New Musical Express (NME)'s Scores
- Music
For 6,014 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | to hell with it [Mixtape] | |
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Lowest review score: | Maroon |
Score distribution:
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Positive: 4,234 out of 6014
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Mixed: 1,627 out of 6014
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Negative: 153 out of 6014
6014
music
reviews
- By Date
- By Critic Score
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- Critic Score
Towards ‘Blue Water Road’’s conclusion, things start to drift a little, ‘Everything’ feeling longer than its three-minute-27-second runtime and the Thundercat and Ambre-starring ‘Wondering/Wandering’ not quite landing as memorably as you’d hope. For the most part, though, this album finds Kehlani in spectacular form – softer, stronger and better than ever.- New Musical Express (NME)
- Posted Apr 29, 2022
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‘Zeit’ might be a more reflective album than previous Rammstein records, but it’s still an energetic, swaggering beast.- New Musical Express (NME)
- Posted Apr 29, 2022
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- New Musical Express (NME)
- Posted Apr 28, 2022
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This project is sure to surprise fans with its unique sensibility, further showcasing how difficult it is to constrict the artist into any specific genre. Chaz borrows multiple elements to create something wholly unique, skating through sounds to create a genre pastiche to suit every taste.- New Musical Express (NME)
- Posted Apr 28, 2022
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Prochet’s vocals exude a satisfying, calming sense of gliding and her melodies are strangely life-affirming, as if conveying a peace deeper than just the words they deliver.- New Musical Express (NME)
- Posted Apr 27, 2022
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Pusha T has managed to elevate his art to new heights, signalling that the artist is nowhere close to being done. Despite being longer than ‘Daytona’, there is succinct preciseness to ‘It’s Almost Dry’ with Pusha’s lyricism, in particular, never left wanting. Alongside the outstanding production, it makes for an instant hip-hop classic.- New Musical Express (NME)
- Posted Apr 25, 2022
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The glorious quirks and inventiveness of Let’s Eat Grandma’s earlier work might be amiss on ‘Two Ribbons’, but its immediacy will likely win them new fans. This is the stirring sound of reinvigoration in the face of loss.- New Musical Express (NME)
- Posted Apr 22, 2022
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In every way, ‘Bob Vylan Presents: The Price Of Life’ is a far more eclectic record than anything the duo have released before. Their alt-rock tracks about inequality will speak to a wider audience but the band never soften their edges or pull their punches in a bid for accessibility.- New Musical Express (NME)
- Posted Apr 22, 2022
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The fight for a better Ireland deserves songs that mirror the depth of the crisis, and in its endlessly captivating glory, ‘Skinty Fia’ rises triumphantly to the task.- New Musical Express (NME)
- Posted Apr 22, 2022
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Beyond the familiar name drops and signposts, there are flashes of a band in control of their destiny, and willing to try something new.- New Musical Express (NME)
- Posted Apr 21, 2022
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The result is a densely orchestrated record that is as solid as it is sprawling.- New Musical Express (NME)
- Posted Apr 20, 2022
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Rather than sounding like a vintage group struggling to find their identity, though, Swedish House Mafia’s debut album sees the trio flexing their musical and emotional muscles across 17 brilliant, fearless and often surprising tracks. The kings of dance music are very much back.- New Musical Express (NME)
- Posted Apr 18, 2022
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He keeps growing musically, challenging what drill music can be. On ‘Noughty By Nature’, he confirms he’s a genre juggernaut, but in wearing his heart a little more on his sleeve, he’s also evolving right in front of us.- New Musical Express (NME)
- Posted Apr 15, 2022
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This record shows that Vile isn’t about to abandon the formula that’s served him so well since he left The War On Drugs over a decade ago. It packs that wholesome, easy charm he’s always held, almost as if the songs fell out of his brain while he was strumming away on his back porch.- New Musical Express (NME)
- Posted Apr 13, 2022
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With its drill influences and eclecticism, this is perhaps the record ‘Donda’ could have been, proving that Fivio has plenty of scope to transcend drill culture.- New Musical Express (NME)
- Posted Apr 12, 2022
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It can feel – despite the vivacity and thrilling, shack-shaking garage rock beast that this whole album is – that Romero are stuck in a single gear. There’s a sameness to the songs that won’t trouble any listeners who only want to throw their heads around, pogo bounce and get deafened by riffs.- New Musical Express (NME)
- Posted Apr 11, 2022
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‘Serpentina’ is a welcome reintroduction to the artist and a cathartic ode to doing things your own way.- New Musical Express (NME)
- Posted Apr 8, 2022
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The result is both brutally honest and joyfully exuberant, as the band get comfortable and cathartic in their own skin – and invite you to do the same.- New Musical Express (NME)
- Posted Apr 8, 2022
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A collection of gorgeous, sultry songs that contend with the angst of feeling like you’re the only person who is truly awake and alive in an otherwise sleepy world.- New Musical Express (NME)
- Posted Apr 8, 2022
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What White has done with ‘Fear Of The Dawn’, in fact, is row his experimental tendencies back a little, as if to meet the desires of his audience halfway. Unfortunately, that can make large chunks of the ensuing record a confused and purposeless mess.- New Musical Express (NME)
- Posted Apr 8, 2022
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With ‘Broken Hearts Club’, Syd has crafted an album that elevates her to new heights – one that positions her as an exceptional, peerless talent.- New Musical Express (NME)
- Posted Apr 8, 2022
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Yes, ‘Vince Staples’ was a beautifully personal reflection from start to finish, but ‘Ramona Park…’ enriches the listener’s relationship with the rapper.- New Musical Express (NME)
- Posted Apr 8, 2022
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It’s an album of unabashed growth, as the artist gets in his feelings but never veers into self-pity. The masked cowboy is – paradoxically – baring his soul, unbridled and all the better for it.- New Musical Express (NME)
- Posted Apr 8, 2022
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By digging deeper into her heritage and her own psyche, Cabello has created her richest and most compelling album yet.- New Musical Express (NME)
- Posted Apr 7, 2022
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Tracks on here like ‘Fine’ and the aforementioned ‘Racist, Sexist Boy’ are vital, powerful bursts of punk fury. Yet when they let their pop music imaginations run free it’s equally impressive, with tracks like ‘Growing Up’, ‘Talking To Myself’ and ‘Magic’ showcasing a gift for catchy, singalong choruses.- New Musical Express (NME)
- Posted Apr 7, 2022
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The process of letting go has resulted in a record on which an acclaimed voice can explore human emotion with more breadth and depth than ever before.- New Musical Express (NME)
- Posted Apr 6, 2022
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Besides its flirtations with big band-style instrumentals, ‘Chloë and the Next 20th Century’ serves as a gorgeously crafted highlight reel of the singer’s many previous styles and guises, rather than a complete reinvention.- New Musical Express (NME)
- Posted Apr 6, 2022
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It rushes with liberating, infectious joy that makes you want to grab your own partner-in-crime and speed off on an adventure to find somewhere that’s, as ‘Angelica’s mantra suggests, is “good times all the time”. With Wet Leg as your soundtrack, it seems inevitable you’ll find that place.- New Musical Express (NME)
- Posted Apr 5, 2022
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Doherty’s folky 2019 album with The Puta Madres was the sound of the former kid in the riot staring out to sea and looking for a little peace. Here with Lo, it feels like he’s truly found it. Now more than ever, this record is truly Arcadian.- New Musical Express (NME)
- Posted Apr 1, 2022
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When the album proper kicks in with ‘Totally Fine’, it’s clear that PUP are still trading in the same brutally pissed off but unassailably catchy blasts of self-loathing. And, yes, it’s still as much fun as ever.- New Musical Express (NME)
- Posted Apr 1, 2022
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On their 12th album, Red Hot Chili Peppers not only get comfortable with their own impressive legacy, but prove there’s plenty more to come.- New Musical Express (NME)
- Posted Mar 31, 2022
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The freewheeling spirit does occasionally give way to a less exciting middle ground: ‘Eight Minute Machines’ comes as a blast of scuzzy guitar-driven punk we’ve heard a lot of in recent years, where the six-minute closer ‘Greasin’ Up Jesus’ is built around a drum machine doesn’t go anywhere in particular. For the most part, though, this is clearly the sound of a band ready to party once more, making for another carnival of different sounds and offbeat ideas.- New Musical Express (NME)
- Posted Mar 30, 2022
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‘TILT’ is a record that proves that campness and ridiculousness doesn’t have to come at the expense of real depth.- New Musical Express (NME)
- Posted Mar 30, 2022
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‘Zombie’ has all the swagger and pep of his previous collaborator The Weeknd, while the tempered nature of ‘Cameo’ and ‘Renegade’ allow traditional pop songwriting to coexist with bolshy, bone-crunching settings. These fleeting moments are by far ‘Reborn’s most satisfying, and offer proof that there’s plenty more creative road for Kavinsky to bomb it down in years to come.- New Musical Express (NME)
- Posted Mar 29, 2022
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Curry flexes his ability to flow and rhyme meticulously lines that explode your mind, his gruff delivery similar to that of RZA or even Busta Rhymes.- New Musical Express (NME)
- Posted Mar 25, 2022
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Given its creator’s effortless vocals, smart lyricism and obvious ability to craft new bangers, ‘Gifted’ will only add to the clamour surrounding Koffee’s name: time will tell how far she will continue to rise from this point.- New Musical Express (NME)
- Posted Mar 25, 2022
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Musically, ‘Mainstream Sellout’ doesn’t stray too far from [Tickets To My Downfall's] blueprint laid out, but lyrically sees Baker get more honest, more revealing and more comfortable in being uncomfortable.- New Musical Express (NME)
- Posted Mar 25, 2022
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‘Never Let Me Go’ is a true renaissance record. It’s no ‘Metal Machine Music’ or ‘Yeezus’, but a record that finds Placebo inspired and ready for a new era, reinventing the rock veterans for the modern age.- New Musical Express (NME)
- Posted Mar 24, 2022
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Propelled by a glossy indie sound hell-bent on dragging the band up festival bills, opener ‘Hometown’ expresses this best. ... The problem is, such weighty ambition is left off this album, which too often finds them content on taking the easy road.- New Musical Express (NME)
- Posted Mar 24, 2022
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Once given the time and attention it demands, ‘Warm Chris’ is the kind of album that will eventually take root somewhere deep. Its complexities mean that each listen holds new revelations, the record growing richer and richer over time.- New Musical Express (NME)
- Posted Mar 23, 2022
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Rosalía isn’t so much carving out her own lane as building her own ultra-modern, super-bendy sonic motorway. It’s one you’ll want to hurtle down again and again.- New Musical Express (NME)
- Posted Mar 18, 2022
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At times, ‘Crash’ eases off the throttle slightly – the interpolation of ‘Show Me Love’ on ‘Used to Know Me’ is infectious, if slightly too straightforward, while smouldering ballads ‘Move Me’ and ‘Every Rule’ could do with more of the skewed hints of unfamiliarity found in spades elsewhere. These are minor gripes, though, and by the time those synthesised strings whirr into life on the jagged pop-funk track ‘Baby’ they’re easy enough to overlook.- New Musical Express (NME)
- Posted Mar 17, 2022
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Kojey Radical sells us the image of refined Renaissance man he has become, rather than merely resting on his potential.- New Musical Express (NME)
- Posted Mar 14, 2022
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Opening up the definition of rap-rock, TheOGM and Eaddy prove that you can hold yourself to the same intricate lyrical standards of rap, while sounding closer to the rockstars they grew up falling in love with.- New Musical Express (NME)
- Posted Mar 11, 2022
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The music that Ghost make over twelve tracks, more than ever before, is a truly delicious pop-rock proposition.- New Musical Express (NME)
- Posted Mar 11, 2022
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‘Who Cares?’, O’Connor’s fourth album, is a gorgeously measured step forward.- New Musical Express (NME)
- Posted Mar 11, 2022
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‘Reeling’ is gripping throughout, and the band always seem ready to ascend to another level.- New Musical Express (NME)
- Posted Mar 10, 2022
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BODEGA’s most vital moments come when they lower their guard down and just let it all out.- New Musical Express (NME)
- Posted Mar 10, 2022
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The vocals are as limber as the glitching, swaying soundscapes and the whole album is a mesmerising listen that constantly surprises.- New Musical Express (NME)
- Posted Mar 9, 2022
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With ‘Topical Dancer’, they have created an album that works just as well as the soundtrack to a killer house party as it does a necessary act of rebellion against the negative forces in our society.- New Musical Express (NME)
- Posted Mar 8, 2022
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It’s clear that the members of MICHELLE are moving forwards together in search of something new, but are grateful to be in no rush to find it.- New Musical Express (NME)
- Posted Mar 7, 2022
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This record offers a maelstrom of mistakes and confusion and glee and love and loneliness and hope – and the mess of it all makes for the biggest gift.- New Musical Express (NME)
- Posted Mar 4, 2022
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Even if ‘Painless’ occasionally settles into a consistent, thudding groove at times, when Yanya goes full pelt, she’s at her very best.- New Musical Express (NME)
- Posted Mar 4, 2022
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It all adds up to a thoroughly enjoyable listen that confirms what fans already know: even a middle-of-the-road Dolly Parton album has lashings of charm.- New Musical Express (NME)
- Posted Mar 4, 2022
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Far from just leftovers, the second excellent album to come out of this rich period proves that the well runs deep in Tamara Lindeman’s imperial phase.- New Musical Express (NME)
- Posted Mar 1, 2022
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caroline’s masterpiece might be yet to come, but this formative debut album opens up a world of possibilities.- New Musical Express (NME)
- Posted Feb 25, 2022
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As the new face of drill music, “from Bush to Beverley Hills”, ‘23’ shows that Cench repeatedly proves his worth and as his talent continues to blossom.- New Musical Express (NME)
- Posted Feb 25, 2022
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As they adopt the very sounds that cultivated them on their come-up, ‘Ghetto Gods’ should mark the start of EarthGang’s ascension to superstardom.- New Musical Express (NME)
- Posted Feb 25, 2022
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This album is the work of a man with no time for big cash reunions or the squabbling that prevents them. Instead, he has turned in a record fuelled by soul and new ideas.- New Musical Express (NME)
- Posted Feb 24, 2022
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A majority of the songs on ‘Love Sux’ clock in at under three minutes, giving the record a fiery sense of purpose. From the fraught emotion behind the vulnerable, delicate ballad ‘Dare To Love Me’ to the snarling guitars of ‘Déjà Vu’, every moment on the album is deliberately melodramatic.- New Musical Express (NME)
- Posted Feb 24, 2022
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Bad Boy Chiller Crew clearly just want to keep make songs that purposefully and brilliantly celebrate the hedonistic corners of life – and that desire should be embraced. They locate their power not just in the recording booth, but on stage, the race track and the dancefloor, fully self-aware and seemingly unstoppable.- New Musical Express (NME)
- Posted Feb 21, 2022
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Yes, the record can sit a little awkwardly between being nostalgic and current – given her enlisting on next-gen stars for a hip-hop soul collection – but the take-the-power-back narrative really makes these songs shine.- New Musical Express (NME)
- Posted Feb 21, 2022
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A decidedly strange record with flashes of beauty and brilliance, then. How utterly Yoko.- New Musical Express (NME)
- Posted Feb 18, 2022
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We may be living in shit times but in ‘Everything Was Forever’, Sea Power have produced an album that is both brutal and beautiful, and which offers us all some much needed hope.- New Musical Express (NME)
- Posted Feb 18, 2022
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‘Small World’ might be the biggest diversion from their main stage sound to date, but it’s also one of the most heartfelt and rewarding. Metronomy, it’s good to have you back.- New Musical Express (NME)
- Posted Feb 18, 2022
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Even in its more intimate moments, there’s a certain theatricality to ‘Once Twice Melody’, which is home to some of Beach House’s most surreal lyrics.- New Musical Express (NME)
- Posted Feb 18, 2022
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An astoundingly honest, and at times brutal, listen, ‘PREY//IV’ still ends on a note of hope.- New Musical Express (NME)
- Posted Feb 18, 2022
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If this is an awakening, consider our attention well and truly captive; clever, confident, and utterly comforting.- New Musical Express (NME)
- Posted Feb 15, 2022
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Dismiss this as uninspired “dad rock”, or embrace it as a dad making the music he’d want to hear.- New Musical Express (NME)
- Posted Feb 10, 2022
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Those in search of a tightly cohesive album knitted around a single concept have probably come to the wrong place entirely – but for a sprawling answer to the band’s two huge 2019 breakthrough records ‘Two Hands’ and ‘U.F.F.O’, then look no further.- New Musical Express (NME)
- Posted Feb 10, 2022
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‘The Dream’ continues the slow, rewarding blossoming of Alt-J’s records, each a little more generous, thoughtful and optimistic than the last. ... It’s the sound of a band revitalised, having finally found their happy place.- New Musical Express (NME)
- Posted Feb 10, 2022
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The result is a glorious neo-rap sound. It doesn’t quite fit in with his contemporaries’ party music, and he’s not always as crafty and traditional as hip-hop, so rappers like Saba often stay on the wayside, delivering absolute perfection without many accolades. That would be a shame, as this is an album at a divine level.- New Musical Express (NME)
- Posted Feb 8, 2022
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‘Time Skiffs’ is a gorgeous, exploratory album, containing some of the greatest creations this curious lot have turned in for years.- New Musical Express (NME)
- Posted Feb 4, 2022
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This singular record will remain a stunning collection to be cherished for years to come, and a remarkable high on which to end Wood’s tenure at the front of the band. It’s a future cult classic.- New Musical Express (NME)
- Posted Feb 3, 2022
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The result is the most expansive, yet cohesive record Bastille have put their name to. In fact, they may have created a perfect soundtrack to life after lockdown.- New Musical Express (NME)
- Posted Feb 3, 2022
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‘Requiem’ has brought something new to a discography that, until now, has been an exploration of human suffering. It’s led to the band’s most nuanced record to date.- New Musical Express (NME)
- Posted Feb 3, 2022
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Its darkwave soundtrack is all the more sinister, sexy and thrilling for having visuals set to the sound.- New Musical Express (NME)
- Posted Feb 2, 2022
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After exploring the isolation of feeling like a “nobody“, Mitski’s explorations of being somebody prove just as compelling.- New Musical Express (NME)
- Posted Feb 2, 2022
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Encasing the malaise and drudgery of the last two years and preserving them in dark grey ash, ‘Pompeii’ captures a distinct sense of isolation without explicitly spelling it out. There’s much to excavate here.- New Musical Express (NME)
- Posted Feb 2, 2022
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Stand-out moments grab you with their humour – the immensely memorable hooks on show certainly help, too – but after ‘Motordrome’’s fizzled out, you’re left wishing the engines revved a little louder.- New Musical Express (NME)
- Posted Jan 27, 2022
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‘On To Better Things’ bottles up that teenage angst as perfectly as the golden age of pop-punk music.- New Musical Express (NME)
- Posted Jan 27, 2022
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Rather than a fresh blast of wizardry, ‘Extreme Witchcraft’ is more of a feet-finder for our times.- New Musical Express (NME)
- Posted Jan 26, 2022
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[A] collection of well-crafted bangers, most of which are begging to be blasted out of a subwoofer as debauchery rages.- New Musical Express (NME)
- Posted Jan 21, 2022
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When Kane rises above that tentativeness, as with the rousing and charismatic title track, the effect is engaging. But for the most part, this solid but unchallenging album is a step towards nowhere in particular.- New Musical Express (NME)
- Posted Jan 20, 2022
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Their time in a diverse array of groups on the Leeds scene results in a record that’s at once funky (‘Dead Horse’) and spunky (‘Witness’, ‘The Incident’) – even when they slip into cliche (‘Rich’) they sound better than most.- New Musical Express (NME)
- Posted Jan 19, 2022
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‘The Gods We Can Touch’ is loaded with AURORA’s idiosyncratic quirks and enchanting notions, but it’s never purely a slave to whimsy. Now’s the time to give in to AURORA.- New Musical Express (NME)
- Posted Jan 19, 2022
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‘From A Birds Eye View’ is a true delight, revealing greater depth with each listen, and Cordae truly seems to be having fun while proving he’s here to stay.- New Musical Express (NME)
- Posted Jan 19, 2022
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Displaying an amazing musical ear, as he’s picked monstrously riveting instrumentals to rap confidently on, Earl Sweatshirt’s latest feat feels so effortlessly him. And there’s not much higher praise than that.- New Musical Express (NME)
- Posted Jan 18, 2022
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You finish this collection feeling lighter, a little more optimistic about what the world has to offer.- New Musical Express (NME)
- Posted Jan 14, 2022
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‘Ready For The High’ barely sits still for a verse at a time, ducking between buzz-rock, falsetto funk and bits that seem written for the first dance at the marriage of MGMT and Jungle. The rest of the album further delivers: confident funk pop (‘Wildfire’, ‘Worry’) and inventive future disco (‘This Car Drives All By Itself’, ‘People Don’t Change People, Time Does’) are staples, but the palette is wide here, the brushstrokes bold.- New Musical Express (NME)
- Posted Jan 14, 2022
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After pouring her darkest moments into ‘Magdalene’, this varied and playful mixtape represents a moment of release, though it remains to be seen whether Barnett will head further into this direction, or enter a new album era recharged.- New Musical Express (NME)
- Posted Jan 14, 2022
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Although ‘ANTIDAWN’ isn’t by any means an easy listen or an EP made for casual ears, the level of intricate detail and world-building achieved proves that, more than a decade since his arrival, nobody does immersive electronica quite like Burial.- New Musical Express (NME)
- Posted Jan 11, 2022
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This is the most engaging record Green has released since 2010’s ‘Black Sands’ – it is light, airy and remarkably well pieced together.- New Musical Express (NME)
- Posted Jan 10, 2022
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Often, cover records are dismissed as simply a bit of fun or as an indulgent aside to an artists’ original output, but when Cat Power does it, it’s nothing less than soul-nourishing.- New Musical Express (NME)
- Posted Jan 10, 2022
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Dawn FM feels like the first steps on a journey for The Weeknd to find peace with himself; perhaps next time we hear from him, he’ll be fully embracing the light of day.- New Musical Express (NME)
- Posted Jan 7, 2022
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The record sags in the middle when the pace dies down (on ‘Haunt’ and ‘It’s Getting Dark’), but ‘Transparency’ never overstays its welcome. It may not produce the “massive hit” McTrusty once pined for, but it’s a sign there’s life in the old dog yet.- New Musical Express (NME)
- Posted Jan 6, 2022
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The instrumentation and overall production are lightyears ahead those of his debut, too. The velvet texture of ‘Everything You Need’ enhances his renowned melodic swagger, as does the tranquil sheen of ‘Rollercoastin’ and the space-age fizz of ‘Paid My Dues’.- New Musical Express (NME)
- Posted Dec 22, 2021
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The tracks that work on this album would fit perfectly on a spooky science fiction soundtrack, but the remaining songs really drag the collection down.- New Musical Express (NME)
- Posted Dec 16, 2021
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Being the K-pop chameleons they are, MONSTA X continue to refine and redefine themselves with every style and genre on each new release.- New Musical Express (NME)
- Posted Dec 16, 2021
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Though it barely scratches the surface, then, ‘Essiebons Special’ succeeds in its aim to celebrate Essilfie-Bondzie’s legacy.- New Musical Express (NME)
- Posted Dec 15, 2021
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