist Shabaka Hutchings features contributions from Josh Idehen and Congo Natty.

The seventh full-length studio release for the British singer-songwriter was produced by Joshua Block, Austin Jenkins and Charlie Hugall.

The second full-length release for the Baltimore hardcore band was produced by Will Yip.

This is the debut full-length release for the project formed by Shearwater's Jonathan Meiburg, and Emily Cross and Dan Duszynski of Cross Record.

The fourth full-length solo release for the British singer-songwriter was self-produced and features guest vocals from The Orielles and Our Girl.

The debut full-length collaboration between Dave Alvin and Jimmie Dale Gilmore features 10 covers and two originals, including the title track co-written by the duo.

The latest full-length release for the Seattle-based indie singer-songwriter was self-produced.

This is the third full-length solo release for the San Francisco Bay Area artist.

The fifth full-length release for the garage punk band features guest appearances from Matthew Hoopengardner of the Golden Boys, Jana Misener, Seth Moody, Jack Oblivian, Patrick Stickles of Titus Andronicus, John Whittemore, and Krista Wroten-Combest of the Memphis Dawls.

The latest full-length release for the British electronic artist Elizabeth Bernholz features elements of folk music, as well as the harpsichord and recorder.

The fourth full-length studio release for the pop singer features guest appearances from Nicki Minaj, Missy Elliott and Pharrell Williams.

The latest release for the Texas-based singer-songwriter is a concept album about two men, one from Italy and the other from Mexico, as they seek to immigrate to the United States.

The second full-length release for the Australian indie pop trio was produced with Architecture In Helsinki's James Cecil and Cameron Bird.

The debut full-length release for the British alternative R&B artist was written/produced with Mica Levi.

The 15th full-length release for the singer-songwriter features contributions from such artists as T Bone Burnett, Elvis Costello, Kris Kristofferson, John Leventhal, Lera Lynn, Tucker Martine, and Sam Phillips.

The fifth full-length release for the French Canadian husband-and-wife duo was inspired by n Philip K. Dick's A Scanner Darkly.

The second full-length release for the indie rock band that includes members based in Ohio and New York was recorded in five days by Cameron Konner.

The covers album from the singer-songwriter features such 1980-90s songs as George Clinton's "Atomic Dog 2017," Janet Jackson's "Funny How Time Flies (When You're Having Fun)," Prince's "Sometimes It Snows in April," Sade's "Smooth Operator," Tina Turner's "Private Dancer," and "TLC's "Waterfalls."

The debut full-length release for the Portland, Oregon singer-songwriter was produced by Zak Kimball.

The sixth full-length release for the Baltimore duo of Jenn Wasner and Andy Stack was mixed by John Congleton.

The latest release for the composer features two pieces: Pulse includes winds, strings, piano and electric bass with the International Contemporary Ensemble and Quartet includes two vibraphones and two pianos with the Colin Currie Group.

The third full-length release for the British singer-songwriter was recorded in England and France with Mickey Smith.

The soundtrack to the Black Panther film was curated by Kendrick Lamar (and he features on five songs) includes appearances from such artists as 2 Chainz, Ab-Soul, Anderson .Paak, James Blake, Future, Jay Rock, Swae Lee, Mozzy, ScHoolboy Q, Travis Scott, Vince Staples, the Weeknd, and Zacari.

The seventh full-length release for the Baltimore dream pop duo was recorded in part in its home studio with some help from Peter Kember (aka Sonic Boom).

The seventh full-length solo release for the Detroit rapper/producer features guest appearances from Ab, Dwele, and Sudie.

The debut full-length release for the Berlin-based Finnish experimental electronic duo of Ville Haimala and Martti Kalliala features guest appearances from Pan Daijing and Oracle.

The 12th full-length release for the Virginia six-string and lap guitarist features contributions from Forrest Marquisee and Ian McColm.

The latest release for the Los Angeles R&B artist features guest appearances from Shana Jenson and Dudley Perkins.

The debut full-length release for the Houston-born and Berlin-based electronic producer J'Kerian Morgan was inspired partly by marching bands and Ta-Nehisi Coates' "Between The World And Me."

The collaboration with Lucinda Williams, the saxophonist and the Marvels (Bill Frisell, Greg Leisz, Reuben Rogers, and Eric Harland) features new versions of Williams' songs “Dust,” “Ventura” and “Unsuffer Me,” as well as Thelonious Monk’s “Monk’s Mood,” Jim Hendrix’s “Angel,” and three original instrumentals.

The second full-length release for the Australian singer-songwriter was produced with Burke Reid and Dan Luscombe.

The second full-length release for the Los Angeles-based harpist was created in a Northern California barn during a residency at the Headlands Center for the Arts.

The latest release for the New York indie pop project of Greta Kline is its first on the Sub Pop label.

The latest release for the Colorado-based singer-songwriter features contributions from Jon Estes, Victor Herrero, Chris Scruggs, Gyða Valtýsdóttir, as well as members of The Cherry Blossoms.

The 11th full length release for Liz Harris was written and recorded in Wyoming over a week-and--a-half.

The debut full-length release for 18-year-old British indie rock singer-songwriter Lindsey Jordan was produced by Jake Aron.

The second full-length release for the British pop-punk trio led by Lande Hekt was produced and mixed by Lewis Johns.

The debut full-length collaborative album for Beyonce and Jay-Z was a surprise release and features guest appearances from Migos, Offset, Quavo, Rory from Stone Love, and Ty Dolla $ign.