• Record Label: EK OK
  • Release Date: Mar 24, 2017
User Score
7.3

Generally favorable reviews- based on 23 Ratings

User score distribution:
  1. Positive: 17 out of 23
  2. Negative: 0 out of 23
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  1. Mar 20, 2018
    6
    it's dividing, as the Mary Chain is (scottish and all). a mixed bag.

    since Munki they have gone on a longlasting hiatus although with some low-grade musical activity, concerned about their families (also sharing some of them on various social networks, over time), which all leans a bit too strongly into this album. the songs are a lot like what you'd expect from those older but
    it's dividing, as the Mary Chain is (scottish and all). a mixed bag.

    since Munki they have gone on a longlasting hiatus although with some low-grade musical activity, concerned about their families (also sharing some of them on various social networks, over time), which all leans a bit too strongly into this album.

    the songs are a lot like what you'd expect from those older but still with instantaneous filth and malice filled glaswegian noise-pop terrorists.

    the always bewildered core of the reid brothers with changing n falling apart session musicians (this time with a producer who "limes" them together, albeit not much else...) is easily re-arranged but winded down & almost "too effortless".

    the guest crisp and very feminine female vocalists are spot on although a bit overindulgent and still concerned about the reids' sensuality albeit they're scottish, and swing a crucial scottish abode-ism.

    63%
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Metascore
70

Generally favorable reviews - based on 26 Critic Reviews

Critic score distribution:
  1. Positive: 15 out of 26
  2. Negative: 0 out of 26
  1. Magnet
    Apr 26, 2017
    80
    Waves of corrosive guitar distortion surfing minimal, hammered eighth-note bass and programmed beats, with just enough feedback to aid recollection of the band that created Psychocandy. [No. 141, p.59]
  2. Apr 20, 2017
    60
    JAMC’s reclaim for glory is expectedly uneven: it’s as carelessly abrasive and reverb-heavy as it should be, but it’s also mounted with a heavy number of throwaways that document different periods of their celebrated past without a clear notion of how they should move forward.
  3. Apr 12, 2017
    50
    Musically there is little to remember, lyrically some of this is challenging to forget. For a 19-year wait, this is a mild payoff indeed.