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11 Past the Hour Image
Metascore
71

Generally favorable reviews - based on 6 Critic Reviews What's this?

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  • Summary: The sixth full-length studio release for the Irish singer-songwriter features guest appearances from Miles Kane, Niall McNamee, Gina Martin, Dr. Shola Mos-Shogbamimu, and Ronnie Wood.
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Score distribution:
  1. Positive: 4 out of 6
  2. Negative: 0 out of 6
  1. Apr 23, 2021
    80
    With 11 Past the Hour, May has crafted a generous, collaborative album that feels like she's lifting others up, just as they are lifting her.
  2. Apr 23, 2021
    70
    The title track showcases May’s ability to create a noir-type atmosphere by singing in a hushed, breathy voice with clipped phrasing. Sadness and sorrow seem to flow from her soul. The other cuts may suffer from being generic, but they reveal May’s ability to sound professional.
  3. Apr 23, 2021
    70
    Although she admits to being purposely eclectic, it sounds as if there is too much experimentation at play. There are some great songs here, but a more organic, less produced kind of musical accompaniment would arguably strengthen the material.
  4. Apr 23, 2021
    70
    Her first studio affair in four years, ’11 Past The Hour’ finds Imelda May consolidating her distinctive position within pop’s pantheon.
  5. 60
    This commercial shift seems a deliberate way to attract a larger audience, sell more albums and raise her star profile. In doing so, it often, but not always, dissipates much of what made her talents so distinctive to begin with.
  6. Mojo
    Apr 23, 2021
    60
    May is less successful on the rockers - not so much through lack of "oomph" or authenticity, but because the songs aren't great. ... Way more subtle, convincing, and apparently deeply felt are the tumbling country soul of Different Kinds Of Love and the lovely Dusty In Memphis vibes of Diamonds. [May 2021, p.80]
Score distribution:
  1. Positive: 0 out of 1
  2. Negative: 0 out of 1
  1. Jun 5, 2021
    6
    Irish former rockabilly spitfire sex-bomb whose sudden, complete physical and musical morph into smoky, moody chanteuse just happened toIrish former rockabilly spitfire sex-bomb whose sudden, complete physical and musical morph into smoky, moody chanteuse just happened to coincide with her divorce from her guitarist (but they're great friends, guys!) puts a toenail back toward the land of the excited after the last album of beautiful ho-hum. Most of that is still hum-ming, but it's the uptempo stuff that sticks. She seems to be fighting the energy most of the way, though, and the two duets with men who I'm sure are famous somewhere don't help, especially the second one, where the guy shows more spunk than she has since she un-dyed the curl. Oh, well, baby steps. Maybe it's time to check out her ex's new stuff instead. Expand