• Record Label: Def Jam
  • Release Date: Mar 19, 2021
User Score
7.3

Generally favorable reviews- based on 5480 Ratings

User score distribution:
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  1. Mar 21, 2021
    0
    This album is the grossest thing that could happened to 2021, go listen to Chemtrails Over The Country Club better, that it is a piece of arttttt
  2. Mar 21, 2021
    0
    This review contains spoilers, click expand to view. This album is SOOOOOOOOOOOOOOOOOOOOOO bad!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Expand
  3. Mar 22, 2021
    0
    uma perca de tempo, outro álbum radioativo e nada criativo do ex da selena gomez.
  4. Mar 22, 2021
    0
    I really want him to make a strong comeback album...this is not it, unfortunately for us all since we'll have to hear the singles.
  5. Mar 21, 2021
    0
    Nothing new from this album. His best album was Purpose and after that he's just making **** music.
  6. Mar 21, 2021
    0
    Ruim, já na primeira música da vontade de parar... parece que o álbum n muda, sempre a mesma batida
  7. Mar 21, 2021
    0
    This review contains spoilers, click expand to view. sad. nothing new. I wish to hear more of his stripped versions. I just hope he can make better music. Expand
  8. Mar 22, 2021
    0
    Aiaiaiaiaiaiaiaaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaiaia
  9. Mar 22, 2021
    0
    Very bad with repetitive sounds , undoubtedly biber has not been able to do something right, with more than 50 people involved in this work they still disappoint
  10. Mar 21, 2021
    1
    This review contains spoilers, click expand to view. Not a good album apart from the songs he has released as singles a lot of skips Expand
  11. Mar 21, 2021
    0
    A BIG TRASH **** this album has no sense the only talent of this man is to screw his own career AND PAYOLA.
  12. Apr 26, 2021
    0
    This album is garbage. Can we stop giving justin beiber such good reviews. His music is rarely good.
  13. Mar 21, 2021
    3
    Nenhuma novidade, a mesma entrega sem sal dos últimos anos. Não dá pra ouvir uma inteira.
  14. Mar 21, 2021
    1
    This review contains spoilers, click expand to view. La única razón de su buen rendimiento es la fanbase que tiene el pibe. Cada canción es aburrida, totalmente plana. Está lleno de colaboraciones y aún así no logra rescatar el álbum. Expand
  15. Mar 21, 2021
    0
    very bad album.very bad album. very bad album. very bad album. very bad album.very bad album. very bad album. very bad album.
  16. Mar 21, 2021
    0
    Another desperate attempt by Justin Bieber to try to redeem himself but another miserable failure, a total mess
  17. Sep 1, 2021
    0
    This is just a bit rubbish in all honesty. i could accept this drivell if it revolutionised music in any way shape or form. Unfortunatley this ablum, though quirky, is no revolution 9. it's just a lazy cash grab that only fails to enforce the edgy character that kanye trys to push
  18. May 30, 2021
    0
    worst album ever. no versatility...just an attempt to gain sympathy all throughout after the failure of changes. well nothing changed tho
  19. Jun 25, 2021
    0
    This review contains spoilers, click expand to view. Very good. People love people. The words are very imprinted on them. Except absolutely can't at all. The song is good. Pattana is everywhere. I expected a lot and yes dear. But Justin can make a song to be high. And it will always be like that. Expand
  20. Mar 21, 2021
    0
    this album is called 'Justice' but why? what does Justice have to do with putting out an album called Justice with zero songs about any kind of social injustice and an a random MLK interlude that transitions into a song about ... his wife? I don't know what he thought he was doing here but this seems extremely tone-deaf
  21. Mar 21, 2021
    0
    This review contains spoilers, click expand to view. Esto es una vil miércoles, Cajustin retirate de la industria musical nadie te quiere pedazo de bodrio mal echo Expand
  22. Mar 22, 2021
    0
    I thought he would make better music after his last album but it's boring and generic again ...
  23. Mar 21, 2021
    0
    the album is kinda bored and he's so disrespectful when he used MLK to a song about love i know that racist doesn't care about us the blacks he's just using us to sell music tbh i am so tired of white people
  24. Apr 11, 2021
    0
    Crei que este album seria mejor que Changes y si, es mejor pero no lo suficiente no me gusta este album ojala consiga un nuevo grupo creativo que lo ayude
  25. Mar 20, 2021
    0
    long gone are the days of believe and purpose, justin's prime is gone and now it's just him putting out lackluster albums that don't push himself
  26. Aug 4, 2021
    3
    This review contains spoilers, click expand to view. WTF is the MLK interlude ?. It's so pretentious. This album is nothing special but so mediocre and generic Expand
  27. Mar 22, 2021
    0
    lana ile aynı gün çıkarmayacaktın askm al sana sıfır afiyet olsun güle güle
  28. Mar 20, 2021
    0
    Mais uma tentativa de mostrar personalidade sendo só um produto fraco para jovens em total alienação.
  29. Mar 21, 2021
    0
    Mesma fórmula ruim e chiclete, sem nenhuma inovação e aprofundamento no mesmo estilo de sempre.
  30. Mar 21, 2021
    0
    This review contains spoilers, click expand to view. spoiler alert: you won't like it. 19/3/21 is for Lana and Justin **** it up Expand
Metascore
62

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 16
  2. Negative: 1 out of 16
  1. Mar 26, 2021
    70
    The upshot is that Justice is one of Bieber's steadiest releases, among the easiest to play from start to finish. The only overdone aspect is the low self-esteem and unworthiness the lyrics either suggest or flatly express in almost every song.
  2. Mar 25, 2021
    40
    With 16 tracks in a wide variety of styles and moods, Bieber’s centerless sixth studio album is noisy and grab-baggy in a way that once was typical for him (and other major pop acts) yet now registers as shallow and unsatisfying.
  3. Mar 23, 2021
    72
    His voice has a palatable smoothness; he’s mastered push-and-pull dynamics, and he swings effortlessly from a placid chest voice to a zephyr of a falsetto. That litheness and control are on full display across Justice. Even when the songwriting is spiritless and the production rote—and it occasionally is, as on the confessional “Unstable” and the saccharine “Deserve You”—he still sings the hell out of it.