- Critic score
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- By date
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Groove Armada have a knack for producing fantastic underground dance tracks, in a variety of tempos, and packing them full of hooks.
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Stuffed full of collaborations, the duo has created a multi layered, analogue driven, polished yet powerful long player.
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A truly superb and definitive record...
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Alternative PressThey reinvent themselves as house-music auteurs exploring a sound closer to shoegazing's late, great headphone womb than house's aerobic aphorisms. [Nov 2001, p.79]
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SpinLess an electronica CD than a dub album without any original sources--and it's all the freer for it. [Oct 2001, p.128]
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MojoA triumph, possessing a universal appeal that extends beyond the dancefloor straight to the heart. [Sep 2001, p.100]
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MixerGroove Armada's most mature and settled work to date. [Sep 2001, p.83]
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In sharing its predecessor's desire to cover every musical base, Goodbye Country (Hello Nightclub) suggests a continued identity crisis.
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Now, it’s the chilled tracks that seem limited and generic... The fortunate tradeoff is that the album’s three strobe-lit tracks definitely bring it on.
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UrbWhen there are moments, they strike and wittingly pull bodies off seats. [Oct 2001, p.128]
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BlenderAn ultrapolite, jazz-inflected collection of tunes that will reassure coming-down ravers, but it offers little to quicken the pulse. [Oct/Nov 2001, p.104]
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It's hard to listen to this deeply disappointing record for long without wanting to revisit Vertigo instead.
User score distribution:
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Positive: 4 out of 5
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Mixed: 0 out of 5
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Negative: 1 out of 5
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JoJul 18, 2007