• Record Label: Legacy
  • Release Date: Jun 29, 2018
Metascore
67

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 4 out of 8
  2. Negative: 0 out of 8
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  1. 80
    Americana II feels like another chapter exploring a still-living, breathing relationship with an intensely complex land, that makes for a rich and invigorating listening experience, heightened even more by the news that a new Kinks album is on the way, too.
  2. Q Magazine
    Jun 26, 2018
    80
    It's a hugely entertaining album. A musical travelogue whose breadth of styles fits the vast nation it eulogises. [Summer 2018, p.107]
  3. Uncut
    Jun 26, 2018
    80
    Everything here remains personal, but it is also a cooler proposition. There's a degree of studio craft and narrative control here that Davies has never bettered. [Aug 2018, p.22]
  4. Jun 26, 2018
    75
    Our Country: Americana II and its predecessor, along with Davies’ 2013 memoir Americana, offer an outsider’s perspective on the beauty and peril of America, a land of confounding contradictions. Davies doesn’t judge, he simply tries to understand. Maybe seeing ourselves through his eyes will have a similar effect on us.
  5. Mojo
    Jun 26, 2018
    60
    There are some hammy moments on Americana Act II, but Davies' status as one of pop's great storytellers endures. [Aug 2018, p.92]
  6. Jun 29, 2018
    50
    Davies still possesses a sharp eye and sly sense of humor, so Our Country has its moments, but they're moments, not songs, and they're overwhelmed by his clumsy dramatic pretensions, which are undone by his reluctance to tie his theatricality into an actual narrative.
  7. Jun 28, 2018
    50
    Three of the 19 songs on Our Country are recycled from Davies's past. ... The remaining 16 tunes range anywhere from not bad to terribly awkward. A great many of them are marred by spoken-word introductions or interludes that only show Ray Davies's age while imparting none of his subtlety.
  8. 50
    Ultimately the album is easier to appreciate as an unusual, occasionally successful and diverting artistic project that tries to make sense of Davies’ love and apprehension about America, than it is to enjoy.

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