• Record Label: BMG
  • Release Date: Nov 17, 2017
Metascore
59

Mixed or average reviews - based on 25 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 25
  2. Negative: 2 out of 25
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  1. Nov 17, 2017
    30
    The saddest thing is that all the emotionally flat crooning and awkward lyricism is set to the most blandly serviceable of arena-rock backing tracks complete with by-numbers horn and string parts (the orchestra being the last refuge of the uninspired rockstar), performed by session musicians who’ve honed their craft from stints backing the likes of Alanis Morissette and Billy Corgan. The net result makes The Killers look like Throbbing Gristle.
  2. Nov 17, 2017
    30
    It's Morrissey's weakened, diminished lyricism that kicks it down from being a solid-if-not-stunning Moz record to something almost unpalatable.
User Score
5.3

Mixed or average reviews- based on 67 Ratings

User score distribution:
  1. Positive: 33 out of 67
  2. Negative: 25 out of 67
  1. Nov 23, 2017
    7
    After 'World Peace...' I'd all but given up hope that Moz was going to return to some sort of form. Surprisingly, LIHS is his best album in aAfter 'World Peace...' I'd all but given up hope that Moz was going to return to some sort of form. Surprisingly, LIHS is his best album in a long time. Musically it's mostly great and Morrissey's voice is never better. It only falls short because of the last four tracks which are pretty forgettable. Full Review »
  2. VDS
    Nov 17, 2017
    7
    Not as easily accessible as the masterful trio of Your Arsenal, Vauxhall and I, and Southpaw Grammar, but this is the perfect Morrissey recordNot as easily accessible as the masterful trio of Your Arsenal, Vauxhall and I, and Southpaw Grammar, but this is the perfect Morrissey record for where we are today. He has always been so spot on at distilling the complex into the simple, but losing nothing in the process, and Low in High School is a master class in such an approach.

    I’ve seen critics comment on the record being overly sexual, but Morrissey sung ‘there are explosive kegs between my legs’ over ten years ago on Ringleader of the Tormentors. He’s always strayed into such territory, it’s nothing new.

    Musically, the piano’s in the limelight here, and to good effect. Also, his vocals have never sounded as clear and sharp as they do on this disc.

    Casual listeners may struggle past Spent the Day in Bed (one of his best tunes to date), but if you get what he’s about, this album from his M-ness will be right up your alley. Ignore the pretentious so and so’s who are paid to tell you what they think about music meant for all of us, and get into this record with a long-haul appreciation of the greatest living Englishman (which when I look in the mirror, always used to be me).
    Full Review »
  3. Jan 17, 2018
    8
    Morrissey's best album in many years I'm pleased to say. It took me quite a few listens to draw that conclusion but I'm glad I gave it theMorrissey's best album in many years I'm pleased to say. It took me quite a few listens to draw that conclusion but I'm glad I gave it the chance as I'd nearly given up hope of a return to form. Full Review »