User Score
8.0

Generally favorable reviews- based on 4 Ratings

User score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
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  1. Apr 16, 2020
    8
    What a great album this is. So many musical styles. Disco, Pop, Americana, Techno, Chill. All wrapped into one. I really enjoyed it.
Metascore
77

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
  1. May 14, 2020
    80
    This is a record of infinite different energies, and as a result can be headspinning as it whirls from one to another, but beneath them all there is this deeper, more primal momentum at play - a hypnotic, looping repetition around which those myriad flourishes are wound.
  2. May 1, 2020
    80
    No question that Fohr and her cohorts genuinely like and appreciate the thumpy, cheesy Eurodisco that shimmers through these songs, but they put an unusual spin on it. There’s a warmth in these plastic grooves, an experimental inquiry in these hands-in-the-air raves, a spiritual striving amid hip-jutting, butt-swaying ecstasies.
  3. The Wire
    Apr 28, 2020
    80
    As Jackie Lynn, Fohr’s voice still occupies center stage, but it does so within synthesized set pieces crafted for her to inhabit. Like a hotel decked out with themed rooms, each song on Jacqueline has its own fine-tuned palette and nostalgia-tinged lighting scheme. [Apr 2020, p.49]