- Critic score
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- By date
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This is the pop Brian Wilson might have made, had he grown up infatuated with Sondheim rather than the Four Freshmen.
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UncutPallett's pallid voice fails to dramatise the narrative or really engage the listener. As a calling card for future soundtrack commissions, however, it should succeed splendidly. [Feb 2010, p.84]
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MojoThe whole sprawl of tooting loops, sawing violins and Pallett's unlovely operatic warbling feels gruelling and indigestible - prog stodge in a dashing post millennial disguise. [Feb 2010, p. 93]
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Q MagazineWhat's lacking are a few copper-bottomed pop melodies to bind it all together; the kind of thing his collaborators normally provide, in other words. He's beter as a team player. [Mar 2010, p.101]
User score distribution:
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Positive: 40 out of 47
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Mixed: 3 out of 47
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Negative: 4 out of 47
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ClifC.Jan 14, 2010
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May 30, 2014
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LeahT.Jan 20, 2010Beautiful orchestration and well-crafted songs. Definitely refreshing and unique.