It rushes with liberating, infectious joy that makes you want to grab your own partner-in-crime and speed off on an adventure to find somewhere that’s, as ‘Angelica’s mantra suggests, is “good times all the time”. With Wet Leg as your soundtrack, it seems inevitable you’ll find that place.

By assembling a cast of their favourite musicians and delving into their adolescent memories, Daft Punk have created something as emotionally honest as any singer-songwriter confessional--and a lot more fun to dance to.

A record with the bleak-yet-redemptive spirit of REM's 'Automatic For The People' and the musical magnificence of a 'Deserter's Songs'. But also a record that - as much as 'London Calling' or 'What's Going On' - holds a deep, dark, truthful Black Mirror up to our turbulent times.

It's a gripping darkness that doesn't often lift. It's hard going, but it's worth it, and that is undoubtedly their point.

Lana Del Rey is large – she contains multitudes, and the way she balances and embodies them on her fifth album is nothing short of stunning.

Epic in sound and vision, its sprawling Americana and gritty rock’n’roll taking in the big themes.

Powerful, potent and bloody good for dancing to, In A Poem Unlimited might just be the soundtrack to the revolution.

Cocoa Sugar isn’t a filtered version of what came before. Instead, it cements their status as riled-up oddballs determined to reinvent the wheel.

The Suburbs isn't anything as simple as back to basics--they're a much more accomplished, musically interesting band now.

Less has always been more with Smith, and the success of In Colour lies in his gift for melding together very few elements to create songs that are original, surprising and highly effective.

They can still write the most incredibly beautiful songs. [23 Oct 2004, p.49]

It’s maturer in sound and ideas, but retains all the hallmarks of what made Fleet Foxes so great in the first place: rich and studied folk compositions, unrivalled harmonies, stories that strike to the core of nature and human existence, and a dedication to art that emotionally lifts you off this planet.

MIA innovates club music, art music and pop music at every turn.

A playful record imbued with a sense of mystery and occasional glimpses of autobiography, slowly revealing itself as the cracked mirror image of ‘Róisín Machine’’s bruised optimism.

Really, this is a piece of work to dive into and consume whole.

Sonically, it’s his most polished record yet. London producer kwes delivers a soulful, melancholic sound that helps Carner move from dynamic, multi-syllabic storytelling to a more honest, reflective voice.

The band have responded by unleashing their ballsiest selves.

‘Use Me’ is the sound of an artist flexing her muscles, making sense of and peace with her past and, most importantly, embracing a new future.

Miraculously, it feels in no way forced: it’s a joy to witness her glide into any genre and totally own it.

Their most focused, energetic pop record since 'Radiator'.... Certainly, 'Phantom Power' shows up Radiohead's timid adventures, while giving The Coral something to aim for too.

It’s the otherworldliness of 22, A Million that makes it soar.

Their remix of Blues Explosion's 'Mars, Arizona' is the best record of the last five years, no question.... The rest? Merely brilliant. [15 Apr 2006, p.33]

Let England Shake is an album that only the Polly Harvey of today could have written.

Whereas Murphy's wise enough never to let his showing off spoil the fun, he can't avoid investing these songs with heart and soul.

‘Heavy Heavy’ is a passionate, soulful and often mesmerising work that will stick around long past the first listen. Succinct and underpinned by a catchy melodic structure, it continues Young Fathers’ peerless run of singular albums and further cements them as one of the more unique acts to exist today.

Where’s My Utopia?’ marks an outlandish yet assertive second chapter for Yard Act, going toe-to-toe with the peculiar world that we find ourselves in.

During the album’s second half, the energy increases even further as Murphy and Sheffield-based collaborator Crooked Man (aka DJ Parrot) throw the party of a lifetime.

Crossing boundaries of pop music and chasing transcendence, SOPHIE achieves the rare feat of making abstract, difficult electronic music that hits you straight in the heart.