In Times New Roman...
by Queens of the Stone Age
  • Record Label: Matador
  • Release Date: Jun 16, 2023
User Score
8.0

Generally favorable reviews- based on 67 Ratings

User score distribution:
  1. Positive: 54 out of 67
  2. Mixed: 3 out of 67
  3. Negative: 10 out of 67
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  1. Abutre
    Jun 23, 2023
    10
    This review contains spoilers, click expand to view. 23 Years listening this Supergroup, I can tell in just in 10 listens that THESE 5 SONGS ARE 10/10:
    Obscenery 10/10
    Time&Place 10/10
    Made to Parade 10/10
    What the Peephole Say 10/10
    Sicily 10/10
    Straight Jacket Fitting 10/10
    these songs were made for "Lullabies to Paralyze" "peoplehole"/"closed minds" ... they have personality and are full of hooks and changes...Rhythm section is out of this world... nobody makes music like QotSA... NOBODY!!! COMPLETELY OUTSIDE THE BOX WITH BRUTAL LYRICS. HOMME'S VOCAL MAINLY THE FALSETS ARE MAGNIFICENT... Please, listen to the album with good quality headphones, and lock yourself in a dark room... this album it´s a TRIP, too many things happening in one single song, especially those I mentioned here...    … Expand
  2. softdrinks77
    Jun 16, 2023
    10
    I've been anticipating a new QoTSA album for years and this album is exactly what I've been hoping for. The lyrics are captivating, the guitars sound crisp and heavy, and the drumming is exceptional. Each of the 10 songs are unique and memorable but consistent throughout. It may not be 100% perfect but I'm giving it a 10/10 for one of my all-time favourite bands.
  3. mufti_ab
    Jun 16, 2023
    10
    this is probably the heaviest, darkest QOTSA album since Era Vulgaris. This album has some element from some of the classics like rated R, Lullabies to Paralyze, Era Vulgaris and then you mixed it with their current Villains melodic style. great album overall, but i can see some people might called this album 'meh' since this album is definitely a grower like Era Vulgaris.
  4. disasster
    Jun 16, 2023
    9
    If you like your wine bitter, this is surely the album for you. It has helpings of essentially all Queens fans favorites, blended into a brooding and precise mix. It's dark like Lullabies, trippy like Rated R, road worn like SFTD, experimental like Era Vulgaris, robotic and trance inducing like their Self Titled, a vulnerable apocalyptic carnival ride in hell like ...Like Clockwork, punchyIf you like your wine bitter, this is surely the album for you. It has helpings of essentially all Queens fans favorites, blended into a brooding and precise mix. It's dark like Lullabies, trippy like Rated R, road worn like SFTD, experimental like Era Vulgaris, robotic and trance inducing like their Self Titled, a vulnerable apocalyptic carnival ride in hell like ...Like Clockwork, punchy like Villains, with a nice top layer of the Doors meets Cream psychedelic blues, from Them Crooked Vultures, smeared all over it like a 600lb man who can't get enough of his cake. There isn't a bad song on this album, just as there aren't bad songs on any Qotsa album if we're honest. But there's one glaring issue here, and it's that the albums focus is scattered. The album tries to be everything, for everyone, all at once, without focusing entirely on one area. And that isn't to say the fan service here is disingenuous. Just that there isn't a flat out innovative song off this either. Just decently strong tracks with their catchy moments and some with potential to be growers. Many of these songs verses are like a pot of water simmering over a flame, and this goes on until temperatures reach a boiling point, to where your ears are shouting, have mercy! As high as the highs are soaring, the rest is slow to catch up. But when it comes to Queens, that isn't a bad thing. As a lot of the bands music grows on you, which is what I like to call, the Qotsa psychosis. And though this record is dark like Lullabies is, I'd liken this album more to Era Vulgaris. I see In Times.. as Era Vulgaris' more mature brother. Especially in the sense that Era also had a similar single rollout like this where it wasn't the bands strongest in the catalogue, and similar critical reception upon album release as well. And just as Era is a beloved underrated fan favorite now, I expect the same for In Times... The album mixing is some of their most challenging too, in the best way, which I'll get to later. Side note: I know being that this is a new album in 7 years, I need to give myself more time listening, rather than giving a shotgun sentiment dismissing the project, like some of these so called "professional" music critics are doing. We are the fans, we know something about this band, that they don't know and our voices should be taken into account in regard to this albums general consensus. So don't let critics reviews influence your opinion on this new record, as they've been wrong before. And you could see evidence of that here with the difference between critic review score and user review score already. Long time fans, will be pleased, as there's a lot of unintentional fan service here, and I doubt many will have much negative to say about it as it is a good album, with potential to growing into a great album. It's already above Villains for me, and will probably end up giving Era a run for its money over time. Thematically this album is one of their best, with some of the wittiest and most biting lyrics Josh has ever put to paper; with all that Josh and the band have been through, it is genuinely sincere in its tone, and some of the least deluded we've heard Josh sound artistically, and I swear I mean that in a good way as I am a big fan of a deluded Josh Homme. It is nice that as a longtime fan, we see more pieces of the mask lift off his face as he's getting older, and getting to better understand the more vulnerable side of the creative genius behind some of the best rock music of our time. I believe that's what this albums identity will be when it's all said and done. The album to bring Queens of the Stone Age to a New Age. And this is a welcomed thing. As the albums writing is very much of its time, with the post pandemic world being in flux, and the coming to terms with depression, acceptance, and yearning for healing we all desperately crave. The production is tight as nails and consistent, with the band back behind the mixing board again, clearly aiming for the soundscape of its writing, to a razor sharp pedigree. So much so, that while the album lacks that initial hit factor, its sound is hypnotic and alluring, that it is intriguing to listen to, and has my ears perking up upon repeated listens. The mix is my favorite thing about the album. With the bass at the forefront, and the airtight interplay between the guitars, and simple but syncopated drum grooves. This is the first modern rock album I've heard that has done the robot rock sound 100% right in my opinion. It's almost as if the self titled album sound went into warp drive and came out in 2023. My album highlights: Paper Machete, Negative Space, Time and Place, Made to Parade, What the Peephole Say, Emotion Sickness, Straight Jacket Fitting. Currently growing on me: Obscenery, Carnavoyeur, and Sicily. All great songs in their own right. My album rating is: 86. Rounding it up to a light 9 here. Did you like it? Did you hate it? How did you rate it? Higher than Pitchfork I hope!… Expand
  5. zvenero1
    Jun 16, 2023
    10
    The rhythm section, the use of strings, the vocals, the brutality and vulnerability of the lyrics, and god the f-ing guitars!
  6. andersontbona
    Jun 16, 2023
    10
    In Times New Roman: A Marvelous Bridge Between Lullabies to Paralyze and Era Vulgaris

    Queens of the Stone Age's eighth album, In Times New Roman, is a remarkable masterpiece that seamlessly bridges the gap between their previous albums, Lullabies to Paralyze and Era Vulgaris. This album stands as a testament to the transformative power of human experiences, especially in the face of    In Times New Roman: A Marvelous Bridge Between Lullabies to Paralyze and Era Vulgaris

    Queens of the Stone Age's eighth album, In Times New Roman, is a remarkable masterpiece that seamlessly bridges the gap between their previous albums, Lullabies to Paralyze and Era Vulgaris. This album stands as a testament to the transformative power of human experiences, especially in the face of adversity.

    In Times New Roman takes listeners on a captivating musical journey, combining elements of the band's signature sound with new and daring sonic explorations. The album encapsulates the raw emotions and turmoil that can arise from challenging life experiences, channeling them into an artistic expression that resonates deeply.

    From the moment the opening track begins, it becomes clear that Queens of the Stone Age has crafted something extraordinary. The lyrics delve into personal struggles and setbacks, offering a glimpse into the human condition and the complexities of existence. Through their evocative storytelling, the band taps into the universal struggles we all face, creating a profound connection with their audience.

    The album's production is a testament to the band's growth and evolution, as they effortlessly blend haunting melodies, explosive guitar riffs, and infectious rhythms. Each song carries its own unique atmosphere, with a meticulous attention to detail that elevates the listening experience. The result is a cohesive collection of songs that captivate and mesmerize from start to finish.

    In Times New Roman serves as a bridge between the introspective darkness of Lullabies to Paralyze and the bold experimentation of Era Vulgaris. It embraces the melancholic undertones of the former while embracing the gritty, unapologetic spirit of the latter. The album strikes a delicate balance, showcasing the band's ability to evolve their sound while staying true to their roots.

    Ultimately, In Times New Roman is a testament to the resilience of the human spirit. It demonstrates how hardships and challenges can serve as catalysts for the creation of true artistic masterpieces. Queens of the Stone Age have crafted an album that not only showcases their musical prowess but also invites listeners to reflect on their own personal journeys.

    In Times New Roman stands as a testament to the power of music to transcend personal struggles and create something truly extraordinary. It is a must-listen for fans of Queens of the Stone Age and anyone seeking a captivating and introspective musical experience.

    As for Josh Homme's talent and skill, he continues to be a significant creative force within the rock scene. His contribution as a vocalist, guitarist, and primary songwriter for Queens of the Stone Age has been instrumental in maintaining the band's relevance. Homme possesses remarkable ability in creating captivating music and exploring different musical styles.    … Expand
  7. aledelf
    Jun 16, 2023
    8
    The album takes an great trip thru rock and shows us that they can still make great albums even after all those years. Great album but have it´s difficulties, like some poor mix on some songs or even riffs that don´t fit with the album atmosphere, but it´s a great record
  8. DaniSane
    Jun 16, 2023
    7
    I've been eagerly wating for a new qotsa Album. I love how each and every album has it's own unique yet unmistakable qotsa sound.
    ...in times new Roman sounds... well, kinda boring! There is no song here that's super bad, but it all sounds a bit slow. There are very few experimental sounds/riffs, the intensity/energylevel is a bit low imo and most songs sound VERY similar.
    Nevertheless,    I've been eagerly wating for a new qotsa Album. I love how each and every album has it's own unique yet unmistakable qotsa sound.
    ...in times new Roman sounds... well, kinda boring! There is no song here that's super bad, but it all sounds a bit slow. There are very few experimental sounds/riffs, the intensity/energylevel is a bit low imo and most songs sound VERY similar.
    Nevertheless, this album is a good listen, even though it fell a bit flat for me personally.    … Expand
  9. Viduanigra68
    Jun 17, 2023
    10
    IT'S ANECDOTIC WHAT HATERS type here. QOTSA are not for you. Frustrated bunch "peoplehole
  10. cosmicmina
    Jun 17, 2023
    7
    I’m not sure I’ve liked a whole Queens album since “Rated R,” maybe “Songs for…” but I usually like 70% of the album. That tracks here. I think “Clockwork” was their best recent effort—if you can call it such—but this album doesn’t disappoint, but it doesn’t grow. I somewhat hoped JH would grow something nasty and delicious from his personal pain as he did on “Clockwork” but alas, this isI’m not sure I’ve liked a whole Queens album since “Rated R,” maybe “Songs for…” but I usually like 70% of the album. That tracks here. I think “Clockwork” was their best recent effort—if you can call it such—but this album doesn’t disappoint, but it doesn’t grow. I somewhat hoped JH would grow something nasty and delicious from his personal pain as he did on “Clockwork” but alas, this is just a Queens album—which isn’t a bad thing. “Sicily” and “Straight Jacket” are standouts along with the previously released singles.… Expand
  11. CristianGallego
    Jun 17, 2023
    10
    This review contains spoilers, click expand to view. Este a diferencia de Villanos, se siente un regreso a los viejos QOSTA pero más maduros, una banda que nos ha demostrado que no tiene miedo de reinventarse pero también que sabe jugar a lo seguro.… Expand
  12. handlingpans
    Jun 17, 2023
    10
    In Times New Roman... is exactly the dark, angry album I was expecting. Every track is amazing, and while generally not as catchy as songs like "No One Knows," there are plenty of amazing riffs to be found. Some of their best work to date, and I personally think this is the #1 album of the year.
  13. brunors369
    Jun 20, 2023
    10
    Como de costume, mais um excelente trabalho de uma das maiores bandas da atualidade. Para mim a maior na verdade. Destaque do álbum vai para Obscenery, Negative Space, Time & Place e Carnavoyeur.
    Sou fã de Queens of the Stone Age desde a minha adolescência e só posso agradecer por crescer ouvindo esses caras.
  14. Juan_Luis1980
    Jun 22, 2023
    10
    Despues de Rated R, Songs For The Deaf y Lullabies, el mejor disco de los Queens Of The Stone Age.
  15. QOTSA44
    Jun 23, 2023
    10
    Queens have proven themselves to be the most consistent and accomplished rock band of their generation. These songs take a few listens to truly "get." But once you do, MAN, do you get them. It is a hard-hitting and deeply emotional record. Homme's best lyrical work to date. I truly varied and wonderful listen. I think it is their best album since Era Vulgaris.
  16. LucasVR
    Jun 23, 2023
    9
    Probably their third best album ever. No bad songs and a few masterpieces, such as the two final songs of the album: Emotion Sickness, and Straight Jacket Fitting.
  17. Clipse7300
    Jun 18, 2023
    8
    This album is one of the more, over/under the surface, aggressive records, And If you choose to listen carefully, this band always maintains the sonic tropes they’ve had since the beginning, even though the band may change direction. And that’s OK, if you’re not stuck in the past.
  18. Gustavo132003
    Jun 20, 2023
    10
    This is a very good album. I don't think there's a single QOTSA Album I dislike. Very good job.
  19. deaf
    Jul 14, 2023
    8
    Takes a while to click but once it does it’s really enjoyable. Best tracks are Obscenery, Paper Machete, Sicily, Negative Space, Emotion Sickness. There isn’t a dud on here, enjoy!!!!
  20. Lajaleaa
    Jul 13, 2023
    7
    First time listening to the Queens of the Stone Age too...
    I know, I know, I'm sorry, but I'm not that sorry, I guess.
    This is an interesting project. The first half of the album feels like they are holding on to what they love and all the fun they have playing the music they want. The second half is them trying to fit that style and personality to new ways of expressing themselves. Like    First time listening to the Queens of the Stone Age too...
    I know, I know, I'm sorry, but I'm not that sorry, I guess.
    This is an interesting project. The first half of the album feels like they are holding on to what they love and all the fun they have playing the music they want. The second half is them trying to fit that style and personality to new ways of expressing themselves. Like struggling with creativity without losing the good times and essence that, at least, the band demands themselves to have.
    I guess that what I'm trying to say is that this project is cool because the band won't allow itself to be something they are not, but they have made peace with the fact that new times demand different music, and they are doing their best, finding the balance and coming back to a place that, I'm pretty confident will receive their return with open arms.    … Expand
  21. kxxgxx
    Jun 30, 2023
    10
    I like each and every song from the album, even those least listen like Straight Jacket Fitting which is a masterpiece btw
  22. Desig
    Jul 3, 2023
    7
    QOTSA are evolving. is this good? is it bad? Some welcome this change, other predictably don't . Sure the nostalgia of the post-Kuyss days seems to be gradually fading away on their records, But it is opening doors to a new musical 'beast', which hopefully will only get better with time. Strong songwriting here, with fewer stomps on the on the fuzz pedal.
  23. Viduadiabolus
    Jul 22, 2023
    10
    This review contains spoilers, click expand to view. QotSA never repeat themselves, they evolve, they swing a tightrope and never fall, they will always end up leaving their mark... luckily they never got caught up in the Mainstream and vulgarity... Homme's voice sometimes sounds too pop...but it's all a plot, a web, just to trap and hang in their web closed minds... the lyrics are too smart and BRUTAL.. IN TERMS OF RHYTHM SECTION IT'S THE BEST THAT ROCK CAN GET... QotSA's songs are for slow consumption... they are full of colors, textures and atmospheres.… Expand
  24. Luke9648
    Aug 11, 2023
    10
    I recently came to the conclusion that these guys (Josh) ranks #4 all time for me. So yeah, their worst albums are 9/10 to me. Solidly in the middle of their catalogue. Kind of like Like Clockwork and Era Vulgaris. Not for someone looking for upbeat jams a la Villains. Not for metalheads either. These guys (again Josh) have kind of found their sound after spanning every area of rock musicI recently came to the conclusion that these guys (Josh) ranks #4 all time for me. So yeah, their worst albums are 9/10 to me. Solidly in the middle of their catalogue. Kind of like Like Clockwork and Era Vulgaris. Not for someone looking for upbeat jams a la Villains. Not for metalheads either. These guys (again Josh) have kind of found their sound after spanning every area of rock music over the last 25 years. Solid all the way through, similar to Clockwork in that way. Carnavoyeur in particular really does it for me. Life sucks, so anyway.... might as well listen to this album while you're here.… Expand

Awards & Rankings

17
#17 Most Discussed Album of 2023

Critic Reviews

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Metascore
80

Generally favorable reviews - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 19
  2. Mixed: 2 out of 19
  3. Negative: 0 out of 19
  1. PopMatters
    Jul 26, 2023
    70
    This isn’t the best place to start with Queens of the Stone Age (R and Songs for the Deaf remain their high points), but longtime fans should be happy to have them back again.
    Read full review
  2. PopMatters
    Jul 19, 2023
    80
    In Times New Roman… is classic Queens of the Stone Age in all its grit and posture, but with a newly found lyrical resonance, making it a worthy late addition to their consistently upstanding catalog.
    Read full review
  3. Uncut
    Jun 22, 2023
    90
    A potent, heavy distillation of everything the group have done. [Aug 2023, p.30]
See all critic reviews »