- Critic score
- Publication
- By date
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Entertainment WeeklyNow grafting meaty guitars and ferocious singing onto her minimal electronic beats, she summons the very spirit of rock & roll. [26 Sep 2003, p.95]
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UrbTakes her dirty white girlisms to an even more profound yet still salacious place. [Nov 2003, p.89]
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More consistent and enjoyable than its predecessor.
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It's filthy, low-budget fun that's still plenty fucked up, whether you're a first-timer or a hardcore Peaches fanatic.
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SpinPeaches seems to be having much more fun with her sleazy subject matter. [Nov 2003, p.116]
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Q MagazineThere is one glaring drawback: so taboo-shredding are her lyrics, and so brutal her music, that she probably won't achieve the clout to which she obviously aspires. [Oct 2003, p.99]
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'Fatherfucker' is one motherfucker of an album.
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OutburnPeaches hasn't suffered from the sophomore slump one bit. [#23, p.96]
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Under The RadarSome say electroclash. Wrong. This is rock and roll. [#5, p.103]
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For reasons of quality, as well as the inevitable loss of the shock of the new, 'Fatherf*cker' isn't quite the album its predecessor, 'The Teaches Of Peaches', was.
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MojoA combination of fierce electro-clash, stabbing rock riffs, and the rudest raps on the planet. [Oct 2003, p.118]
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UncutFatherfucker pillages Missy Elliott, Suicide and "Justify My Love"-era Madonna, and even outfoxes the Yeah Yeah Yeahs. [Oct 2003, p.126]
User score distribution:
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Positive: 13 out of 17
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Mixed: 1 out of 17
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Negative: 3 out of 17
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May 26, 2011Simply Fantastic. Ahead of it's time.
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othosticeAug 3, 2006
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LaLaFeb 1, 2004Great