Madvillainy

Metascore
93

Universal acclaim - based on 20 Critics

Critic score distribution:
  1. Positive: 20 out of 20
  2. Mixed: 0 out of 20
  3. Negative: 0 out of 20
  1. The A.V. Club
    100
    Like both artists' most transcendent work, Madvillainy retains its mystery and wonder after dozens of listens.
  2. While every Ivy League dog kennel worker with a paycheck from Blender or Revolver may write dissertations about how Outkast re-invented pop music (and if we follow that logic) then Madvillain simply destroys the boundaries.
  3. Alternative Press
    100
    All invention and no indulgence. [Jun 2004, p.110]
  4. Madvillainy is inexhaustibly brilliant, with layer-upon-layer of carefully considered yet immediate hip-hop, forward-thinking but always close to its roots.... Good luck finding a better hip-hop album this year, mainstream, undie, or otherwise.
  5. A dizzying synergy of heavy brains and chemistry, culminating in blissfully fun, irreverent, and engaging brand of record-making magic.
  6. Mojo
    90
    The wily creativity on display here is astonishing. [Jun 2004, p.114]
  7. Q Magazine
    90
    One utterly badass album. [Jul 2004, p.116]
  8. A definite tour de force for indie hip hop.
  9. It’s easily one of the best pieces of work of both participants’ careers and a mark of the incredible talent both possess.
  10. Madvillainy's strength lies in its mix between seemingly obtuse beats, samples, MCing, and some straight-up hip-hop bumping.
  11. The problem with Madvillainy, if it can even be termed a problem, is that Doom and Madlib just have too many ideas.
  12. Madvillainy isn't really an inaccessible record. It may take a couple of spins for you to get involved, but once you've passed that initial adaptation, it stays with you.
  13. Not only does it capture the unstructured verse of a masked maniac within a sheer net of plausibility, it parades his inner dementia among instrumental adornments of the highest order.
  14. Filter
    88
    Raw, crunchy beats and ugly, monster flows delivered in a punk album format. [#9, p.110]
  15. Madlib creatively melds electronic and jazzy elements, entertaining voiceovers akin to the kind heard on Batman or Superman cartoons, and snippets of Sun Ra to fashion a wildly diverse yet coherently executed tableaux of brainy, original noise-art.
  16. An outlandishly imaginative collaboration.
  17. By trimming excess fat (read: R’n’B choruses), Madvilliany keeps a sense of spontaneity, cutting off unexpectedly and never allowing anything to get stale.
  18. Urb
    80
    Boatloads of fresh, clunky beats land ashore with narrative tongue trickery. [Apr 2004, p.86]
  19. Blender
    70
    A torrid album that marries old-school rap aesthetics to punk-rock concision. [May 2004, p.127]
User Score
8.7

Universal acclaim- based on 429 Ratings

User score distribution:
  1. Negative: 8 out of 132
  1. Nov 6, 2011
    10
    A masterpiece. MF DOOM is one of the most talented rappers I have ever heard (and I've heard 100's of albums), and Madlib is one of theA masterpiece. MF DOOM is one of the most talented rappers I have ever heard (and I've heard 100's of albums), and Madlib is one of the greatest and most diverse producers in the world. The combination of the two works extremely well, as the two have a very similar sound. This is a must for any hip hop fan to listen to. Full Review »
  2. KevinL
    Jun 26, 2006
    10
    Wow...this is freaking dope...man this ...is the bomb...I reccomend this to all hip hop and underground rap fans.
  3. Apr 20, 2016
    10
    The scariest rhymer in the 2000's paired up with a trippy, unusual producer. A masterpiece that is to live for many years, which inspired manyThe scariest rhymer in the 2000's paired up with a trippy, unusual producer. A masterpiece that is to live for many years, which inspired many young rappers in the game. Full Review »