The A.V. Club's Scores

For 4,544 reviews, this publication has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Life Of Pablo
Lowest review score: 0 Graffiti
Score distribution:
4544 music reviews
    • 73 Metascore
    • 80 Critic Score
    Simultaneously exciting and relaxing.
    • 80 Metascore
    • 80 Critic Score
    An 800-pound gorilla of winning, eclectic rock 'n' roll.... Thirteen Tales may be the most joyous, instantly likable rock record you'll hear this year.
    • 81 Metascore
    • 80 Critic Score
    On the whole, Black Dialogue emerges as a triumph, an impassioned 12-track hip-hop manifesto even a mother could love, assuming of course, she hasn't affixed a Bush/Cheney sticker on the bumper of the family station wagon.
    • 80 Metascore
    • 80 Critic Score
    Silence Is Sexy is yet another collection of pointed and intriguing meditations (in German and English) on love, life, poetry, and metaphysics, with part-time Bad Seed Blixa Bargeld's creaky grumble drifting in and out of Goth territory.
    • 78 Metascore
    • 80 Critic Score
    Fans of I Get Wet may find fewer instant pleasures than expected here, but those are replaced by something grander, nobler, truer in intent, and just as satisfying.
    • 88 Metascore
    • 80 Critic Score
    His most rewarding and assured work yet.
    • 68 Metascore
    • 80 Critic Score
    It makes good on Belle And Sebastian's urge for diversity while sticking to the transcendent pop that made its name.
    • 82 Metascore
    • 80 Critic Score
    In making like a post-rock Crazy Horse, Low has found new ways to eke dynamic moments out of lingering notes.
    • 85 Metascore
    • 80 Critic Score
    Happy Songs finds middle ground between brevity and meandering.
    • 82 Metascore
    • 80 Critic Score
    The songs are spectral, yearning, and a bit opaque, the kind of music appropriate for a bar in which everyone has had a few and feels no better for it.
    • 84 Metascore
    • 80 Critic Score
    Unlike the clean, jagged, self-contained post-punk being revived in New York, Mission Of Burma's art-damaged music rattles and collapses, leaving amazing debris.
    • 73 Metascore
    • 80 Critic Score
    Restores songcraft without losing much ambition.
    • 80 Metascore
    • 80 Critic Score
    Like the work of Spoon and some of the Constantines' Canada brethren, the music on Tournament Of Hearts reassembles familiar shards of indie-rock, classic rock, and new wave into original soundscapes that are both dangerous and alluring.
    • 67 Metascore
    • 80 Critic Score
    Even when Jean missteps, as on the heavy-handed "Diallo," he missteps in the most interesting way possible, pushing his music into weird and exciting directions that work more often than not.
    • 84 Metascore
    • 80 Critic Score
    The band has rarely sounded so alive.
    • 73 Metascore
    • 80 Critic Score
    As for its place in the larger new rock movement, The Trial Of The Century's forward motion is on a par with The Walkmen's leap from the gray clang of its debut to the committed window-rattling of this year's Bows + Arrows.
    • 74 Metascore
    • 80 Critic Score
    Faithfull holds her own from the first track.
    • 72 Metascore
    • 80 Critic Score
    The Tipping Point may not boost The Roots' Soundscan numbers to a point commensurate with the acclaim and respect it commands, but the set marks another triumph from a group that seems incapable of producing anything less.
    • 83 Metascore
    • 80 Critic Score
    Secret Wars clamors like past Oneida albums dating back to 1997, but it also shows a band mellowing out without losing its charge.
    • 80 Metascore
    • 80 Critic Score
    Dressed up in subtle strings and pianos, and given time to slowly breathe and develop beyond simple pop, A Rush Of Blood's 11 graceful tracks sparkle and swirl, occasionally escalating into a booming crescendo before dissolving back into delicacy.
    • 72 Metascore
    • 80 Critic Score
    Another remarkable, evolutionary chapter in the stormy history of one of rock's best young bands.
    • 85 Metascore
    • 80 Critic Score
    A potent piece of rock art.
    • 85 Metascore
    • 80 Critic Score
    The group plays imaginative alt-rock with intense passion, and Source Tags & Codes lets the pressure build exquisitely.
    • 69 Metascore
    • 80 Critic Score
    As unmistakably old-school as a fat gold chain and a pair of unlaced Adidas sneakers.... He delivers a raw, grimy set of anthems as noncommercial as anything he's done.
    • 77 Metascore
    • 80 Critic Score
    The band's return to the name might initially smack of a desperate reunion, but it's more than just symbolic: With Take Fountain, The Wedding Present reclaims its place as a thoroughly convincing vessel for pop heartache and joy.
    • 74 Metascore
    • 80 Critic Score
    There's nothing as immediately or enduringly memorable as "No Myth," but it's a solid piece of work throughout.
    • 73 Metascore
    • 80 Critic Score
    Rain On Lens remains essential listening for devotees of the rock 'n' roll underground, supporters of assured self-expression, and those captivated by the monochromatic.
    • 79 Metascore
    • 80 Critic Score
    TV On The Radio's ace is Adebimpe, whose urgent vocal performance sounds slyly bluesy and in sync with his and Sitek's dense urban soundscapes.
    • 82 Metascore
    • 80 Critic Score
    Mixes hip-hop and country with ease and grace.
    • 79 Metascore
    • 80 Critic Score
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    Tracks as smart as the dreamy, melancholy character sketch "Irma" and the lyrical album-closer "It's Only Time" suggest how Merritt can top 69 Love Songs: one song at a time.