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The loud, distorted, lo-fi West Coast tone dominates the album, and this is the terrority where Goldstein performs most engagingly. Where he attempts a more stripped-down approach (on Fall, or the ukelele-led title track) the results are less successful.
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Under The RadarHome-recorded music is seldom this revelatory, but these tunes manage to leap from the confines of their origins. [Holiday 2009, p.78]