New Musical Express (NME)'s Scores
- Music
For 6,014 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | to hell with it [Mixtape] | |
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Lowest review score: | Maroon |
Score distribution:
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Positive: 4,234 out of 6014
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Mixed: 1,627 out of 6014
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Negative: 153 out of 6014
6014
music
reviews
- By Date
- By Critic Score
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- Critic Score
With ‘Stereo Mind Game’, Daughter marks a new era of tending to sorrow instead of dwelling in it, where the band wading into new wider ranges of emotion without leaving behind the rich orchestration and poetic lyricism they’re known for.- New Musical Express (NME)
- Posted Apr 5, 2023
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Some albums devastate you with subtlety, and others bust your lip – Blondshell’s superb debut album is certainly the latter. ... One of the alternative rock albums of the year, and one to treasure tightly for quite some time.- New Musical Express (NME)
- Posted Apr 4, 2023
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At times, ‘In Pieces’ still stands as a fragmented version of the songwriter and producer’s talents.- New Musical Express (NME)
- Posted Mar 31, 2023
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‘A Comforting Notion’ feels urgent and important, brimming with all the promise of the next great cult act.- New Musical Express (NME)
- Posted Mar 27, 2023
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The result is some of the most pristine songwriting Bridgers, Dacus and Baker have ever penned. ... This debut is a gorgeous testament to what can happen when you allow yourself to fully be seen.- New Musical Express (NME)
- Posted Mar 27, 2023
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It’s an album brimming with audacious leaps, and they land most of them.- New Musical Express (NME)
- Posted Mar 23, 2023
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‘Memento Mori’ is comfortably their best album this side of the millennium, and, most importantly, a testament to creativity and friendship. The music world is richer for it.- New Musical Express (NME)
- Posted Mar 23, 2023
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There is disappointment that a number of U2’s big-hitters don’t translate well on ‘Stories For Surrender’, but this revision hasn’t been a totally fruitless endeavour: you just have to dig a little bit deeper to find the reimagined material that’s truly worth savouring.- New Musical Express (NME)
- Posted Mar 20, 2023
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It’s an album that could have easily ventured too out-there for the masses to find it palpable, but thanks Tumour’s outsized talent and personality, ‘Praise…’ avoids decadence and proves richly satisfying.- New Musical Express (NME)
- Posted Mar 20, 2023
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‘…Ocean Blvd’ might deal with some major existential questions, but there’s still plenty of fun to be had and cements Del Rey’s status as one of modern music’s most intriguing songwriters.- New Musical Express (NME)
- Posted Mar 20, 2023
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By the end this has the feel of a magnum opus, unrelentingly ambitious with just the right amount of self-indulgence.- New Musical Express (NME)
- Posted Mar 16, 2023
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Like virtually everything else on ‘10,000 gecs’, there’s nothing about the track [ ‘One Million Dollars’] that should work, and yet it not only commands your attention throughout, but demands replay after replay. ... ‘10,000 gecs’ is insanely fun and impressively ambitious.- New Musical Express (NME)
- Posted Mar 15, 2023
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Being able to show so much humanity and versatility so early in her career is highly respectable and if this is a glimpse of the future, Nia Archives looks set to become an unstoppable generational talent.- New Musical Express (NME)
- Posted Mar 14, 2023
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Though the album gets a little messier and more unfocused from this point, ‘Oceans Niagara’ points to a beautifully bright future for the M83 project.- New Musical Express (NME)
- Posted Mar 14, 2023
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It all adds up to an album that holds your full attention even if it isn’t Cyrus’s boldest or most visionary. ‘Endless Summer Vacation’ certainly feels like an accurate reflection of who she is as an artist – and a person – in 2023.- New Musical Express (NME)
- Posted Mar 10, 2023
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Paying tribute to the music that they love while staking their place in rock’s future. For a young band to think of their career in those terms takes a lot of confidence, but it pays off on this debut. It’s one to last.- New Musical Express (NME)
- Posted Mar 9, 2023
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The brightest and most subversive moments on the album come when Dreijer enlist blunt lyrics and wobbling instrumentals to articulate hard-to-explain emotions flawlessly.- New Musical Express (NME)
- Posted Mar 9, 2023
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‘UK Grim’ is a more aggressive beast, with multi-instrumentalist Andrew Fearn bringing more colour to their sound, continuing to add new depths to his compositions.- New Musical Express (NME)
- Posted Mar 8, 2023
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Despite its subject matter, the record’s production and graceful composition prove more calming than dizzying.- New Musical Express (NME)
- Posted Mar 3, 2023
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‘Shapeless’ is an undeniable early-2023 highlight for cutting-edge pop music. But despite Daine’s distinctive songwriting, these 24 minutes feel less like a coherent, narrative body of work than eight new directions.- New Musical Express (NME)
- Posted Mar 2, 2023
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A warts-and-all reckoning, his most exhilarating project to date from front to back.- New Musical Express (NME)
- Posted Mar 2, 2023
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Shame’s latest offering is a refreshing refuge for those thirsting for music that stirs you up live, and allows you to play witness to a band’s evolution of sound.- New Musical Express (NME)
- Posted Feb 24, 2023
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- New Musical Express (NME)
- Posted Feb 23, 2023
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There’s no broad concept or industry-busting roll-out, just 10 pristine, richly satisfying tracks; no more, no less.- New Musical Express (NME)
- Posted Feb 23, 2023
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The album may not be teeming with experimentation – and somewhat understated in places – but it’s certainly potent enough.- New Musical Express (NME)
- Posted Feb 17, 2023
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Covering so much ground (‘Hydrate’ even bridges dubstep and reggae) means the album lacks a clear narrative or overarching theme.- New Musical Express (NME)
- Posted Feb 17, 2023
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- Posted Feb 16, 2023
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It would be unfair to call the album a time capsule of present times, however chaotic those are, as it feels like the uneven collection might morph into something else when revisiting it next week.- New Musical Express (NME)
- Posted Feb 13, 2023
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Rather than try to top their peerless anthems, the band have instead uncovered a new warmth on ‘This Is Why’, and the effect is triumphant indeed.- New Musical Express (NME)
- Posted Feb 9, 2023
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It makes for a frequently breathtaking companion to ‘Take Me Apart’. In a debut album which was all about breaking down, ‘Raven’ reminds us of what it means to be put back together.- New Musical Express (NME)
- Posted Feb 8, 2023
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‘Heavy Heavy’ is a passionate, soulful and often mesmerising work that will stick around long past the first listen. Succinct and underpinned by a catchy melodic structure, it continues Young Fathers’ peerless run of singular albums and further cements them as one of the more unique acts to exist today.- New Musical Express (NME)
- Posted Feb 3, 2023
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[The lyrics] can also be so formulaic that you’ll almost wonder whether you’re listening to M3GAN. ... But at the same time, it’s hard to shake the suspicion that Max has fully understood the assignment. ‘Diamonds & Dancefloors’ lives up to its escapist title with a non-stop onslaught of sharp and shiny pop hooks.- New Musical Express (NME)
- Posted Feb 2, 2023
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The hard-fought ‘My 21st Century Blues’ is unequivocally RAYE from start to finish.- New Musical Express (NME)
- Posted Feb 2, 2023
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Better known for one-off dancehall hits and dubplates, Popcaan isn’t necessarily expected to make a cohesive feature-length record, particularly not across 17 cumbersome tracks. But on ‘Great Is He’ he proves that the exuberant dancehall sound he’s known for can be tinkered with and remoulded, along with some undiscovered vulnerability.- New Musical Express (NME)
- Posted Jan 27, 2023
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Album two demonstrates Lewis’ growing confidence as a frontman in the spotlight – long may it continue.- New Musical Express (NME)
- Posted Jan 27, 2023
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An album that’s rich musically, thematically and above all, emotionally. Sam Smith has never sounded better because they’ve never been more themselves.- New Musical Express (NME)
- Posted Jan 26, 2023
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The New York songwriter could be compared to the likes of Olivia Rodrigo or Phoebe Bridgers for her confessional, piercingly vulnerable indie–pop, but on ‘Honey’ her warmth and candour is singular.- New Musical Express (NME)
- Posted Jan 26, 2023
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Although Låpsley’s third album is at times understated in its pop-leaning potential, it’s a personal collection that unfolds with each listen, revealing new intricacies – lyrical, instrumental and contextual – while finding beauty and balance in the quieter moments.- New Musical Express (NME)
- Posted Jan 25, 2023
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Clavish narrates his story against a backdrop of deep subs, eerie synth melodies, and dark ambience that allow his bars to cut through with a real sharpness. If he learns to refine his output a little, there’s no reason Clavish can’t achieve the levels of stardom he’s been tipped to reach.- New Musical Express (NME)
- Posted Jan 25, 2023
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Much like the sardonic vocals heard in the latest post-punk revival, Ice Spice says plenty in her delivery, relying on the tonality of her voice – levelled, calm – to do much of the heavy lifting. It makes ‘Like…?’, her debut project, such a sharp listen. Her voice remains monotone but that only makes the lines hit harder.- New Musical Express (NME)
- Posted Jan 24, 2023
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By tying together contrasting sounds and stories into this brilliant collection, Biig Piig embraces the joy of reinvention.- New Musical Express (NME)
- Posted Jan 20, 2023
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The Murder Capital may have arrived with a shout and a fist but they’re soaring now with nuance, ideas, a whole lot of heart and the first great guitar album of 2023.- New Musical Express (NME)
- Posted Jan 19, 2023
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Unsurprisingly, it’s overcooked in places. In addition to super-producer Max Martin (Taylor Swift, Katy Perry), an array of producers come and go on the 17-track record that nearly stretches to a full hour. ... But little could possibly dampen the record’s spirit and spunk.- New Musical Express (NME)
- Posted Jan 19, 2023
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The inner battles of ‘Permanent Damage’ are unflinching, and will likely stay with you long after the songs finish. It’s slightly deflating, then, that its instrumental flourishes often fade into the background, making for an album that takes risks without ever quite putting itself out there.- New Musical Express (NME)
- Posted Jan 12, 2023
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It’s sonically brave and lyrically obstinate, a rare delight that stands out from its counterparts.- New Musical Express (NME)
- Posted Jan 12, 2023
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While there are moments of brilliance, it’s clear there are too many chefs in the kitchen.- New Musical Express (NME)
- Posted Jan 11, 2023
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The odd well-intentioned platitude hardly spoils an album of killer choruses on which Ryder’s infectious likeability shines through at all times. Next time he might want to chuck in a few more curveballs, but for now, ‘There’s Nothing But Space, Man!’ sounds like the beginning of what could be a really stellar career.- New Musical Express (NME)
- Posted Jan 10, 2023
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‘Every Loser’ is a present-day primal punk resurrection from the only musician qualified to make one.- New Musical Express (NME)
- Posted Jan 4, 2023
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‘More Love Less Ego’ is a masterful collection that sees Wizkid beginning to truly perfect his universal pop sound.- New Musical Express (NME)
- Posted Dec 13, 2022
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Simz’s storytelling is deft and full of range, gliding between generational trauma (‘Broken’) and faith and the grind (‘Who Even Cares’) with ease. The album’s sonic palette, meanwhile, takes on a mellower and less grandiose tone, with Inflo – the producer behind her last two records and the mysterious musical project Sault – and collaborator Cleo Sol bringing a warm, homely base for Simz to nestle in.- New Musical Express (NME)
- Posted Dec 12, 2022
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‘SOS’ is just that – a phenomenal record that barely puts a foot wrong and raises the bar even higher than she set it before.- New Musical Express (NME)
- Posted Dec 8, 2022
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It’s too early to tell if the record will help the BTS leader achieve his goal of creating something truly timeless but, in this moment, ‘Indigo’ feels like a masterpiece with the potential to be remembered as a classic.- New Musical Express (NME)
- Posted Dec 6, 2022
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There is a small sense of disappointment that we don’t get to hear Stormzy let loose on the mic more often, but then this record was never going to be a recreation of ‘Heavy Is The Head’ or ‘Gang Signs & Prayer’s proclivity for immediate grime hits. The hard-hitting lyricism is still present, though.- New Musical Express (NME)
- Posted Nov 28, 2022
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Now well into her stride as a solo artist, with ‘Black Girl Magic’ Dijon has produced another collection of standout, all-inclusive house classics that’ll dominate dancefloors for years to come.- New Musical Express (NME)
- Posted Nov 21, 2022
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This pared down approach will likely disappoint some fans who hoped to hear final contributions from vocalists Champion, Joba, Merlyn Wood and Dom McLennon. But this is Abstract’s moment to write the final Brockhampton chapter, and it’s heavy on the confessions.- New Musical Express (NME)
- Posted Nov 18, 2022
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By being pliable, open and more tender, Mering seems to suggest, perhaps we can save ourselves from the doom that this stunning record finds itself gripped within.- New Musical Express (NME)
- Posted Nov 16, 2022
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It’s a satisfying ride. This smooth and consistent journey through nostalgia and the energy of new ideas means that ‘Profound Mysteries’ parts one and two stand up as latter-day career triumphs for Röyksopp.- New Musical Express (NME)
- Posted Nov 14, 2022
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Though these are often beautiful and uneasy songs, too many of them feel rudderless.- New Musical Express (NME)
- Posted Nov 14, 2022
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With ‘King’s Disease III’, the New York rapper has put the seal on a strong album trilogy that proves that, three decades in, he’s still a force to be reckoned with.- New Musical Express (NME)
- Posted Nov 14, 2022
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If ‘Walls’ found Tomlinson still figuring out what this part of his artistic journey should be, ‘Faith In The Future’ feels much more assured. It doesn’t reinvent the wheel of modern guitar music, but is a solid step forward as the musician continues what he’s acknowledged will be “an ever-evolving process”.- New Musical Express (NME)
- Posted Nov 10, 2022
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Not only does it shine a light on what inspires one of the greatest living American songwriters, it also works to preserve the greats of the past and ensures that the best music and stories continue to survive.- New Musical Express (NME)
- Posted Nov 9, 2022
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‘Loud Without Noise’ covers a lot of ground – including relationships, mental health, and social inequality – with the songs working on two levels. Minto often addresses an issue on a broader scale, while also tying it to personal experience.- New Musical Express (NME)
- Posted Nov 8, 2022
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This latest album is his most fully-realised yet. There may be no answers to be found on ‘Worm Food’ but who needs them, when there’s so much raw honesty, understanding and self-empowerment.- New Musical Express (NME)
- Posted Nov 8, 2022
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Woven from a great many creative ideas, ‘Miss Power’ could have felt messy. But through Constance’s skilful bird’s eye view, it instead twists the key in the pandora’s box of her potential, re-introducing her unique take on the world.- New Musical Express (NME)
- Posted Nov 7, 2022
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- Posted Nov 7, 2022
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It’s yet more evidence that Drake’s art is suffering under the strain of his obsession with churning out as much music as is physically possible. And while 21 doesn’t have the same problem, both halves of the duo are responsible for an album that had the potential to be a classic, and missed.- New Musical Express (NME)
- Posted Nov 7, 2022
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For ‘Big Joanie’ to musically expand this thoroughly yet retain the core of their appeal and singular brilliance on ‘Back Home’ feels remarkable, and you get a sense that it’s far from a final form for the band.- New Musical Express (NME)
- Posted Nov 3, 2022
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Another gem in First Aid Kit’s consistently good arsenal of timeless, harmony-rich roots music.- New Musical Express (NME)
- Posted Nov 3, 2022
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This record carries some of Phoenix’s most intimate and approachable songs in years.- New Musical Express (NME)
- Posted Nov 3, 2022
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Gibson’s inclination towards expressing thoughtful and emotional contemplation largely balance out the record’s apparent eagerness to simply rave through the pain.- New Musical Express (NME)
- Posted Oct 28, 2022
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If there’s one criticism you could level at ‘Crybaby’, it’s that its slow-burning nature lacks the immediacy or clear-focused thrills of ‘Heartthrob’ and 2016’s ‘Love You To Death’, or the clever concept behind ‘Still Jealous’. But once ‘Crybaby’ truly clicks into place, it makes for another solid collection from a band ever-resistant to categorisation.- New Musical Express (NME)
- Posted Oct 25, 2022
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Sonically, it’s his most polished record yet. London producer kwes delivers a soulful, melancholic sound that helps Carner move from dynamic, multi-syllabic storytelling to a more honest, reflective voice.- New Musical Express (NME)
- Posted Oct 21, 2022
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This is an album that thrills in furious energy, but maintains a balance between light and shade via a deep understanding of dynamics.- New Musical Express (NME)
- Posted Oct 21, 2022
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Fully fleshed out pop songs with endless charm, if this is what living in the moment sounds like, it suits her.- New Musical Express (NME)
- Posted Oct 20, 2022
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After a foray into a different sonic world, on Swift’s return to pure pop she still shimmers.- New Musical Express (NME)
- Posted Oct 20, 2022
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A record that, when given the requisite time and attention, offers unfathomable depths to explore.- New Musical Express (NME)
- Posted Oct 20, 2022
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‘Congregation’ is a fiery, relentless punk blowout that pulls no punches against priests, patriarchy and those who abuse power from the top of our society.- New Musical Express (NME)
- Posted Oct 20, 2022
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‘The Car’ is almost overwhelming in terms of its ambition and scope, but provides ample motive to revisit this record over and over again.- New Musical Express (NME)
- Posted Oct 18, 2022
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If the trimmings were removed from ‘It’s Only Me’, it might rival his previous releases – instead it’s a few notches shy of greatness- New Musical Express (NME)
- Posted Oct 17, 2022
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The result is an album that’s spiky, surprising and not quite cohesive, but never ever boring. Tove Lo was always much too interesting to be a slave to the algorithm.- New Musical Express (NME)
- Posted Oct 17, 2022
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A record that establishes Ballentine as a clear-eyed truth-teller, with poignant songs that move relentlessly as she revisits cobwebbed childhood nightmares and the dark shadow of familial trauma.- New Musical Express (NME)
- Posted Oct 14, 2022
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This album is an almighty slog, one where the vibrant new is weighed down with a lot of the same old tricks. For all glimpses of bold musical and lyrical steps forward, they remain largely the same band they’ve always been with ‘Return Of The Dream Canteen’ offering an all-you-can-eat buffet that often feels overwhelming.- New Musical Express (NME)
- Posted Oct 13, 2022
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From their pen through to their sound, ‘Here Is Everything’ is emotive and glossy; one that gives space to breathe in this busy world.- New Musical Express (NME)
- Posted Oct 13, 2022
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‘FOREVERANDEVERNOMORE’ is never quite an album that is completely comforting or despairing. Instead, it explores the vast reaches between the two and uses introspection as a means of finding stability in the chaos.- New Musical Express (NME)
- Posted Oct 12, 2022
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It’s rare that an electronic album manages to tell such a strong story while eliciting so many different emotions. Impressively balancing meditative calmness (‘Time’) with rave euphoria (the guitar-led ‘Running’), ‘Capricorn Sun’ proves that TSHA really is in a league of her own.- New Musical Express (NME)
- Posted Oct 11, 2022
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‘Suckerpunch’ is a bold sonic adventure that thrives on excess. Throughout the record’s constantly shifting 13 tracks, Moriondo proves that she’s an artist that can do it all, all while having an absolute ball.- New Musical Express (NME)
- Posted Oct 11, 2022
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While Snaith could’ve easily packed ‘Cherry’ full of wall-to-wall bangers, it shouldn’t be too surprising to hear that he does switch things up. The soothing steadiness of ‘Clavicle’ and the exquisite piano loop of ‘Cloudy’ are fine examples of when his toned-down production approach works wonders, though he can be guilty of overindulging.- New Musical Express (NME)
- Posted Oct 10, 2022
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Combining the band’s slightly sidelined knack for writing huge, immediately memorable pop bangers with the more complex, neurotic lyrical voice of The 1975’s more recent releases, ‘Being Funny In A Foreign Language’ feels like the right next step after pushing experimental excess to its logical conclusion.- New Musical Express (NME)
- Posted Oct 10, 2022
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FLOHIO’s willingness to embrace a number of genres and sounds in her music — from 2000s grime to house music — can only be a positive thing, and ‘Out Of Heart’, a body of work that does show promise, serves up a refreshing take on modern-day rap. There’s still room for improvement, though.- New Musical Express (NME)
- Posted Oct 7, 2022
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In the poetic and thoughtful nature of it, as well as the odd glimpse of where she could go next, WILLOW’s fifth record should be noted as her breaking sonically mature new ground.- New Musical Express (NME)
- Posted Oct 7, 2022
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For the most part, however, while never less than beautifully realised, there’s a sense that the record has more dramatic and intense potential that’s left frustratingly untapped.- New Musical Express (NME)
- Posted Oct 6, 2022
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Patience proved a virtue and ‘Blue Rev’ stands as an ode to continuing to evolve despite obstacles, slowly honing and tweaking your craft, and keeping on moving. It’s another total delight from the Canadians.- New Musical Express (NME)
- Posted Oct 6, 2022
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At its core, the record continues the thing that made them so exciting in the first place – chaotic, brilliant curveballs that capture the confusion and commotion of life right now.- New Musical Express (NME)
- Posted Oct 4, 2022
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This record is a striking reminder of why Shygirl is one of the capital’s brightest talents.- New Musical Express (NME)
- Posted Oct 3, 2022
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An album of reinfatuation and reaffirmation, ‘Fossora’ is invigorating in its drive, if there’s little of real surprise here; hard as the mushroom-gabber beats are, if you’ve heard Pluto or Mutual Core, you won’t be shocked.- New Musical Express (NME)
- Posted Sep 30, 2022
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‘The End, So Far’ may rattle many of the metal faithful, but for the prowess and lasting impression of this record alone, this is a true Slipknot record. It’s unlikely that many fans who’ve been along for the whole ride would jump ship now.- New Musical Express (NME)
- Posted Sep 29, 2022
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‘Doggerel’, in its hospitably decanted way, is every bit as transportive and absorbing as the early records, and further proof that Pixies’ music remains the alt-rock gold standard. Swill it around and savour.- New Musical Express (NME)
- Posted Sep 29, 2022
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With ‘Cool It Down’ the trio disregard expectations with ease, bursting through conjectures with tracks that make the apocalypse sound fun.- New Musical Express (NME)
- Posted Sep 28, 2022
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Sparks and fireworks go off all over ‘Typical Music’ too and, bar a few inevitable misfires, there’s plenty to gasp at.- New Musical Express (NME)
- Posted Sep 26, 2022
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It would have been easy for Courting to play it safe on ‘Guitar Music’, but by challenging both themselves and their scene, they’ve guaranteed longevity and arrived with one of the year’s greatest debuts.- New Musical Express (NME)
- Posted Sep 23, 2022
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