This is a track-by-track review
*Sorry if I couldn’t criticize this one too well, it’s just so revolutionary to me.
Farewell Sonata-I’m not even sure if I can properly criticize this one, it’s got a sonically powerful beginning, amazing piano playing, and Farewell Sonata is a great **** title for this song. The last two minutes of it will challenge some people, but I’m used to weird ****This is a track-by-track review
*Sorry if I couldn’t criticize this one too well, it’s just so revolutionary to me.
Farewell Sonata-I’m not even sure if I can properly criticize this one, it’s got a sonically powerful beginning, amazing piano playing, and Farewell Sonata is a great **** title for this song. The last two minutes of it will challenge some people, but I’m used to weird **** so I really like it. (10/10)
God Save the Jungle-It’s got a fantastic groove, interesting vocals, some nice drum rolls, and it really just took me on a **** journey. Clementine is doing a fantastic job with blending genres within each other. (10/10)
Better Sorry Than a Safe-This is unlike most things I have heard before. This song rolls along a bumpy piano and extremely dynamic instrumentals that accompany powerful vocals.)(10/10)
Phantom of Aleppoville-This is probably the most mainstream song so far, and by mainstream I mean accessible. However, this song relies heavily on several instrumental breaks to carry it along until it enters a temporary break of silence… this song intensifies in some of the most subtle and quiet ways possible, and the piano is **** great as always. (10/10)
Paris Cor Blimey-The song starts off in a frantic manner and curiously slows down, and even goes down a couple of octaves… this is experimental but quite a jazzy listen as it plays with tempo and melody a lot. The tension and pressure as the notes of the piano are hit are in it of itself an amazing musical accomplishment for this one track, let alone the whole album having such masterful playing across all instruments. (10/10)
Jupiter-The easiest to follow along as it has a conventional drum beat. In fact, it probably is a single for this album. It’s exceptional, that’s all you need to know. (10/10)
Ode from Joyce-Clementine’s vocals continue to shine through the quiet and subtle instrumental breaks to deliver an intriguing story and utilizes the vocals of other people in innovative ways to end this track. (10/10)
One Awkward Fish-Drum beats shift up and down in a way that I had to listen to the drums for the entire song one time before I could even critique the vocals, brilliant background vocals as well. (10/10)
By the Ports of Europe-This almost sounds like a song from a musical (a really good one by the way.) This song is of that much quality that it manages to blend certain jazz tastes with that of the musical scene. Yet another shining example of genre bending and of Clementine’s low-reaching vocals. (10/10)
Quintessence-I just sat in awe and listened to the piano and Clementine’s vocals take over… because of how rare subtle things like these are over the course of this album, Clementine has created something beautiful with a buildup towards something I didn’t even know I wanted to hear. (10/10)
Ave Dreamer-Yeah, that’s how this crazy thing should’ve ended… honestly, not much can be said, great vocals, great instrumentals, great concept, that’s all we need to know, lol. (10/10)
Final Score: 10/10
This is an amazing listen, but also a challenging listen, so for the casual listener, I warn you to be prepared for the crazy **** that goes on during this album. I also recommend looking at the lyrics and perhaps looking into Clementine’s musical history to further understand where these songs are coming from, because this will at the very least, surprise you.… Expand