• Record Label: Columbia
  • Release Date: May 22, 2012
Metascore
73

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
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  1. 60
    Born and Raised a prime example of the John Mayer paradox--it's good enough to satisfy even his most casual fans, but the old-school Mayerisms that remain will only anger his detractors.
  2. 40
    It's all very laidback and earnest, but the endless lo-cal homilies ultimately grate.
User Score
8.3

Universal acclaim- based on 62 Ratings

User score distribution:
  1. Positive: 54 out of 62
  2. Negative: 2 out of 62
  1. May 23, 2012
    10
    9.9 actually. I sometimes miss his blues edge throughout the album. But almost always it is earnest, brilliant, and beautiful music. Thank you, John.
  2. Jun 27, 2012
    5
    I was waiting for something new and different from John but this is just like the rest of his lukewarm albums. Nothing special and nothing toI was waiting for something new and different from John but this is just like the rest of his lukewarm albums. Nothing special and nothing to offer lyrically. Its not all bad its just nothing special. Full Review »
  3. May 29, 2012
    9
    "Born and Raised" is easily Mayer's best studio work since "Continuum." His previous offering, "Battle Studies," is gaining much criticism in"Born and Raised" is easily Mayer's best studio work since "Continuum." His previous offering, "Battle Studies," is gaining much criticism in the wake of this new release, but it's clear that "Studies" was a transitional piece, both musically and personally, for Mr. Mayer. While I still argue that "Continuum" is the artist's best work to date, but Born and Raised is a necessary step in Mayer's maturation process, as musician and man. That said, it's a near-perfect album, the one fans have been wanting since "Continuum." The guitar work is less complex, the vocals are emphasized, and there isn't as much layering of instruments as on prior efforts. This is a stripped-down Mayer, and his vulnerable voice sounds even more wounded than normal, likely the result of his pre-surgery recordings. The title track and "Walt Grace's Submarine Test, January 1967" are career highlights for Mayer, who proves yet again that he is at the forefront of his generation's singer-songwriters Full Review »