Barbie: The Album

The only dud is GAYLE’s ‘butterflies’, which does nothing more than showcase the record’s corporate origins. Sampling a Y2K hit would have surely looked good on paper at some point; in reality it’s a confused mish-mash of sounds, the sample appearing as an add-on, the newcomer without the star power of her peers here to hint lyrically at anything of note. That aside, life in plastic does indeed sound fantastic.

It’s no surprise that Barbie World, the song she shares with her protege Ice Spice, is 109 seconds of pure plastic bliss. Like much of the soundtrack, it fizzes with moreish, sugary filth, simultaneously R-rated and child-friendly.

Barbie the Album has something for everyone (Brandi Carlile’s loving bonus track cover of the Indigo Girls’ “Closer To Fine” is an especially sweet, sincere touch), and it neatly ties together the playful feminism of the film into an enjoyable musical experience.

Soundtracks are often merely time capsules of their era, and Barbie The Album captures the bounce, bravado and occasional bad moods of 2023 in technicolor.

We get some huge heavy hitters who do very good-to-great work. But the record sinks into pink slush during the so-so-filler tracks. Although there are some fantastic high points and some tacky low points, Barbie: The Album still manages to pull through with a cheeky victory, even if it’s qualified.