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Oct 12, 2020It may not be a record that grabs you by the scruff of the neck, but its quiet, understated nature demonstrates an artist confidently setting off on a new chapter in her career.
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Oct 12, 2020Lush and exploratory, April / 月音 swirls Cantonese vocals, singing bowls, and samples of Hong Kong traffic lights into Moss’s folk-pop, and is all the more stirring for never really finding a safe resting place.
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MojoOct 9, 2020Her songs are beautifully, tentatively constructed, the arch quirkiness of her early albums now replaced by the lush writing of songs. [Nov 2020, p.88]
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Oct 9, 2020An intriguing new chapter from Emmy The Great that carves out a world you can dive into.
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Oct 30, 2020Throughout what is also an evocative set, Emmy the Great conjures images of musician-studded street corners and windblown flower petals alongside characters like "Mary," the unreliable fortune teller.
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Oct 12, 2020‘April’ might not be as strong as 2016’s ‘Second Love’. The songs are solid but not quite as pristine as its predecessor. However, it’s understated melodies and melancholy laced lyrics still have the power to stop you in your tracks. This feels like third love.
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UncutOct 9, 2020An album filled with soft, tender indie-folk. [Nov 2020, p.29]
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Oct 9, 2020Collectively, it’s certainly Moss’s strongest work to date - a thoughtful, mature album, which delivers plenty of food for thought and a range of sounds, emotions and lyrical quirks to keep most listeners happy.