Blood Money
by Mobb Deep
User Score
7.2

Generally favorable reviews- based on 26 Ratings

User score distribution:
  1. Positive: 17 out of 26
  2. Mixed: 6 out of 26
  3. Negative: 3 out of 26

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  1. TarikT
    Jul 28, 2006
    6
    I'll be honest, I'm a huge Mobb Deep fan, I bought this album the day it came out. The Infamous and Hell on Earth are among my two favorite albums of all time. However, this is not the same Mobb Deep. There is one mediocre concept song (In Love with Mullah) and that is it. No amazing story telling and Prodigy is hardly ryhming on this album. In fact now he's sounding like a I'll be honest, I'm a huge Mobb Deep fan, I bought this album the day it came out. The Infamous and Hell on Earth are among my two favorite albums of all time. However, this is not the same Mobb Deep. There is one mediocre concept song (In Love with Mullah) and that is it. No amazing story telling and Prodigy is hardly ryhming on this album. In fact now he's sounding like a weak immitation of 50 cent. The production on the album is alright, I just hope the next album turns out to be better, I will still buy what they put out no matter what though.… Expand
  2. BIGMAN22
    Jul 31, 2018
    4
    the album had some moments from mobb deep. but a large part of the album seems a little unbalanced with two different styles. lack of cohesion tends to bring this album down. lot of g unit appearances seems to make this album more of another album by them than mobb deep themselves

Critic Reviews

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Metascore
55

Mixed or average reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 17
  2. Mixed: 9 out of 17
  3. Negative: 3 out of 17
  1. Billboard
    60
    Mobb Deep often sounds like a guest at its own party.
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  2. The New York Times
    30
    Most of this album is startlingly uninspired; no-frills rhymes were once this duo's main weapon; now they are its main liability. [1 May 2006]
  3. E! Online
    42
    The duo's seventh album sees an invasion of unnecessary guest stars, such as Lloyd Banks and Yayo, and a disappointing lyrical turn that celebrates monotonous Detroit staples like guns, cash and bumps.
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