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Jan 31, 2011Once again, the limits of music and musicianship are foregrounded in Popp's relentless pursuit of the horizon afforded by a particular disposition of limits: the limits of imagination, of technology, of process, the organic and the inorganic.
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Dec 16, 2010At 70 tracks, O is bloated, and the differences between songs and discs are so slight as to not much matter, though they do exist.
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Dec 16, 2010Popp sounds as if he's having a ten-year-old argument with himself, and though he's certainly earned the right to make the point that this argument still holds currency, O is less than convincing.