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- Summary: The fifth full-length release for the acoustic quintet includes influences from bluegrass, classical, jazz, pop, rock, and roots music was recorded in Los Angeles in sequence and was self-produced.
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- Record Label: Nonesuch
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 4 out of 6
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Mixed: 2 out of 6
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Negative: 0 out of 6
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Jul 18, 2018For the most part, All Ashore feels like a breath of fresh Appalachian air. Both forward-thinking and imbued with an appreciation of the traditional sounds of America, it might not harbour a universal sense of appeal, but that makes it all the more beguiling for those who that fall for it.
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Jul 18, 2018Punch Brothers have crafted a deeply meaningful and downright gorgeous record that takes the world for what it is, but doesn’t use that as an excuse to give up.
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Jul 18, 2018There is less attention paid, it seems, not to the writing, which is often clever and quite sharp, but to the performing of the writing against the virtuosity of the instrumental performances. The balance puts the album unnecessarily on edge. All that said, this is one of the better examples of what post- or progressive bluegrass can do.
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Jul 27, 2018Scaling back from the expansive horizons of 2015's T-Bone Burnett-produced The Phosphorescent Blues, Punch Brothers may sound intimate on 2018's All Ashore, but they haven't lost their ambition.
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Jul 18, 2018Even as this lyrical and conceptual vision remains compelling throughout All Ashore, it manifests less immediately in the music itself, which lacks the dynamism that animates Who's Feeling Young Now? and The Phosphorescent Blues before it.
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Jul 23, 2018While there’s no shortage of dazzling playing from a group that have the intuition of a jazz combo, with odd changes of tempo, and a couple of instrumentals to let rip their bluegrass picking. A curious curate’s egg.
Score distribution:
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Positive: 1 out of 1
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Mixed: 0 out of 1
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Negative: 0 out of 1
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Sep 7, 2018Phenomenal songwriting, instrumentation, etc. An absolutely beautiful piece of work.
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