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Jan 31, 2011Once again, the limits of music and musicianship are foregrounded in Popp's relentless pursuit of the horizon afforded by a particular disposition of limits: the limits of imagination, of technology, of process, the organic and the inorganic.
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Dec 16, 2010Although the music came out of a computer, it's decidedly unmechanical. Loops and metronomic repetitions are far outnumbered by impulses and spasms, stops and starts. Each track could be a separate Petri dish, testing how selected musical organisms interact.
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Dec 16, 2010The big difference on this two-disc set, however, is the occasional, recognizable drum pattern, mostly snare strikes or cymbal crashes, that give the rest of the music a wider dynamic range.