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With the addition of trumpet, trombone, and alto sax to his quartet sound, however, Frisell is on the job with a jumbo-sized sonic palette. The results, tune by tune, are as eccentric as they are intriguing.
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The music gets gorgeously bizarre, but there is always a sleepy dog and a piece of apple pie waiting at night's end.
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Blues Dream is one of those rare instrumental records that neither bores or infuriates.
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Frisell’s fondness for putting unusual combinations of instruments together adds to the overall effect, leaving the listener to wonder why no one has ever tried this before. Blues Dream is a lovely release that should satisfy Frisell fans as well as jazz, country, and blues fans looking for a genre bending experience.
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Blues Dream, Frisell's best collection since 1995's breakthrough Nashville, frequently incorporates blues as the base for a strong batch of evocative arrangements...
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The WireBlues Dream is both a compendious evocation and synthesis of a range of genres that never sounds merely eclectic... It's one of Frisell's most ambitious productions to date. [#207, p.61]
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With the twangy, kaleidoscopic blend of country blues, downtown jazz and so many other unexpected flavors and sounds on Bill Frisell's latest album, Blues Dream, one can't help but be reminded a little of the updated American folkloric music score in the Coen Brothers' latest film.
Awards & Rankings
User score distribution:
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Positive: 6 out of 7
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Mixed: 0 out of 7
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Negative: 1 out of 7
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BillWFeb 12, 2005
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DanSJan 27, 2004
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JarradPJan 30, 2002