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Jan 19, 2016The mood is mostly contemplative, with Khan embellishing songs like the wistful title track with sinuous cello-like parts, while he gets his own devotional outings (Knochentanz, Sufi Song), where Yorkston “just did my best to keep up”.
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Q MagazineJan 14, 2016Unforced and rewarding. [Feb 2016, p.119]