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Oct 28, 2013They’ve re-affirmed their place as one of the best bands in the world and have created an album that is insightful, emotional, fun and just damn amazing.
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Oct 28, 2013Reflektor is as fascinating as it is frustrating, an oddly compelling miasma of big pop moments and empty sonic vistas that offers up a (full-size) snapshot of a band at its commerical peak, trying to establish eye contact from atop a mountain.
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Oct 28, 2013They’ve recorded another stunning album that’s going to be a bear to follow up.
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Nov 21, 2013As a whole, there are throwaway tracks ("Porno") and overstayed welcomes (ambiguous anthem "We Exist"), Butler playing roulette with themes: the pains of indie rock ("Normal Person"), star-crossed Greek mythology ("Awful Sound [Oh Eurydice]," "It's Never Over [Oh Orpheus]"), and existential despair ("Afterlife").
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Oct 28, 2013Clocking in at an hour and twenty-five minutes, Reflektor drags in parts, though it contains plenty of moments (most often in its uptempo, dynamic first half) that sound ready to breathe life into the middling state of commercial rock in 2013.
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Oct 28, 2013The finish provides a slow comedown from the buzz of the album’s first half--which by itself ranks with Arcade Fire’s best, most challenging work. The textural experiments of Part 2 can’t keep pace.
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Nov 14, 2013It’s an interesting, intermittently excellent album from a skilled group that could still use a little help in getting out of their own way.
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Oct 28, 2013At this point, Win Butler is rock ‘n’ roll’s Christopher Nolan, a hyper-literate artist who crafts reliable, intelligent, and challenging blockbuster events that sweep our minds away. With the 85-minute Reflektor, he’s taken his most creative risks to date and at the cost of simply trusting what he sees, who he knows, and where he wants to go.
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Nov 15, 2013There’s no lack of stride here, in fact the entire scope of Reflektor and its magnificent way of sucking you into its entire ride is downright remarkable.
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Oct 21, 2013With fourth album Reflektor, their past is documented in vivid detail, delivered with such urgency and bombast it's difficult to look ahead. But look ahead they do, arriving with their fullest and most ambitious record to date.
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Oct 16, 2013Arcade Fire, today's reigning big-message rock band, bring more cynical tidings on their intrepid, uneven, and very long (75 minutes) fourth album, Reflektor.
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Oct 28, 2013Reflektor goes after this eternal, existential tension in masterful strokes and is a significant musical contribution by Arcade Fire, who continue to find ways to tap into universal expressions while making music that's refreshingly topical, infectious and completely their own.
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Nov 19, 2013This timid spike ['Afterlife'] in urgency is short-lived, swallowed whole by closer ‘Supersymmetry’ and its 11 genteel minutes of caressing synth-loops and mental nothingness, completing perfectly what is an utterly tangential statement.
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Oct 29, 2013Genre jumping aside, it's the patterns as much as the riffs that are beguiling here.
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MagnetDec 18, 2013The double-disc, dual volume album that results is one that finds the Canadian seven-piece sounding liberated, from stylistic and budgetary constraints both. [No. 105, p.52]
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MojoOct 11, 2013Despite the lulls, the resistance to ending songs, Reflektor lets Arcade Fire shed expectations along with a skin, an act of rejuvenation few at their level manage with conviction. [Nov 2013, p.82]
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Oct 28, 2013Reflektor is not the vintage record the hype would have us believe. But it will, if nothing else, get your feet moving.
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Oct 28, 2013Reflektor is cleaner, sharper and dancier than anything the band have done before.
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Nov 7, 2013Reflektor hits too many high points to entirely consider it a failure, and despite its convoluted lyrical content and overreaching scope it still crosses the double album finish line with satisfactory results.
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Oct 31, 2013It’s not a perfect record, but nothing this ambitious was ever going to be.
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Oct 29, 2013Reflektor is very well an intellectual triumph, but--in a first for this band--it’s almost never an emotional one.
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Oct 28, 2013They've given us something in the present tense that, these days, feels depressingly unfashionable: An Event--an album that dares to be great, and remarkably succeeds.
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Oct 30, 2013There is so, so much content, so beautifully and flawlessly presented that it can be baffling at times. The Suburbs, to many, was decade-defining music. Reflektor, I feel, through both content and design, will be artist-defining.
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Oct 28, 2013This is music that moves the body along with the spirit, a damn fine step in the right direction.
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Nov 14, 2013Arcade Fire managed to satisfy divergent interests. Disc one is the hits. Disc two is the weird stuff.
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Dec 16, 2013As it stands, Reflektor is Arcade Fire’s most diverse and sonically interesting work to date.
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Sep 27, 2013Reflektor is closer to turning-point classics such as U2's Achtung Baby and Radiohead's Kid A--a thrilling act of risk and renewal by a band with established commercial appeal and a greater fear of the average, of merely being liked.
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Oct 31, 2013The band certainly hasn't left rock behind, but they've found a way to push beyond a sense of exhaustion with the resources that the genre has to offer, while at the same time reflecting on the tenuousness of interpersonal connection in an age of hyper-evolving technology.
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Oct 28, 2013Reflektor is long and weird and indulgent and deeply committed. It has three to five genuinely great songs; it also wanders off into the filler hinterlands for 20 minutes or so (out of 70).
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Oct 28, 2013There are enough interesting motifs and musical adventuring on Reflektor that the negatives seem inconsequential on the whole.
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Oct 29, 2013Listen closely enough to Reflektor--and give it the patience that clearly went into its recording--and that old Arcade Fire burns. It’s just a different kind of flame.
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Oct 2, 2013The juggernauting anthemia that has become their signature is upscaled for Reflektor, a wider-than-widescreen, 70-minute, two-disc odyssey.
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Oct 18, 2013It's a brave and sometimes baffling album, broaching difficult themes; though faced with a series of such unforgiving electro-sonic maelstroms, one may hanker for the touches of folksy pastoralism that lightened earlier AF albums.
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Oct 28, 2013Big only because Arcade Fire think big, Reflektor stretches stadium rock’s reach in the acts of self-reinvention and revitalisation. Now that’s entertainment.
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Oct 23, 2013Reflektor acts as a vehicle through which the band’s established flair can be refracted into a new polarising, pulverising shape.
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Oct 28, 2013Some of the tracks go on longer than necessary, but it’s an excess of generosity.
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Oct 28, 2013Arcade Fire's fourth album is pure death disco: a pulsating, electronic work, heavy of theme but light on its feet.
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Oct 25, 2013Though a double album of 80 minutes, Reflektor feels shorter than The Suburbs, and better paced.
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Oct 24, 2013It is exhaustingly, daringly, bafflingly brilliant, but you might want to lie down in a dark room after listening.
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Oct 29, 2013While the first disc winds its way sporadically through the humid alleys and hazy bars of a multi-dimensional shantytown, the second half explodes outward upon the magnificent vista of symphonic discotheque.
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UncutOct 2, 2013While the overall sound is massive, it's become somewhat restricted in tone and texture, most tracks careering towards climaxes of cacophonous synth whines and heavy rock guitars, a narrower palette than on previous albums. [Nov 2013, p.66]
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Oct 30, 2013It's wildly uneven, and contains more flat-out bellyflops than any of the band's previous works; it's also endlessly fascinating. Far from perfect, it's worthy of heavy exploration.
Awards & Rankings
User score distribution:
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Positive: 571 out of 625
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Mixed: 41 out of 625
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Negative: 13 out of 625
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Oct 29, 2013
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Oct 29, 2013
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Oct 30, 2013